#analyzing

Falon'Din and Fen'Harel have the second parts of their names capitalized.

Elgar'nan and Ghilan'nain do not.

I don't think this is a mistake.

Falon and Din are both their own words fully. Same thing with Fen and Harel.

Both Elgar and Ghilan are their own words fully, but nain is not. In fact, of the official canon words, nain doesn't even appear at all (yet) outside of Ghilan'nain; neither by itself nor within another word.

Nan could be a suffix if combined like vheNAN and may mean "centre" (apparently, according to Trick Weekes outside of canon sources)

However, I propose that because "nan" in Elgar'nan is not capitalized, it is not a full word by itself in Elgar'nan's name, but shortened. Possibly because the Evanuris only have 2/3 syllables in their "god names."

There is a bow in Inquisition which calls Elgar'nan "Sun's Death." And one of the words for death is "Dinan."

“Those are the words of a potential war criminal.”

~ Retired Major General~

Analyzing this scene because oh, my God, it fed my love for mentally ill characters

Okay, so, I've seen some people call this scene a grab for sympathy, and, first of all, it's not a sympathy grab, but you gotta understand that Maul is a sympathetic villain, you can feel bad about what he's gone through while knowing he is not a good or moral person. Second of all, this scene showcased not just his trauma, but how badly his mind is damaged that he cannot even handle the possibility that he had no one waiting for him after being taken by Sidious, so he created that memory of Savage asking for him to stay.

I gotta say, Maul is one of the most well-written mentally ill characters, because unlike most characters, he doesn't show signs of how far gone he is around others. If you'd just seen him even from Brander's point of view, he appears to be normal (well, as normal as a bisected, crime lord, former Sith can be), but it's when he's alone, that's when it truly shows. And this scene gives more insight to how Maul becomes the way he is in Rebels, because--especially with all that he's gone through--he can only really hide this side of himself for so long before it starts to show to other people (ahem, his weird, Satine shrine, blood-on-the-wall bedroom says it all)

Now, FOR THE OVERANALYSIS OF THESE FEW SECONDS

This part was done absolutely beautifully, because you can hear and see that it seems like a small part of him is still holding back from crying, but the restraint is slipping, so what does he do? You know, instead of the normal thing being to let it out because, Maul, baby, you're alone in sewage, literally no one is here to judge you

He turns the sadness into rage, because lil old buddy SHEEV. SIDIOUS. PALPATINE. has drilled this into him. Look at the expression on the far left--that is fear. No matter what, he still has this ideology of turning his emotions, his sadness, his fear into rage, because anything else will be considered weak.

And as for the whole "Sidious. You did this to me" line, I don't think this is just him realizing this now. Think about it, Maul was just told to his face that the Emperor wants him dead. Throughout all the pain Sidious caused him, he has never wanted Maul dead, because he had some use for him through all this. But now, it's fully hit him that he is truly disposable, that he is worth as much as the Jedi in hiding are to Sidious. And realizations can happen multiple times. I know that I've had certain realizations where it's small at first, and I don't put much thought into it, but as time goes on and more things pile on, the realization hits harder and harder each time

So, point being, Maul is absolutely one of the most well-written mentally ill and abused characters in my opinion, because oh, MY GOODNESS, they could've easily gone with the route of "Maul is scary and kills a bunch of people but look guys he's nice now" or "this show is just Maul fighting people for revenge because we want money," but they didn't. I absolutely love that they took this character, Sidious' living weapon, and showed just how damaged he has been, and even though he says he will not let Sidious do this to anyone else, in the end, he is too far gone. He cannot let go of the mentality that he is a weapon, not anyone's savior

In season 6, everyone is surprised to learn that Michonne and Rick are now together, after they were literally caught naked.

Daryl seemed to think little of it, and continued his season 5 and onward trend of disinterest and lack of any real passion or enthusiasm.

Then Abraham asks him point blank,

He’s closed off, but lets his face slip for just a moment. It’s like you can see him seeing that moment right before she was taken- again and again. He looks so sad and tired. From season 5 he seems to use his hair as a physical shield from others.

Daryl never opens up about Beth, not even to Carol or to Rick, but it’s more in what he doesn’t say that’s revealing. He doesn’t say, ‘no actually, I never have thought about that’. Instead, he says

It reminds me of another scene from early in Alexandria, where he’s fully shut down post-coda, and Rick tries to reach him. I think it may be Rick trying to kind of sus out what type of bond Daryl and Beth had, by bringing up his loss of Lori. Either way, it seems very intentional to have Rick open up about this specifically to Daryl. Like he said in the episode following her death, “I know you lost something back there.”

He’s clearly trying to encourage him to go explore their new home, like the rest, by hinting that even though Lori didn’t make it, he’s still going on. He’s not dead, and neither is Daryl, not yet at least.

Again, what Daryl doesn’t say is more interesting. He doesn’t say ‘oh well that’s sad you lost someone, I can’t relate’. Instead, he seems to acquiesce to what Rick is saying, an agreement and sharing of his nostalgia.

‘Here we are.’ Just not with them.

Why would he want to go look around? She’s not there so it’s hollow anyways. It means nothing to him, because she’s not enjoying it. She’s gone, just like Lori’s gone.

In 4x13, it’s a totally different Daryl than we’ve really ever seen, relaxed, teasing, content. He doesn’t even have the same constant pacing about to explode, about to leave any minute energy. He’s planted into the ground, happily. They no longer look for the others, the seasons are changing, and they have each other, and that’s enough now. Without realizing, the entire goal of their days has changed, from frantic searching and despair, to more ease and comfort.

Beth makes it clear she’s tired of moving on, so it’s all left to his decision. When he finally suggests they stay, she doesn’t seem shocked. It looks like she knew she could convince him to stay from the start, and just had to play it right. She looks happy, just like he does.

Abraham never met Beth, but he met her on her death bed, cradled in Daryl’s arms. He saw the emotion, the care he took of her lifeless body.

Like Rick, I’m sure he’s assuming that if Daryl had thought about settling down since the world had ended, it would have been with the girl whose body he held with such reverence and sorrow.

He never says No,

because he had thought about it, but shit doesn’t settle.

A part of the statues are broken. First ones would certainly be by car or plane crashes. Then by factories and nuclear stations explosions. Fall of buildings, earthquakes, inundations and many other things.

An other part won't be find either. Like, ones on boats, oil platforms, submarines. People who lived in Amazon or other great forest. Secret bunkers. Caves explorers, swimmers, divers. Ones who lived to artic and antartic poles, buried under ice. Walkers in forests, deserts...

I think despite the positive vision this manga wants to keep and give us. There is an horrible truth.

Senku will not save everyone.

And he wants to believe he is able to anyway. Because he is affraid of the fatal reality and deny it for his own mental sake.