#9.5.22

Iconic

Reblogging to add these tags from @iridiscent-me which are too funny:

INT: I’d like to include the cast in how was to enter this world which is very much between reality and stylization, and maybe we can start with you, Harry.

H: Is this…[messing with microphone buttons] Um, yeah, I think it was, it’s fun to kind of get to play in worlds that aren’t necessarily your own, um, so kind of, you know, this world that’s supposedly so perfect, it’s um, it’s obviously really fun to play kind of pretend in it, and you know, it’s like driving fun cars, and a lot of fun stuff. 

So I think, uh, it’s kind of just nice to, like, I think we were looking to have that world kind of built so well around us that it meant we could kind of play, um, kind of in reality for us rather than like pretending that everything was, you know, nice, or…. It wasn’t too much like acting, I don’t think, in terms of in the world that you’re in, it was really kind of created very well for us, so that was really fun.

Gemma Chan attempts to rescue, says she agrees with Harry, and praises everyone – “set design, hair and makeup, cinematographers” except the director.

Chris Pine: pokes at his tongue, stares at ceiling, wills himself to be vanished, then gives a very thoughtful answer

morgendlich ernste Nebel

Flusstäler und Niederungen

Rapssonnen leuchten schon

in eckigen Feldern

verstecke ich dir den mond im bett

aus moos und blättern

ganz ohne hund liegt er da herum

im dunkeln

denn er ist noch ganz neu

ganz ohne mann

ganz ohne strahlen

ganz ohne fahne die ihm jemand

in den leib gerammt hätte

hinterm wald gleich vor dem krieg