Clearing out my camera roll 8145/?
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Clearing out my camera roll 8145/?

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IMG_1580 8234 8178 8137 8145 Lochinvar 9537 5.4.21 by Brians Railway, Bus and Shipping Collection
#8145#仲éå¤ćć®åē« https://www.instagram.com/p/CCCTWWrn8yf/?igshid=q8ft50hr3j8h
Resources for Maddiey
https://www.youtube.com/watch?v=Sqbv7cCM5AIĀ Bjork video for tone
Sadie Benning
American experimental film maker who used toy cameras in all her early works. Here is a link on Vimeo
Hito SteyerlĀ
Might also strike a note with youĀ
What is tri colour separation on 16mm film?Ā
Explained here, page 2Ā http://mikehoolboom.com/thenewsite/docs/306.pdf
Waterfall by the Cantrills - Australian experimental film makers from Melbourne who are the āGeorge Lucasāā of experimental film (ie ground breaking, internationally reknowned)Ā http://sensesofcinema.com/2010/arthur-and-corinne-cantrill-dossier/waterfall/
Tri colour separation - by Warren Burt, a Melbourne composer and musician and doyen of Australian experimental culture
https://www.youtube.com/watch?v=CyLA3dexwWU
Tri colour separation by Chris Welsby - UK experimental film maker distributed by Light Cone, a major experimental film distributorĀ https://lightcone.org/en/film-1532-colour-separation
Pipilotti Rist - video artist, relevant for your design elements for green screen
Lars Von Trier - film maker, Dogville for entire film made within a studio and lighting choices in that space; early works such as Zentropa for formal style and use of rear projection (green screen equivalent of its era)
Von Trierās work references Douglas Sirk. Sirk was an American director who mostly made melodrama. Melodrama is associated with womenās stories, tragedy, tight framing, relatively moody lighting.
Focus on performance and faces on camera - John Cassettes, all of his films in particular Faces. Also relevant here is Persona by Ingmar Bergman. These are both classic films good for any filmmaker to know well.
My Life Without Steve by Gillian Leahy is a study of loss made using voice over. While thereās no performance to camera, you might find the tone useful.

Anya is live and ready to show you everything. Watch her strip, dance, and perform exclusive shows just for you. Interact in real-time and make your fantasies come true.
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Resources for Stuart
Expanded cinema and alternatives to single channel (ie big screen Dendy) projection - showed you Expanded Cinema Anthony McCall; Ryoji Ikeda
Consider found footage for the video art piece - Prelinger Archives seems to need Getty permission, look for others where you can get footage for free eg ABC used to runĀ āPoolā. Have a look at early advertisements, National Archives and NFSA websites should have some digitised eg decimal currency films.
Using super 8, lab in Melbourne.Ā
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Zonk Vision - glitch TV made by a Canberra artist Danny Wild (heās now in Sydney but heās around)
Daniel Crooks, Australian video artist -Ā https://vimeo.com/77843619
The simplest example of his work uses stop motion, here tāisĀ https://www.artgallery.nsw.gov.au/collection/works/342.2005.a-c/
http://archive.ccp.org.au/docs/lectures/VideoVoid.pdf
Australian Video Art, recent book 2018Ā
BotborgĀ http://botborg.com/
Severed Heads early Sydney electronica
Resources for Anna
Marsha Berry essay on smart phones and film production ...Ā
http://researchbank.rmit.edu.au/list/?cat=quick_filter&form_name=adv_search&search_keys%5Bcore_66%5D=2006074795
Films of Sadie Benning
Ā https://vimeo.com/264897944
Films of Sarah Gibson
Ā https://sarahcgibson.wordpress.com/filmmaker/filmmaker-sub-page-01/
FILMS OF NAZLI DİNĆEL
Check her out on Vimeo - there will be a screening of her work in Sydney -Ā https://www.workshopforpotentialcinema.org/
Poetry film/film poetry
https://poetryonthemovefilm.tumblr.com/
https://issuu.com/lcurham/docs/poetry_on_the_move_lunchtime_films_
Playful, joyful
Craftivist who makes little animals to bring 'joy' here she is - https://www.smh.com.au/entertainment/m19cover-20160301-gn7801.html
Sayraphim Lothian, Public Artist And Craftivist, Melbourne, she was part of the Play Symposium in CBR last year.
Social media for social good
Couldnāt find anything really relevant with a quick Google. So maybe thereās a niche for you. My search wasĀ āsocial media for social goodā. Spend some time on that maybe ...
Something here perhapsĀ https://news.artnet.com/art-world/best-social-media-art-1182398
I really love this project hereĀ https://anthology.rhizome.org/everythingiveeverwantedtoknow-com
The artist kept a list of every term she put into Google for a period of time. Itās quite compelling but not quite what you have in mind! This website (Net Art Anthology) might inspire you.Ā
Publishing for good
https://www.dumbofeather.com/conversations/lori-lakin-hutcherson/
Resources for Sanduni
Analog/digital product augmentation research
Search results āanalog products with digital augmentationā, search 24 Aug
https://thepeakmagazine.com.sg/lifestyle/analogue-digital-merged-create-augmented-paper/
Agile manifesto
Addition to QR codes and alternatives
https://www.wired.com/story/augmented-reality-art-museums/
QR codes and alternatives
MIT article re visual search (alternatives to QR codes)
Ā https://www.technologyreview.com/s/425907/scan-anything-and-let-your-phone-do-the-rest/
National Archives exhibition on the early designs for Canberra featuringĀ āaugmented realityā app for iPad. This review includes a whole section about the interface (scroll down toĀ āuse of tech in exhibitionā heading)Ā
More QR code articles at the bottom of this post ... read the abstracts, one points out that QR tech is not widely used.
Stop motion animation
Animation festivalĀ http://www.miaf.net/Ā . The wikipedia page for animation festivals tells you which ones are long established (ieĀ āimportantā). Check out past winners/entrants and have a look at their workĀ
The Australian Centre for the Moving Image in Melbourne has lots of resources on stop motion animation including aĀ āhow toā.
Hereās a website devoted to animation in Australia OzAnimate
Reading list on animation how tos from the British Film Institute
Resources from the UC library on animationĀ
Includes DVDs of Jan Svankmajerās work, a very famous Czech animator who used stop motion in all his work (quite dark, not paper based but you need to know about Svankmajer!)
Stop motion handbook 3: using GarageBand and iStopMotion
Description: A reference guide to help young animators learn how to produce polished stop motion movies. Includes teacher lesson plans. Suggested level: primary, intermediate, secondary.
Creation Date: 2012
The animation bible : a guide to everything - from flipbooks to flash
Creator: Furniss, Maureen.
Contents: 1. Concept, medium and style -- 2. Storytelling strategies -- Applications I. Hearing sound; Dynamics of color; Color rhythms; Developing personality -- 3. Pre-production -- 4. Production and post-production -- Applications II. Timing action; Developing frames; Twisted wire and clay figure -- 5. Early motion devices -- Applications III. Thaumatrope; Flipbook -- 6. Direct filmmaking: practice and presentation -- 7. Direct filmmaking: vision, sound and collective experience -- Applications IV. Direction motion graphics loopology; Direct sound; 16mm animaged sound notes -- 8. Mixed media and drawing -- 9. Water- and oil-based media -- Applications V. Texture book; Characteristics of media; Coloring test -- 10. Stop-motion animation: a survey of techniques -- 11. Animation in real world contexts -- Applications VI. Replacement animation and lip sync; Cutout figure using paper pivot hinges; Pixilation -- 12. Digital media and computer animation -- 13. Digital visions -- Applications VII. Playing with Flash -- Glossary.
Creation Date: 2008 University of Canberra Library UC Library General NC1765.F87 2008
The animation producer's handbook
Contributor: McConville, Yasmin.
Contents: 1. Animation -- 2. The producers -- 3. The concept and the pitch bible -- 4. Project development -- 5. Setting up the pre-production process -- 6. The 2D pre-production process : part one -- 7. The 2D pre-production process : part two -- 8. 2D production -- 9. Pre-production and 3D animation -- 10. 3D production -- 11. Post-production -- 12. Producing Flash, stop motion and multipath movies.
Creation Date: 2006 University of Canberra Library UC Library General TR897.5.M55 2006
The collected shorts of Jan Svankmajer Vol. 1 : the early years
The collected shorts of Jan Svankmajer vol. 2 : the later years.
Description: A series of short films made by the Czech surrealist Jan Svankmajer, using a combination of puppets, humans, stop-motion animation and live action.Ā
University of Canberra Library UC Library General PN1997.A1.C65 2003 dvd 2
QR codes journal articles
Mediating Museum Display and Technology: A Case Study of an International Exhibition Incorporating QR Codes
Creator: Dressler, Virginia A. ; Kan, Koon-Hwee
Is Part Of: Journal of Museum Education, 03 April 2018, Vol.43(2), p.159-170
Subject: Article ; Quick Response Codes ; Art Exhibition ; Informal Education ; Museum Display ; International Art Exhibition
Description: Theoretical and practical implications of incorporating Quick Response (QR) codes in a traveling international art exhibition are addressed in this paper. Blending the physical and virtual dimensions, the exhibition undergirded a pilot study of the integration of technology into traditional museum settings in both China and the United States. The conceptual and methodical framework highlighted in this study included the participatory museum, informal education, and an array of evaluation research methods and techniques. Data collected for analysis comprised a set using Google Analytics, questionnaires completed by exhibition visitors, and other in-depth qualitative findings collected from participating artists from both cultures. This paper shows that the technological aspects of display can lead directly to participatory learning with the potential for new directions and avenues of inquiry.
Publisher: Routledge
Identifier: fulldisplay.constants.ISSN: 1059-8650 ; E-ISSN: 2051-6169 ; DOI: 10.1080/10598650.2018.1459081: ISSN: 1059-8650 ; E-ISSN: 2051-6169 ; DOI: 10.1080/10598650.2018.1459081
Source: Taylor & Francis Group
Using QR codes to increase user engagement in museum-like spaces
Creator: PĆ©rez-SanagustĆn, Mar ; Parra, Denis ; Verdugo, Renato ; GarcĆa-Galleguillos, Gonzalo ; Nussbaum, Miguel
Is Part Of: Computers in Human Behavior, July 2016, Vol.60, pp.73-85
Subject: Quick Response (Qr) Codes ; Museum-Like Spaces ; Engagement ; Experimental Design ; Design-Based Research
Description: Quick Response (QR) code technologies offer potentially outstanding opportunities to transform public experience in museum-like spaces. However, although QR codes are a cost-effective way of delivering digital information in these spaces, there is as yet little information on the resulting effects on visitor engagement. We conducted two different controlled experiments in order to examine the effects of QR codes on visitor engagement in museum-like spaces. These experiments were structured in two research cycles and followed the Design-Based Research methodology. The first experiment compares the effects of QR codes versus traditional display screens for providing information about the exhibits. This experiment was carried out with 200 participants in a public garden. The second experiment was carried out with 260 college students at a university campus hall. This experiment compares traditional (or one-way) QR codes with two-way QR codes as different methods for delivering information. Two-way QR codes allow visitors to search for information about the exhibit, as well as contributing by leaving comments. In both experiments, we measured engagement as a combination of three variables: (1) amount of information consumed by visitors; (2) the time visitors spend at the exhibit; and (3) the visitorsā perceived quality of the experience. The results show that visitors prefer direct mechanisms for obtaining information about the exhibits, such as text on a panel or videos on a screen. However, we also found that two-way QR codes are a cheaper alternative for delivering digital content in museum-like spaces, especially for college-age visitors. ā¢The effect on visitors' engagement of using QR codes is studied.ā¢One experiment compares QR codes versus traditional display screens.ā¢Another experiment compares traditional QR codes with two-way QR codes.ā¢Visitors prefer direct ways of delivering information: screen and text.ā¢Two-way QR codes are more engaging than traditional QR codes.
Identifier: fulldisplay.constants.ISSN: 0747-5632 ; DOI: 10.1016/j.chb.2016.02.012: ISSN: 0747-5632 ; DOI: 10.1016/j.chb.2016.02.012
Source:
A case study on the appropriateness of using quick response (QR) codes in libraries and museums
Creator: Schultz, Michelle Kelly
Is Part Of: Library and Information Science Research, July 2013, Vol.35(3), pp.207-215
Subject: Museums -- Usage ; Museums -- Case Studies ; Museums -- Analysis ; Libraries -- Case Studies ; Libraries -- Analysis;
Description: Libraries and museums are increasingly looking to mobile technologies, including quick response (QR) codes, to better serve their visitors and achieve their overall institutional goals; however, there is a lack of information regarding patrons' perceptions of QR codes ā information essential to successful implementations. This case study explored staff members' and patrons' perceptions of QR codes at Ryerson University Library and the Museum of Inuit Art in order to determine the extent to which QR codes are appropriate for use in libraries and museums. Observations and 56 patron and staff interviews were conducted to obtain data on usage, knowledge, reactions and expectations regarding QR codes in these institutions. It was found that QR code usage was low, but that there was potential for use, with patrons' reactions being generally positive. Three themes were identified from an analysis of the results: an assumption that young people and smartphone owners use QR codes; that QR codes are only used for one-way provision of information, not to initiate a conversation; and that QR codes can be used to personalize a visit to an institution. Libraries and museums are advised that based on these findings, QR codes can provide a cost effective and potentially powerful tool, but patrons should be first surveyed to tailor these initiatives to their wants and needs. ā¢QR code usage was observed to be low.ā¢Patrons' reactions were generally positive, suggesting potential for effective use.ā¢A common assumption was that youth and smartphone owners know how to use QR codes.ā¢Another assumption was that QR codes are only used for one-way information provision.ā¢The idea raised was that QR codes could help visitors personalize their visit.
Identifier: fulldisplay.constants.ISSN: 0740-8188 ; DOI: 10.1016/j.lisr.2013.03.002: ISSN: 0740-8188 ; DOI: 10.1016/j.lisr.2013.03.002
Source: