But there is no reason to believe that xerography will entirely vanish. It will persist as a signifier of a specific style, attitude, and politics that changed how we lived, created, connected, and organized ourselves in public spaces in the late twentieth century. And if xerography mattered because it was a medium through which we imagined how to create new types of publics, counterpublics, cities, and communities, perhaps it is entirely appropriate that its legacy will never take the form of a set of artifacts confined to a glass vitrine in a museum.
Eichhorn, Kate. Adjusted Margin: Xerography, Art, and Activism in the Late Twentieth Century. Cambridge, Massachusetts: The MIT Press, 2016. Print. 163.










