#12-19

Az egyik ilyen a villanyszerelő srác. Ráírtam, hogy ugye érkezik ma, ahogy megbeszéltük? Felhívott, hogy megbeszéltünk mára valamit? :D :D

Annyira tudtam, de annyira tudtam, hogy fel se baszódtam rajta meg már eleve el se pakoltam onnan ahol dolgoznia kellett volna. :D

Holnap jön. Bezzeg a pornófilmekben, hívsz egy bármilyen szerelőt, már csönget is az ajtón, még felöltözni sincs ideje az embernek. :D

Sister Inez Andrews born Inez McConico (April 14, 1929 – December 19, 2012) and better known as Inez Andrews was an American gospel singer, songwriter and recording artist. Her soaring, wide-ranging voice — from contralto croon to soul-wrenching wail — made her a pillar of gospel music. The Chicago Tribune stated that "Andrews' throaty contralto made her low notes thunder, while the enormous range of her instrument enabled her to reach stratospheric pitches without falsetto" and that "her dramatic delivery made her a charismatic presence in church and on stage."

Andrews started singing in the church as a child and performed gospel music on the road in various gospel groups from the 1940s before joining The Caravans in 1957. Fellow member from The Caravans in the 1950s, Shirley Caesar, once dubbed Andrews “The High Priestess” for her ability to hit high notes, and, in 2013, stated, "there never was and never will be another voice like Inez Andrews." Another early member of the Caravans, Albertina Walker often said, "nothing ever worked for the Caravans until Inez started whistling” — hitting the high notes. She sang lead on The Caravans first breakthrough hit, "Mary Don't You Weep", and also had hits as a solo artist with crossover recordings such as "Lord Don't Move The Mountain". (#48 in 1973 on BillboardR&B chart on Song Bird label). She was referred to in 2012 by the New York Times as "the last great female vocalist of gospel’s golden age,” ranking among the likes of other music legends from the "Golden Era" of Black Gospel (1945-1960) - Mahalia Jackson, Marion Williams, Dorothy Love Coates, Sister Rosetta Tharpe and Clara Ward.

Biography

Inez McConico was born in Birmingham, Alabama, United States to Theodore and Pauline McConico. Her mother died when she was 2. Her father, a coal miner, was often out of work during the Great Depression. Andrews traveled a tough road to gospel stardom. She began singing as a child in church and began songwriting as a young mother in Birmingham. Andrews was working six days a week, ten hours a day for eighteen dollars a week, while "washing, ironing, cooking, keep up with the kids." With her busy life in her youth, she felt that life had to have more to offer her. As she pondered that prayerfully, she picked up "a pencil and a brown paper bag" and began to write. Thus began her songwriting career. Andrews began her singing career in the 1940s with two groups in Birmingham, Ala.; Carter’s Choral Ensemble and the Original Gospel Harmonettes. By the mid-1950s, the Harmonettes were one of the nation’s top gospel groups, with Andrews the understudy for the group’s lead singer, Dorothy Love Coates. Coates recommended Andrews to the Caravans, and she eventually moved north to Chicago to become widely known as that group's first successful singer, leading them to the high of their popularity in the 1950s and early 1960s.

In 1962, Andrews left the Caravans to start her own group, Inez Andrews and the Andrewettes. They toured the country performing songs like "It’s in My Heart" and her composition "(Lord I Wonder) What Will Tomorrow Bring?". But by 1967 she was touring as a soloist.

In the 1960s, Andrews solo work and songwriting further ensconced her in the gospel pantheon. Her songs were recorded by many artists, including The Mighty Clouds of Joy and Aretha Franklin. Andrews became one of the major stars of gospel's golden age, The Caravans songs such as "Lord Keep Me Day By Day", "Remember Me", "I Won't Be Back" and several other hits in which Andrews was lead vocalist, including "Mary Don't You Weep", "I'm Not Tired Yet", "Make It In", "He Won't Deny Me" and "I'm Willing".

In 2006, she released a reunion album with The Caravans, Albertina Walker, Dorothy Norwood, and original soprano Delores Washington, entitled Paved the Way.

Solo career

After a stellar career with the Caravans, she left the group in 1962 and had huge success with her crossover hit, "Lord Don't Move the Mountain". Andrews recorded on many labels since the 1950s and has many albums and hit songs to her credit, some of which she composed herself.

Personal life

Andrews was a dedicated Christian and family person. She raised seven children during her career in gospel music. She died on 19 December 2012 at the age of 83. She had been diagnosed with cancer months earlier. Andrews is survived by seven children, 19 grandchildren and 12 great grandchildren.

Honors and awards

In 2002 Andrews was inducted into the Gospel Hall of Fame. It was announced prior to her death that Andrews would be honoured with the Ambassador Dr. Bobby Jones Legend Award at the 2013 Stellar Awards. The award ended up being presented posthumously.

Discography

Studio albums

1963 - The Need of Prayer

1964 - Letter to Jesus

1972 - Lord Don't Move That Mountain

1975 - This is Not the First Time I've Been Last

1979 - Chapter 5

1981 - I Made a Step

1982 - My Testimony

1984 - Lord Lift Us Up

1986 - Jehovah is His Name

1987 - The Two Sides of Inez Andrews

1988 - If Jesus Came to Your Town Today

198? - Close to Thee

1990 - A Sinner's Prayer

1990 - Lord Lift Us Up

1990 - My Testimony

1990 - I Made a Step in the Right Direction

1990 - Inez Andrews

1991 - Raise Up a Nation

1991 - Shine on Me

Live album

1974 - Live At The Munich Gospel Festival

Compilation albums

1999 - Headline News

2005 - Most Requested Songs

Singles

1972 - "I'm Free" / "Lord Don't Move The Mountain"

1975 - "Help Me" / "God's Humble Servant"

1980 - "I'm Free" / "Lord Don't Move The Mountain" (re-release)

19?? - "Close To Thee"

bajom az volt az anyámmal, hogy senki nem látta őt a színfalak mögött csak én. és a vége az lett, hogy önmagam kérdőjeleztem meg, hiszen sehol senki nemcsak, hogy nem bólintott rá, hogy látja amit én látok, senki nem adott hozzá további támpontot, senki nem talált semmiféle analógiát. Egyedül voltam a felismeréssel, hogy az anyámmal valami kurvára nincs rendben. Aztán a pszichológus volt az első. Hozzáteszem, hogy ő is mondta, hogy nem bocsátkozna távdiagnózisba, de pár dolgot azért biztosan kijelenthet. Aztán a pszichiátrián anyám orvosa. Egész életen át tartó kezeletlen személyiségzavar. És onnantól jött számomra a felszabadulás. Mint egy pszichothillerben. Valaki végre hisz nekem. Az viszont maradt, hogy azok közül, akik közelről ismerik anyámat, maximum célozni mernek rá, hogy valami azért van vele, de kimondani, mellém állni senkinek nem volt és most sincs mersze.

Nem anyám miatt írom most ezt, egész más foglalkoztat, anyám már szinte lefutott analízisnek mondható. A sérüléseim olyan régiek, hogy nem feldolgozhatóak, el kell fogadnom, hogy életem végéig érezhető lesz a hatásuk. Amikor a lányommal gondok voltak, a gyermekpszichológus megkérdezte, hogy nem lehet-e, hogy a nevelőapja abúzálta a gyereket. A gyomrom fordult fel a feltételezéstől is, de muszáj volt végiggondolni, muszáj volt minden jelet, minden kedves gesztust, minden ölelést más megvilágításba helyezni, hogy kiderülhessen az igazság. Hányinger volt végigjárni ezt az utat. (nem történt abúzus)

(Innentől azt hiszem a konkrét nevek és viszonyok híján teljesen érthetetlen a poszt. Nagyon sajnálom ezen a blogom ez többször előfordul :( ) Van amit azért nem veszünk észre vagyis azért nem fogadjuk be, hiába látjuk a jeleit, mert annyira távol áll tőlünk, hogy tényleg csak akkor lesz világos a kép amikor ez az utolsó lépés a sakktáblán, amikor már minden mást kizártunk. Ezért kell a kibaszott sok esettanulmányon átrágnia magát az embernek, mert olyan kis egyszerűek vagyunk, hogy még egy látens meleget sem veszünk észre a szűk kis agyunk és a heteronomatív hozzáállásunk miatt (például). Ezért maradnak rejtve a párkapcsolatokban a szexuális bűnözők, a személyiségzavarok, a kettős életet élők. Egyszerűen eszünkbe sem jutnak ezek a dolgok. Nem ismerjük fel mert a jelek külön-külön nem jelentenek semmit. Aztán meg amit megtanult az ember, egy kórképet vagy egy rendszerezést azt megpróbálja mindenre ráhúzni, de akkor meg folyton kilóg belőle valami. Laikusként diagnózist felállítani de méginkább azt el is mondani, egy önmagát igazoló szakmaiatlanság. :( Nem elég a jeleket felismerni, de valahogy látni kell egy személyiség teljes organikus egészét. Úgy, ahogy még ő maga sem látja magát. Ahogy magunkat sem látjuk. (ezért kell a pszichológusoknak a szupervízió. én meg még pszichológus sem vagyok csak kínoz ez a rendszerező részem) És akkor az ember szeretne mindenkihez odarohanni, hogy néééézd, nézd, megtaláltam, megvan, összeállt a kép! Látod??? Ezt hittem, de nem, és akkor azt csináltam, de az se és akkor ő meg, és akkor, és ugye hogy igazam van? De nem lesz senki, aki visszaigazolja, mert rajtam kívül senki nem látja annyi arcát. Ahogy anyámét se látta senki. Most nem tudom kihez rohanjak oda, hogy uramisten, ezt el akarom mesélni és akarom, hogy azt mondja, hogy “aha! basszus, igazad van!”  Mondjuk, anyámnál megjött a visszaigazolás, tényleg csak 40 évet kellett várnom rá. oh, amit el akartam még mondani. Akár igazam van, akár nincs, mindenképpen vesztettem. Lehet lenyugodni és pakolgatni tovább a kártyákat!

Carter Godwin Woodson (December 19, 1875 – April 3, 1950) was an African-American historian, author, journalist and the founder of the Association for the Study of African American Life and History. Woodson was one of the first scholars to study African-American history. A founder of The Journal of Negro History in 1915, Woodson has been cited as the father of black history. In February 1926 he launched the celebration of "Negro History Week"; it was the precursor of Black History Month.

Background

Carter G. Woodson was born in Buckingham County, Virginia on December 19, 1875, the son of former slaves, James and Eliza Riddle Woodson. His father helped Union soldiers during the Civil War and moved his family to West Virginia when he heard that Huntington was building a high school for blacks.

Coming from a large, poor family, Carter Woodson could not regularly attend school. Through self-instruction, Woodson mastered the fundamentals of common school subjects by age 17. Wanting more education, Carter went to Fayette County to earn a living as a miner in the coal fields. He was able to devote only a few months each year to his schooling.

In 1895, at the age of 20, Woodson entered Douglass High School, where he received his diploma in less than two years. From 1897 to 1900, Woodson taught at Winona in Fayette County. In 1900 he was selected as the principal of Douglass High School. He earned his Bachelor of Literature degree from Berea College in Kentucky in 1903 by taking classes part-time between 1901 and 1903.

Career in education

From 1903 to 1907, Woodson was a school supervisor in the Philippines. Later, he attended the University of Chicago, where he was awarded an A.B. and A.M. in 1908. He was a member of the first black professional fraternity Sigma Pi Phi and a member of Omega Psi Phi. He completed his PhD in history at Harvard University in 1912, where he was the second African American (after W.E.B. Du Bois) to earn a doctorate. His doctoral dissertation, The Disruption of Virginia, was based on research he did at the Library of Congress while teaching high school in Washington, D.C. After earning the doctoral degree, he continued teaching in public schools, later joining the faculty at Howard University as a professor, where he served as Dean of the College of Arts and Sciences.

Convinced that the role of African American history and the history of other cultures was being ignored or misrepresented among scholars, Woodson saw a need for research into the neglected past of African Americans. Along with Alexander L. Jackson, Woodson published The Education of the Negro Prior to 1861 in 1915.

Carter G. Woodson stayed at the Wabash Avenue YMCA during visits to Chicago. Dr. Woodson's experiences at the Y and in the surrounding Bronzeville neighborhood inspired him to create the Association for the Study of Negro Life and History in 1915. The Association for the Study of Negro Life and History (now the Association for the Study of African American Life and History), which ran conferences, published The Journal of Negro History, and "particularly targeted those responsible for the education of black children". Another inspiration was John Wesley Cromwell's 1914 book, The Negro in American History: Men and Women Eminent in the Evolution of the American of African Descent.

Woodson believed that education and increasing social and professional contacts among blacks and whites could reduce racism and he promoted the organized study of African-American history partly for that purpose. Woodson would later promote the first Negro History Week in Washington, D.C., in 1926, forerunner of Black History Month. The Bronzeville neighborhood declined during the late 1960s and 1970s like many other inner city neighborhoods across the country, and the Wabash Avenue YMCA was forced to close during the 1970s, until being restored in 1992 by The Renaissance Collaborative.

He served as Academic Dean of the West Virginia Collegiate Institute, now West Virginia State University, from 1920 to 1922.

In addition to his first book, he wrote A Century of Negro Migration, which continues to be published by the Association for the Study of African American Life and History (ASALH). He studied many aspects of African-American history. For instance, in 1924, he published the first survey of free black slaveowners in the United States in 1930.

He once wrote: “If you can control a man’s thinking, you don’t have to worry about his actions. If you can determine what a man thinks you do not have to worry about what he will do. If you can make a man believe that he is inferior, you don’t have to compel him to seek an inferior status, he will do so without being told and if you can make a man believe that he is justly an outcast, you don’t have to order him to the back door, he will go to the back door on his own and if there is no back door, the very nature of the man will demand that you build one.”

NAACP

Woodson became affiliated with the Washington, D.C. branch of the NAACP, and its chairman Archibald Grimké. On January 28, 1915, he wrote a letter to Grimké expressing his dissatisfaction with activities. Woodson made two proposals:

That the branch secure an office for a center to which persons may report whatever concerns the black race may have, and from which the Association may extend its operations into every part of the city; and

That a canvasser be appointed to enlist members and obtain subscriptions for The Crisis, the NAACP magazine edited by W. E. B. Du Bois.

W. E. B. Du Bois added the proposal to divert "patronage from business establishments which do not treat races alike," that is, boycott businesses. Woodson wrote that he would cooperate as one of the twenty-five effective canvassers, adding that he would pay the office rent for one month. Grimke did not welcome Woodson's ideas.

Responding to Grimke's comments about his proposals, on March 18, 1915, Woodson wrote:

"I am not afraid of being sued by white businessmen. In fact, I should welcome such a law suit. It would do the cause much good. Let us banish fear. We have been in this mental state for three centuries. I am a radical. I am ready to act, if I can find brave men to help me."

His difference of opinion with Grimké, who wanted a more conservative course, contributed to Woodson's ending his affiliation with the NAACP.

Black History Month

Woodson devoted the rest of his life to historical research. He worked to preserve the history of African Americans and accumulated a collection of thousands of artifacts and publications. He noted that African-American contributions "were overlooked, ignored, and even suppressed by the writers of history textbooks and the teachers who use them." Race prejudice, he concluded, "is merely the logical result of tradition, the inevitable outcome of thorough instruction to the effect that the Negro has never contributed anything to the progress of mankind."

In 1926, Woodson pioneered the celebration of "Negro History Week", designated for the second week in February, to coincide with marking the birthdays of Abraham Lincoln and Frederick Douglass. The week of recognition became accepted and has been extended as the full month of February, now known as Black History Month.

Colleagues

Woodson believed in self-reliance and racial respect, values he shared with Marcus Garvey, a Jamaican activist who worked in New York. Woodson became a regular columnist for Garvey's weekly Negro World.

Woodson's political activism placed him at the center of a circle of many black intellectuals and activists from the 1920s to the 1940s. He corresponded with W. E. B. Du Bois, John E. Bruce, Arturo Alfonso Schomburg, Hubert H. Harrison, and T. Thomas Fortune among others. Even with the extended duties of the Association, Woodson made time to write academic works such as The History of the Negro Church (1922), The Mis-Education of the Negro (1933), and others which continue to have wide readership.

Woodson did not shy away from controversial subjects, and used the pages of Black World to contribute to debates. One issue related to West Indian/African-American relations. Woodson summarized that "the West Indian Negro is free." He observed that West Indian societies had been more successful at properly dedicating the necessary amounts of time and resources needed to educate and genuinely emancipate people. Woodson approved of efforts by West Indians to include materials related to Black history and culture into their school curricula.

Woodson was ostracized by some of his contemporaries because of his insistence on defining a category of history related to ethnic culture and race. At the time, these educators felt that it was wrong to teach or understand African-American history as separate from more general American history. According to these educators, "Negroes" were simply Americans, darker skinned, but with no history apart from that of any other. Thus Woodson's efforts to get Black culture and history into the curricula of institutions, even historically Black colleges, were often unsuccessful. Today African-American studies have become specialized fields of study in history, music, culture, literature and other areas; in addition, there is more emphasis on African-American contributions to general American culture. The United States government celebrates Black History Month.

Woodson's legacy

Carter G. Woodson died suddenly from a heart attack in the office within his home in the Shaw neighborhood of Washington, DC on April 3, 1950, at the age of 74. He is buried at Lincoln Memorial Cemetery in Suitland, Maryland.

That schools have set aside a time each year to focus on African-American history is Woodson's most visible legacy. His determination to further the recognition of the Negro in American and world history, however, inspired countless other scholars. Woodson remained focused on his work throughout his life. Many see him as a man of vision and understanding. Although Woodson was among the ranks of the educated few, he did not feel particularly sentimental about elite educational institutions. The Association and journal that he started in 1915 continue, and both have earned intellectual respect.

Woodson's other far-reaching activities included the founding in 1920 of the Associated Publishers, the oldest African-American publishing company in the United States. This enabled publication of books concerning blacks that might not have been supported in the rest of the market. He founded Negro History Week in 1926 (now known as Black History Month). He created the Negro History Bulletin, developed for teachers in elementary and high school grades, and published continuously since 1937. Woodson also influenced the Association's direction and subsidizing of research in African-American history. He wrote numerous articles, monographs and books on Blacks. The Negro in Our History reached its eleventh edition in 1966, when it had sold more than 90,000 copies.

Dorothy Porter Wesley stated that "Woodson would wrap up his publications, take them to the post office and have dinner at the YMCA." He would teasingly decline her dinner invitations saying, "No, you are trying to marry me off. I am married to my work". Woodson's most cherished ambition, a six-volume Encyclopedia Africana, lay incomplete at the time of his death.

Honors and tributes

In 1926, Woodson received the National Association for the Advancement of Colored People Spingarn Medal.

The Carter G. Woodson Book Award was established in 1974 "for the most distinguished social science books appropriate for young readers that depict ethnicity in the United States."

The U.S. Postal Service issued a 20 cent stamp honoring Woodson in 1984.

In 1992, the Library of Congress held an exhibition entitled "Moving Back Barriers: The Legacy of Carter G. Woodson". Woodson had donated his collection of 5,000 items from the 18th, 19th, and 20th centuries to the Library.

His Washington, D.C. home has been preserved and designated the Carter G. Woodson Home National Historic Site.

In 2002, scholar Molefi Kete Asante named Carter G. Woodson on his list of 100 Greatest African Americans.

One year older; closer to death

One years worth of wasted breath

2020-12-19 (土) 💁🗼🆚🔋🖊💡✨

👑 No. １０４ ⟴ チャンネル

（n‘∀‘)η<  偶然の一致❕😨😘😚

❤︎⃜…// 大レースを狙えるサラブレッド 🐴🐎𓂃𓂂🍃

⿴⿻⿸ 馬さん !(￥..￥)! 一頭・用意 💴 サラブレッド🐴🐎

⿴⿻⿸ 牛さん !(￥..￥)! 一頭・用意 💴 後嗣（こうし）🐮🐃🐂🐄

⿴⿻⿸ 数えながら寝る羊さん（¥ ¥）一頭・用意 🐑💤💭 (_ *˘ω˘)_Zzz…💴

❣️:.︎｡oƒ *:..｡oƒ *:..｡oƒ *:..｡oƒ *:..｡oƒ *:..｡oƒ :.｡❣️

( •̀ᴗ•́ )/：伝える言葉が残される ...♪*ﾟ

( •̀ᴗ•́ )/：問わず語りの心が切ないね ...♪*ﾟ

( •̀ᴗ•́ )/：あわれんでも答えもしない ...♪*ﾟ

( •̀ᴗ•́ )/：あなたにつたえるすべもない ...♪*ﾟ

( •̀ᴗ•́ )/：涙がこぼれないように ...♪*ﾟ

( •̀ᴗ•́ )/：古い愛の歌を とぎれず唄ってた ...♪*ﾟ

ˣx✖ˣ♡✖ˣx♡xˣ✖xˣ♡ˣx✖ˣx♡xˣ✖♡ˣ✖xˣ

撮影日：2020-12-17 (木)

初雪・粉雪が降り始めた深夜の時間帯 🌃

初雪・粉雪の降った朝時間帯 😴🐓☀

(*•̆ ·̭ •̆*)むぅ 〖報告日〗：2020-12-16 (水)

今年の冬になって一番の寒さを自覚しながら、日中の9時～12時まで電信柱の配線工事があり電気が止まっていました。

家で動いている時間は、かなりの忍耐勝負になります。

丸一日、最低限の範囲内から生活して、無駄な動きをしないで全ての問題を解決することが出来たらいいのになぁと夢みたいな話を思ってみたり、このまま人間界から離れて熊の冬眠と同じ行動をしていたいくらい現実逃避に身を置いて、一年の締めくくりを寒々と歌詞の記憶から遠のいて、途中退場のリセットボタンを押したい心境にかられています。～🐻‍❄️🐻‍❄️🐻‍❄️～

(*•̆ ·̭ •̆*)むぅ 撮影日：2020-12-15 (火)

外では、スマホを持つ手が痛く感じてイヤになる寒さの到来を実感しました。❄:;((＞﹏＜๑));:❄

⋆დଓ⋆დଓ ⋆დଓ⋆დଓ ⋆დଓ⋆დଓ ⋆დଓ⋆დଓ ⋆დଓ⋆

❥·･ 昼間・夜時間・雨降り逢瀬の立証 🎵🎵

撮影日：2020-12-16 (水)

❤︎⃜…// ラスト冬の黄色い菊 \ ♪♪ /

⋆͛♡̷♡̷⋆ (➖)：黄色いマイクを置く 🎵🎵

撮影日：2020-12-12 (土)

調理日：2020-12-14 (月)

購入・白い部分が紫色の変わりネギ（葱）

あまりの寒さに、早速ですが、すき焼きの😋Σd(ﾟдﾟ,,★)💓美味しい旬の食材を堪能しました。

撮影日：2020-12-11 (金)

⋆͛♡̷♡̷⋆ 牛さん代用の庭木

_((Ф(.. )ｶｷｶｷ 白い花アベリア咲き終わり日

撮影日：2020-12-12 (土)

＼‪❤︎／ 猫柳の傘 ☂️☂☔

//♡︎ᵎᵎᵎ♡(ؔᵒ̶̷ᵕؔᵒ̷̶)ℓσνє♡

撮影日：2020-12-13 (日)

⸜❤︎⸝‍⸜❤︎⸝‍⸜❤︎⸝‍ 偶然左側の鉢植えイチゴに入った葉っぱが風に吹かれ動いて片耳になったウサギさん初登場‼🐰

撮影日：2020-12-14 (月)

⸜❤︎⸝‍⸜❤︎⸝‍⸜❤︎⸝‍ 偶然左側の鉢植えイチゴに入った葉っぱの残っていた片耳が風に吹かれ両方が消えて、ウサギさん初登場‼🐰

_(=×=_∪)⌒)ο ˙˚ ᕱ⑅ᕱ ɞ˚˙ ♡。 ∩∩

撮影日：2020-12-13 (日)

𓂃𓃺𓈒𓏸 ポコンポコン穴掘りもぐらさん登場４度目❕

撮影日：2020-12-06 (日)

❥ ... 最近もぐらの通った後 ♪♩♬

❤︎⃜…// 上手に倒さずソーラーライトを棒から外す技 （゜〇゜）

撮影日：2020-12-10 (木)

＼‪❤︎／ 庭木オオデマリ（大手毬）

❥·･ テレビ画面の背中を指す枝☝

撮影日：2020-12-09 (水)

ʚ♡⃛ɞ 芝生に延びる影 🌳🍃

\ Hello ♡/ 左側：オオデマリ（大手毬）♡‴ 亀さん ✧ᴴᴱᴸᴸᴼ✧

\ Hello ♡/ 右側：名前の分からない庭木 ♡‴ 鶴さん ✧ᴴᴱᴸᴸᴼ✧

撮影日：2020-12-16 (水)

❤︎⃜…// 霜が降りて冷えきったお庭

撮影日：2020-12-16 (水)

⋆͛♡̷♡̷⋆ ネクタイ 👔代用・鉢植え

❥·･ 入り込んだ枯れ葉 ͛.*🍃𓂃 𓈒𓏸🍂

𐀪𐁑 集まった人たち ୧( ⸝⸝ᵕᴗᵕ⸝⸝)୨

❥·･ ラスト枯れ葉1枚の庭木

撮影日：2020-12-13 (日)

❤︎⃜…// ブルーベリー果樹

⋆͛♡̷♡̷⋆ ２種類 植樹 ~♩♩

❥ ... (➖)：冬ラスト・消えた赤い葉っぱ ( ' '♬)

⋆͛♡⋆͛ 左側：裸の蓄音機 \ ♩ /

⋆͛♡⋆͛ 右側：裸のレコードプレーヤー \ ♪♪ /

\ Hello ♡/ お庭に残されるたんぽぽ ♬.*ﾟ

撮影日：2020-12-16 (水)

⋆͛♡⋆͛ ひとり玄関エントランスに腰掛けて見ていました。

伝説のスター 師弟物語

遠藤実✖️森昌子

人生を変えた師匠の教え

歌は人生の友

第４回日本歌謡大賞より

第14回日本レコード大賞・新人賞

第3回日本歌謡大賞・放送音楽新人賞

❥ ... 冬に１つだけ雑草の傘をさしているたんぽぽ花 ♬*.+゜

❥ ... 桟橋になった茎 ♪♩♬

\ Hello ♡/ 先頭たんぽぽ代用の太陽☀︎*.｡・野ざらし駐車スペース ♬*.+゜

\ Hello ♡/ 引っこ抜けない省スペースたんぽぽ *♬೨̣

\ Hello ♡/ 物置（灯油缶の保管・枝切り・刈り込みばさみ・芝生刈りはさみ）の前のしぶとい芝生たんぽぽ ♪♩♬

\ Hello ♡/ お魚釣りの出来ない枯れ葉のお金（捨てゴミ） ✧ᴴᴱᴸᴸᴼ✧

\ Hello ♡/ ハンカチ落とし終わり・山盛り枯れ葉のお金（捨てゴミ） ✧ᴴᴱᴸᴸᴼ✧

撮影日：2020-12-09 (水)

\ Hello ♡/ 捨てゴミの処理・小５袋 💴 ✧ᴴᴱᴸᴸᴼ✧

\ Hello ♡/ (➖)：秋の黄色い菊カット・捨てゴミ処理 ✧ᴴᴱᴸᴸᴼ✧

＼‪❤︎／ 裏道に生け垣の船１つ・右側＆左側の合体

撮影日：2020-12-17 (木)

＼‪❤︎／ 太陽 ☀️.° 🌞😊🌞🔆🔅

撮影日：2020-12-10 (木)

___ ✍🏻 残念なことに都合により充電切れで、夕方になってから撮影出来ませんでした。

撮影日：2020-12-11 (金)

撮影日：2020-12-13 (日)

🌹💫⭐︎ 明るさ💡を － ＋ 調整して撮影・赤く見える夕やけ空 ️️️⛅️

撮影日：2020-12-15 (火)

❤︎⃜…// ️️️冬の空・⛅️夕暮れ・日暮れ・鉄塔＆夜空🔛星空 ♪̊̈♪̆̈♪̊̈♪̆̈♪̊̈

撮影日：2020-12-07 (月)

☆*° 月夜 🌙.*·̩͙🌛*゜☪·̩͙☪︎⋆｡˚✩🌜

撮影時刻 🔜 01:19

撮影日：2020-12-08 (火)

☆*° 月夜 🌙.*·̩͙🌛*゜☪·̩͙☪︎⋆｡˚✩🌜

撮影時刻 🔜 01:21

撮影日：2020-12-09 (水)

☆*°月のない空 おやすみ‎(ृ ु⁎ᴗᵨᴗ⁎)ु.💤🌙

撮影時刻 🔜 04:25

〽 浅間山 🗻 ／'''＼ ⛰️

撮影日：2020-12-05 (土)

撮影日：2020-12-07 (月)

撮影日：2020-12-08 (火)

撮影日：2020-12-12 (土)

〽〽〽 (➖)：遠くに見える北アルプス〽〽〽

撮影日：2020-12-11 (金)

〽 黒斑山・山並み 🗻 ／'''＼ ⛰️

撮影日：2020-12-12 (土)

撮影日：2020-12-13 (日)

___ ✍🏻 市内撮影・本町～ミズヒキ（ミズヒキ）亀と鶴 𓆉𓇼𓆉𓇼

撮影日：2020-12-08 (火)

❥❥» チカラシバ（力芝）・南側の片方カット ♪ૢ

ੈ✩ 沢山の指揮者・ストップ・指揮棒 ♪ૢ

❤︎⃜…// 冬に向かって残したラスト北側の指揮棒

撮影日：2020-12-12 (土)

❥ ... (➖)：北に棲むやさしい鳥さん 𓎤𓅮 ⸒⸒ ⸜🕊⸝ 🕊 𓈒 𓂂𓏸🕊💭

ʚ♡⃛ɞ 仏壇と向かい合う指揮者へ \ ♪♪ /

⋆͛♡̷♡̷⋆ 東西南北の方角に向き合う指揮者へ \ ♪♪ /

♬ ʅ( ՞ω՞)ʃ¯♪♬ ʅ( ՞ω՞)ʃ¯♪

《花言葉》

信念・気の強い・尊敬

❤︎⃜…// 裏庭コムラサキ生け垣

⋆͛♡̷♡̷⋆ 着物の代用 ~♩♩

👘 万祝（まいわい）👘

撮影日：2020-12-12 (土)

ੈ✩ ツルニチニチソウ（蔓日々草 ）⋆͛♡̷♡̷⋆

❥ ... 太鼓＆滝の代用・ツル性植物 ♪ૢ

💡ソーラーライト🔛スポットライト

和名：　蔓日々草（ツルニチニチソウ）

別名：　蔓桔梗（ツルギキョウ）、ビンカ

ヨーロッパでは、常緑で冬も枯れないことから不死のシンボルとして、またツルニチニチソウを身に付けると繁栄と幸福をもたらしてくれる、という古くからの言い伝えがあります。そのため別名も 「大地のよろこび」 、 「魔女のすみれ」 などと呼ばれるそうです。イタリアでは亡くなった子供をこのツルニチニチソウで飾ることから 「死の花」 とも呼ぶそうです。

φ（σ_σ）思い出をかき集めれば、山のように本物のお金だけしか動かない枯れ葉の幻想お庭

....φ(⊂︶■︶⊃)φ....  ....φ(⊂︶■︶⊃)φ....

\ Hello ♡/ 老老介護（ろうろうかいご）✧ᴴᴱᴸᴸᴼ✧

\ Hello ♡/ 老老看護（ろうろうかんご）✧ᴴᴱᴸᴸᴼ✧

♬♫:;;;: ♫ ♬:;;;:♬ ♫:;;;: ♫ ♬:;;;:♬ ♫:;;;: ♫ ♬

〖芸能ニュース👏ニッカンスポーツ・コム〗

［2007年8月2日 8時14分　紙面から］

最期の仕事は、今月２２日発売の渚ようこのアルバム 「ノヴェラ　ダモーレ」 に 「ＫＡＢＵＫＵ」 「どうせ天国へ行ったって」 の２曲の詞を書き下ろした。「どうせ－」 では、死後のことを 「どうせ天国なんて　誰もいないから　イヤよ」 とつづっている。当時、歌手の岩崎宏美（４８）が車いすに乗った恩師に 「どこか痛いところはあるんですか」 とたずねると 「痛くないところがないんだよ」 と、寂しそうにつぶやいたという。常々 「自分には見えっぱりな部分や、強がるところがある」 と話し、教え子の和田アキ子（５７）が見舞いを申し出ても 「元気な姿しか見せたくない」 と断っていた阿久さんも、最近は体調不良を訴えることも多かったという。

阿久さんが作詞家を志す原点は結核を発病した１４歳のころ。医者から 「激情を抱くと、胸が破れて死ぬ」 と宣告され 「文書を書くか絵を描くかしかなさそうだ」 と心に決めたという。

⁎⋆*❇☆:⁎⋆*☆†_(σ_σ)β))☆⁎⋆*:☆🕯𓈒 𓏸✴⁎⋆*

by 松田聖子『PEARL-WHITE EVE』 ♪̊̈♪̆̈

(ღ•ㅂ•๐) 【歌詞】

(ღ•ㅂ•๐) 赤いキャンドルが燃えつきるまで ♪♪"

(ღ•ㅂ•๐) 抱きしめて 折れるほど ♪♪"

(ღ•ㅂ•๐) 誰も愛さない そう決めたのに ♪♪"

(ღ•ㅂ•๐) もう誓いを破ってる ♪♪"

(ღ•ㅂ•๐) 真珠の雪をリングにして指に飾って ♪♪"

(ღ•ㅂ•๐) 今夜私はあなたのものよ ♪♪"

(ღ•ㅂ•๐) 素顔のままで 粉雪の夜 ♪♪"

(ღ•ㅂ•๐) 暖炉の炎が消えそうだから ♪♪"

(ღ•ㅂ•๐) あたためて身体ごと ♪♪"

(ღ•ㅂ•๐) 不幸な恋なら前にしたけど もう一度信じたい ♪♪"

(ღ•ㅂ•๐) 氷の張った池の上を歩くようだわ ♪♪"

(ღ•ㅂ•๐) 勇気を出して あなたの胸に ♪♪"

(ღ•ㅂ•๐) 飛びこみたいの 粉雪の夜 ♪♪"

(ღ•ㅂ•๐) 心を見えない糸で結んで ♪♪"

(ღ•ㅂ•๐) 永遠にそばにいて ♪♪"

(ღ•ㅂ•๐) かたく閉ざした貝のように 生きて来たけど ♪♪"

(ღ•ㅂ•๐) 両手広げて粉雪の夜 ♪♪"

(ღ•ㅂ•๐) 目覚める頃はプラチナの朝 ♪♪"

(ღ•ㅂ•๐) 汚れひとつない世界 ♪♪"

(ღ•ㅂ•๐) 真珠の雪をリングにして指に飾って ♪♪"

(ღ•ㅂ•๐) ピンクのパジャマ リボンほどいて ♪♪"

(ღ•ㅂ•๐) それが私の贈りものなの ♪♪"

(ღ•ㅂ•๐) 壁のスキーの雪が溶けて 滑り落ちてく ♪♪"

(ღ•ㅂ•๐) 今夜私はあなたのものよ ♪♪"

(ღ•ㅂ•๐) 生まれたままで 粉雪の夜 ♪♪"

🐴🐎♩*。♫.°♪*。♬꙳♩*。♫♩*。♫.°🐎🐴

by 中森明菜『帰省～Never Forget～』 ♪̊̈♪̆̈

(ღ•ㅂ•๐) 【歌詞】

(ღ•ㅂ•๐) 深い眠りの中 今は遠いあなた ♪♪"

(ღ•ㅂ•๐) 古い愛の歌を とぎれず唄ってた ♪♪"

(ღ•ㅂ•๐) 絶望の淵でも 眠れぬ夜でも ♪♪"

(ღ•ㅂ•๐) その先の明日を信じ会えたはずなのに ♪♪"

(ღ•ㅂ•๐) 雪を 雪を見たかった ♪♪"

(ღ•ㅂ•๐) 真っ白な雪を 知らない二人 ♪♪"

(ღ•ㅂ•๐) 疲れを知らない 時間は駆け足 ♪♪"

(ღ•ㅂ•๐) 春と夏を過ぎて その先はない ♪♪"

(ღ•ㅂ•๐) 輝いてたはずの 自由に迷うとき ♪♪"

(ღ•ㅂ•๐) 都会の空の下 鳥は居場所をなくしてた ♪♪"

(ღ•ㅂ•๐) 叶わぬ夢 他の誰かじゃなく ♪♪"

(ღ•ㅂ•๐) 今は背中 まだ見せないで ♪♪"

(ღ•ㅂ•๐) 唄い続けてる限り 同じ道を歩いたあなたへ ♪♪"

(ღ•ㅂ•๐) このかすれた声消えるまで ♪♪"

(ღ•ㅂ•๐) Ah 夢を愛を唄うの 祈りたい 届けたい人いる限り ♪♪"

(ღ•ㅂ•๐) せめて今を恥じないで 負けないで生きている だから ♪♪"

(ღ•ㅂ•๐) 同じ夢すごした日々を忘れない ♪♪"

(ღ•ㅂ•๐) 今夜も眠れず 街に冷たい月 ♪♪"

(ღ•ㅂ•๐) 語り合った夢も ぬくもりもない ♪♪"

(ღ•ㅂ•๐) うつろう昨日は果てしない明日へ ♪♪"

(ღ•ㅂ•๐) 抱きしめた体も凍えてゆくばかり ♪♪"

(ღ•ㅂ•๐) 折れた翼 もとに戻せるなら ♪♪"

(ღ•ㅂ•๐) 二人の夢も また変わるのに ♪♪"

(ღ•ㅂ•๐) 追いかけて行くから いつも微笑んでいたあなたを ♪♪"

(ღ•ㅂ•๐) この曇った空 晴れるまで ♪♪"

(ღ•ㅂ•๐) Ah 遠く一人唄うの 雪が降る 誰もいないこの街で ♪♪"

(ღ•ㅂ•๐) 過去じゃなく明日じゃなく ♪♪"

(ღ•ㅂ•๐) 今を唄い続ける限り ♪♪"

(ღ•ㅂ•๐) その瞳 歩いた道を忘れない ♪♪"

(ღ•ㅂ•๐) Ah 夢を愛を唄うの 祈りたい 届けたい人いる限り ♪♪"

(ღ•ㅂ•๐) せめて今を恥じないで 負けないで生きている だから ♪♪"

(ღ•ㅂ•๐) 同じ夢過ごした日々をわすれない ♪♪"

🐴🐎♩*。♫.°♪*。♬꙳♩*。♫♩*。♫.°🐎🐴

by 山口百恵『白い約束』 ♪̊̈♪̆̈

(ღ•ㅂ•๐) 【歌詞】

(ღ•ㅂ•๐) 白く透き通る 雪が降る ♪♪"

(ღ•ㅂ•๐) 音もしなやかに 雪が降る ♪♪"

(ღ•ㅂ•๐) 人の汚れた心を埋めてゆくように ♪♪"

(ღ•ㅂ•๐) ねえ 綺麗なまま 生きることは ♪♪"

(ღ•ㅂ•๐) 無理なのかしら ♪♪"

(ღ•ㅂ•๐) ねえ 私達も 愛し合うと ♪♪"

(ღ•ㅂ•๐) いつかは汚れてしまうのかしら ♪♪"

(ღ•ㅂ•๐) 白く透き通る 雪が降る ♪♪"

(ღ•ㅂ•๐) 息をするように 雪が降る ♪♪"

(ღ•ㅂ•๐) 人の涙や悲しみ 知っているように ♪♪"

(ღ•ㅂ•๐) ねえ 冷たい眼で 見られるのは ♪♪"

(ღ•ㅂ•๐) いつまでかしら ♪♪"

(ღ•ㅂ•๐) ねえ 私達は どんな時も ♪♪"

(ღ•ㅂ•๐) 信じていること 約束するわ ♪♪"

🐴🐎♩*。♫.°♪*。♬꙳♩*。♫♩*。♫.°🐎🐴

＿φ( 'ㅁ' *   ) あなたへ差し出す涙で書いた手紙 ✉ 📄

(￥♡￥) 💸 ((¥▁¥)) 💸 ＼(¥Д¥)／金ーー！

◆ お金は大事だけど、すべてじゃないよ！٩(•౪• ٩)

(ღ˘⌣˘ღ)iloveyou ここへ逢いに来てくれてありがとう  (Ü)۶♡٩(Ü)

☆*ɢᵒᵒᵈ ɴⁱᵍʰᵗ *☪︎｡.🐏💭⋆｡˚ᎶᎾᎾⅅ ℕᏐᎶℍᎢ⋆｡˚✩🌟

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