Pati Hill, Untitled (package), xérocopie, 30,9 x 22,2 cm, c. 1977-79.





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Pati Hill, Untitled (package), xérocopie, 30,9 x 22,2 cm, c. 1977-79.

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Bruno Munari: xerografie originali, polariscop, oggetti di design, Modern Art Agency, Napoli, 1966 [Saint-Martin Bookshop, Bruxelles-Brussel. Art: © Bruno Munari]
The Rescuers (1977)/ Walt Disney
One Hundred and One Dalmatians (1961, Wolfgang Reitherman, Hamilton Luske and Clyde Geronimi)
10/04/2025

Anya is live and ready to show you everything. Watch her strip, dance, and perform exclusive shows just for you. Interact in real-time and make your fantasies come true.
Free to watch • No registration required • HD streaming
WHAT'S LEFT NOW?
this isn't hitting on instagram. I didn't expect it to but it still hurts, so why not see if the void over here likes it instead.
xerography will always be my baby. something about photocopying direct to paper hits different than scanning. even if I scan it back into the digital world to share and shenanigan, that clean xero on paper (last image) is like nothing else.
I captured this before watching the new Frankenstein, but every time I do xerography I call it being in the lab, so honestly looking at this now all I can see Mary Shelley & making monsters.
acetone 002
mixed media/collage
10/11.2024 (2) - this is the second more or less successful print I made during our xerography course today