#186

day 186 / keychain

Random PNGs, part 186.

Book of Kells

The Book of Kells (c. 800) is an illuminated manuscript of the four gospels of the Christian New Testament, currently housed at Trinity College, Dublin, Ireland. The work is the most famous of the medieval illuminated manuscripts for the intricacy, detail, and majesty of the illustrations. It is thought the book was created as a showpiece for the altar, not for daily use, because more attention was obviously given to the artwork than the text.

The beauty of the lettering, portraits of the evangelists, and other images, often framed by intricate Celtic knotwork motifs, has been praised by writers through the centuries. Scholar Thomas Cahill notes that, “as late as the twelfth century, Geraldus Cambrensis was forced to conclude that the Book of Kells was “the work of an angel, not of a man” owing to its majestic illustrations and that, in the present day, the letters illustrating the Chi-Rho (the monogram of Christ) are regarded as “more presences than letters” on the page for their beauty (165). Unlike other illuminated manuscripts, where text was written and illustration and illumination added afterwards, the creators of the Book of Kells focused on the impression the work would have visually and so the artwork was the focus of the piece.

Origin & Purpose

The Book of Kells was produced by monks of St. Columba's order of Iona, Scotland, but exactly where it was made is disputed. Theories regarding composition range from its creation on the island of Iona to Kells, Ireland, to Lindisfarne, Britain. It was most likely created, at least in part, at Iona and then brought to Kells to keep it safe from Viking raiders who first struck Iona in 795, shortly after their raid on Lindisfarne Priory in Britain.

A Viking raid in 806 killed 68 monks at Iona and led to the survivors abandoning the abbey in favor of another or their order at Kells. It is likely that the Book of Kells traveled with them at this time and may have been completed in Ireland. The oft-repeated claim that it was made or first owned by St. Columba (521-597) is untenable as the book was created no earlier than c. 800, but there is no doubt it was produced by later members of his order.

The work is commonly regarded as the greatest illuminated manuscript of any era owing to the beauty of the artwork and this, no doubt, had to do with the purpose it was made for. Scholars have concluded that the book was created for use during the celebration of the mass but most likely was not read from so much as shown to the congregation.

This theory is supported by the fact that the text is often carelessly written, contains a number of errors, and at points certainly seems an afterthought to the illustrations on the page. The priests who would have used the book most likely already had the biblical passages memorized and so would recite them while holding the book, having no need to read from the text.

Scholar Christopher de Hamel notes how, in the present day, “books are very visible in churches” but that in the Middle Ages this would not have been the case (186). De Hamel describes the rough outline of a medieval church service:

There were no pews (people usually stood or sat on the floor), and there would probably have been no books on view. The priest read the Mass in Latin from a manuscript placed on the altar and the choir chanted their part of the daily office from a volume visible only to them. Members of the congregation were not expected to join in the singing; some might have brought their Books of Hours to help ease themselves into a suitable frame of mind, but the services were conducted by the priests. (186)

The Book of Kells is thought to have been the manuscript on the altar which may have been first used in services on Iona and then certainly was at the abbey of Kells. The brightly-colored illustrations and illumination would have made it an exceptionally impressive piece to a congregation, adding a visual emphasis to the words the priest recited while being shown to the people; much in the way one today would read a picture book to a small child.

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