Africa
I hear the drums echoing tonight But she hears only whispers of some quiet conversation She's coming in, 12:30 flight The moonlit wings reflect the stars that guide me towards salvation I stopped an old man along the way Hoping to find some old forgotten words or ancient melodies He turned to me as if to say "Hurry boy, it's waiting there for you" It's gonna take a lot to drag me away from you There's nothing that a hundred men or more could ever do I bless the rains down in Africa Gonna take some time to do the things we never had (ooh, ooh) The wild dogs cry out in the night As they grow restless, longing for some solitary company I know that I must do what's right As sure as Kilimanjaro rises like Olympus above the Serengeti I seek to cure what's deep inside, frightened of this thing that I've become It's gonna take a lot to drag me away from you There's nothing that a hundred men or more could ever do I bless the rains down in Africa Gonna take some time to do the things we never had (ooh, ooh) Hurry boy, she's waiting there for you It's gonna take a lot to drag me away from you There's nothing that a hundred men or more could ever do I bless the rains down in Africa I bless the rains down in Africa (I bless the rain) I bless the rains down in Africa I bless the rains down in Africa I bless the rains down in Africa (Gonna take the time) Gonna take some time to do the things we never had (ooh, ooh) Source: LyricFindSongwriters: David F Paich / Jeffrey T Porcaro Africa lyrics © Spirit Music Group, Universal Music Publishing Group
...is a song by American rock band Toto, the tenth and final track on their fourth studio album Toto IV (1982). It was released as a single in the US through Columbia Records in October 1982, the album's third single overall and second in Europe. The song was written by band members David Paich and Jeff Porcaro, produced by the band, and mixed by Grammy-winning engineer Elliot Scheiner.
Critics praised its composition and Toto's performances. The song reached number one on the United States' Billboard Hot 100 chart, the band's only Billboard number one, and number one on the Canadian charts. It also peaked in the top ten in the United Kingdom, Ireland, Netherlands, Australia, New Zealand, and Switzerland.
The song was accompanied by a music video, which premiered in 1983, and was directed by Steve Barron, who collaborated previously with the group for Rosanna. The video features Toto in a library, as they perform and showcase various aspects of African culture. While popular in the 1980s and 1990s, with the song being certified gold by the RIAA in 1991, "Africa" saw a resurgence in popularity via social media during the mid- to late 2010s, including a fan-requested cover by American rock band Weezer which peaked at number 51 on the Billboard Hot 100. It has since been certified six times platinum.
Background
The initial idea and lyrics for the song came from David Paich. Paich was playing around with a new keyboard, the CS-80, and found the brassy sound that became the opening riff. He completed the melody and lyrics for the chorus in about ten minutes, much to Paich's surprise. "I sang the chorus out as you hear it. It was like God channeling it. I thought, 'I'm talented, but I'm not that talented. Something just happened here!'" Paich reckons that he refined the lyrics for six months before showing the song to the rest of the band.
In 2015, Paich explained that the song is about a man's love of a continent, Africa, rather than just a personal romance. He based the lyrics on a late night documentary with depictions of African plight and suffering. The viewing experience made a lasting impact on Paich: "It both moved and appalled me, and the pictures just wouldn't leave my head. I tried to imagine how I'd feel about it if I was there and what I'd do." Jeff Porcaro elaborates further, explaining: "A white boy is trying to write a song on Africa, but since he's never been there, he can only tell what he's seen on TV or remembers in the past."
Some additional lyrics relate to a person flying in to meet a lonely missionary, as Paich described in 2018. As a child, Paich attended a Catholic school; several of his teachers had done missionary work in Africa. Their missionary work became the inspiration behind the line: "I bless the rains down in Africa." Paich, who at the time had never set foot in Africa, based the song's landscape descriptions from an article in National Geographic.
During an appearance on the radio station KROQ-FM, Steve Porcaro and Steve Lukather described the song as "dumb" and "an experiment" and some of the lyrics as "goofy" that were just placeholders, particularly the line about the Serengeti. Engineer Al Schmitt stated that "Africa" was the second song written for Toto IV and had been worked on extensively in the studio. According to Steve Porcaro, it was the last song they recorded and barely made the cut. At one point, Jeff Porcaro considered saving "Africa" for a solo album because some members did not think the song sounded like Toto. The band was more focused on the album's lead single "Rosanna".
Composition
Musically, the song took some time to assemble. Steve Porcaro, the band's synth player, introduced Paich to the Yamaha CS-80, a polyphonic analog synthesizer, and instructed him to write a song specifically with the keyboard in mind. Paich gravitated towards a brassy flute sound, which he found to be a unique alternative to the piano. Porcaro programmed six tracks of a Yamaha GS 1 digital piano to emulate the sound of a kalimba. Each track featured a one-three note gamelan phrase with different musical parameters. Steve Porcaro's brother, Jeff, played his parts live without a click track.
So when we were doing "Africa" I set up a bass drum, snare drum and a hi-hat, and Lenny Castro set up right in front of me with a conga. We looked at each other and just started playing the basic groove. [...] The backbeat is on 3, so it's a half-time feel, and it's 16th notes on the hi-hat. [...] We played for five minutes on tape, no click, no nothing. We just played. And I was singing the bass line for 'Africa' in my mind, so we had a relative tempo. Lenny and I went into the booth and listened back to the five minutes of that same boring pattern. We picked out the best two bars that we thought were grooving, and we marked those two bars on tape. [...] Maybe it would have taken two minutes to program that in the Linn, and it took about half an hour to do this. But a Linn machine doesn't feel like that!
Jeff Porcaro also acknowledged that he was influenced by the sounds created by fellow Los Angeles session musicians Milt Holland and Emil Richards. He also described the significance of the African pavilion drummers at the 1964 New York World's Fair and a National Geographic Special. To recreate those sounds, he and his father Joe Porcaro made percussion loops on bottle caps and marimba respectively.
I was about 11 when the New York World's Fair took place, and I went to the African pavilion with my family. I saw the real thing ... It was the first time I witnessed somebody playing one beat and not straying from it, like a religious experience, where it gets loud, and everyone goes into a trance.
Music Video
The music video used the radio edit and was directed by Steve Barron. It features Mike Porcaro on bass, replacing David Hungate, who had already left the band before the video was made. Lenny Castro is also featured in the video on percussion. As of December 2021, the music video has over 773 million views on YouTube.
In the video, a researcher in a library (portrayed by band member David Paich) tries to match a scrap of a picture of a shield to the book from which it was torn out. As he continues his search, a female librarian working at a nearby desk takes occasional notice of him, while a native carrying a shield that matches the picture begins to close in on the library from the surrounding jungle. When the researcher finds a book titled Africa, the native throws a spear at a bookshelf, toppling stacks of books. Africa falls open to the page from which the scrap was torn, but a lantern lands on it and sets it on fire, after which the librarian's eyeglasses are shown falling to the floor. The scenes are intercut with shots of a spinning globe and the band performing atop a stack of giant hardcover books, in which Africa is the topmost.
Legacy
The song was popular upon its release, hitting number one on the Billboard Hot 100 in February 1983, and the song has continued to be a popular soft-rock classic up to the 21st century. The song has been utilized in many internet memes, has appeared in television shows, such as Stranger Things, Family Guy, Chuck, and South Park, and was used by CBS during their 2013 coverage of the funeral of former South African President Nelson Mandela, albeit not without controversy. It was also included in the 2002 video game Grand Theft Auto: Vice City as part of the fictional Emotion 98.3 radio station.
In 2012, Africa was listed by music magazine NME in 32nd place on its list of "50 Most Explosive Choruses." In January 2019, a sound installation was set up in an undisclosed location in the Namib Desert to play the song on a constant loop. The installation is powered by solar batteries, allowing the song to be played indefinitely. Two years later, the song reached 1 billion plays on the streaming site Spotify.
Personnel
David Paich – lead and backing vocals, synthesizer, piano
Bobby Kimball – lead and backing vocals, percussion
Steve Lukather – electric guitar, backing vocals
Steve Porcaro – synthesizers
David Hungate – bass guitar
Jeff Porcaro – drums, cowbell, gong, additional percussion
Guest Musicians
Lenny Castro – congas, shakers, additional percussion
Timothy B. Schmit – 12-string acoustic guitar, backing vocals
Joe Porcaro – percussion, marimba
Jim Horn – recorder
— Wikipeadia; retrieved June 29, 2022 at 12:55am.
