#abfolge

Sergej chose not to work on conventional representations. The photographs are handled, crushed, interpreted. He interposes plastics filters, often simple bags for creating the texture in his images. He deconstructs reality, like memories out of a dream. The images are blurred as if to get away from reality. This aesthetic is becoming his trademark, his way of looking at the world, with which he combines some other signs, texts strummed we hardly read, like a background noise that would tell us something important but remains difficult to hear. Sergej’s own interpretation emphasizes and valorizes our imagination. The pictures are interactive, we must fill up the story with our own one.

The various works of Sergej are pretexts to explore the great themes of photography. In « Western Ave », he works on the longest urban avenue in Chicago, in the footsteps of iconic American photography. A tribute to many great photographers. He revisits Robert Frank in a journey that condenses on a road, which also remind « Route One » by Robert Kramer. We also have in mind the legendary « Route 66 » which, precisely starts from Chicago, through the United States, up to Santa Monica. Steinbeck’s images in the head, with migrants, and we think to Ed Ruscha passing the “Drive Today” that could have been one of his « 26 gasoline stations ». The American road is a symbol, it unites and separates. Bridge stretched between two places, it is also, in some cases, a rupture or a frontier!

« Good to be to walk away » is an experimental work, the themes (skateboard, public spaces, appropriation…) and processes (blur, images burned, unframed negative, scratches…) in this zine are Sergej’s favorites. The need to put his energy in pictures, a way to let the rage come out loud. It is less constructed than the following zines, but it lays the foundation for future work. Everything is said, but it remains messy. The following books will be built patiently but preserving intact all the energy of beginnings, by channeling it to give it full force.

In « Painful reminder », the title evokes the subject. One looks for a trace, the book is dark, photos more deconstructed, as a person who must rebuild. It is a kind of chaos interspersed with quieter scenes, wandering aimlessly with memories that fade. This is somehow the book of memories with one of my favorite image in which we see two human beings wandering in an industrial environment with fences, which seem burned by flames which swallow the image itself.

The last book I want to talk about here is « Abfolge », which means sequence, published in 2016. Continuing his experiments, Sergej, with this book, combines, for the best, photographic processes and printing technique risography. The fleshy images take here all their depth. You get lost with relish in the deep blacks. The book consists of A3 pictures folded in half to form an unbound 28 pages booklet. We must unfold the book to read the entire image, but above all, each half picture recombines, according to the facing page with another half. The pictures recompose themselves and it is impressive to see how these new images take so much strength.

We now understand that the chaos we had already glimpsed in previous works here finds its fulfillment. This energy organizes the world and makes it intelligible. Certainly for me « Abfolge » is one of the best books published this year!

All publications by Sergej Vutuc can be found here: http://www.sergejvutuc.bigcartel.com/category/publication

And his site: http://www.sergejvutuc.com/