pumpkin core

FUCK THE FAKS & NEGLECTING POC CHARACTERS

My other problems are much more clearly the fault of the show; I do not give a flying fuck about the Faks. Neil is cute in small doses. The brothers are great as soundboards for other characters; Theo getting Sweeps to talk about his backstory in baseball, the brothers comforting Donna at the end of 3x8 Ice Chips, or the haunting argument finally forcing Carmy to talk about Claire.

But on their own? When they’re just bouncing off each-other? These guys aren't half as funny as the show seems to think they are. And their scenes drag on so long. For example, the B-plot of 3x5 Computer wastes half of an otherwise strong episode with pointless fucking around, propped up by a pointless celebrity cameo. I do not Give. A. Fuck about haunting, Mr. Cena, why the fuck are you here.

The aggravating time-wasting is made worse by The Bear continuing to neglect and underuse its POC characters. This is the second season in a row where I’ve felt Syd only got the bullet-points of an arc. She is the LEADING LADY. Ayo is now the show’s biggest breakout star. USE HER.

I really enjoyed Tina's focus episode, but unlike Forks and Honeydew last season it doesn't move the plot forward, and unlike Fishes the flashbacks don't contextualize Tina''s actions in the present because she's barely doing anything in the present, despite the show setting up her struggles in the kitchen early in the season.

Meanwhile, Ebra got crumbs again and Sweeps got a single scene, which is tragically at least better than he had last year.

Marcus’ arc this year is a fascinating microcosm for the show’s themes, but it barely gets a second to breathe because we have to cram in another five minutes of the Fak brothers arguing about that time Neil got taped into a cardboard box. It’s ridiculous. And then they showcase Nat being all protective of Marcus in an episode he’s barely in, when she barely interacts with him. It feels unearned & disingenuous, using Marcus as a prop for a Hell Yeah gotcha moment.

I liked Josh Harnett though, that casting had purpose, and both Chef Terry and Luca were used excellently.

CAMEOS

The surprise celebrity cameos this year felt distracting and indulgent in a way last year’s didn’t. In Fishes the slew of cameos were a dramatic tool meant to disorient the viewer. This year, John Cena is here to distract you from how pointless this B-plot is, and we've brought in a bunch of famous chefs to tell you direct-to-camera why cooking and the service industry are so important.

The chefs in particular are bizzare after season 1 spent most of its time telling us how evil and toxic the fine dining industry is. But now it's actually just the fault of a few bad apples, and these guys are really rad actually?

CLAIRE

Much has been said about how Claire was an underwritten archetype for Carmy to project onto. Now, I don’t much give a fuck about shipping in this show, but it’s clear Claire & Carmy’s romance didn’t connect with most people. It felt hollow. At the time, I thought this was deliberate, like the tone and flashbacks this season; Claire’s writing reflected Carmy’s perception of her as a saintlike childhood daydream who could deliver him from all the stresses of his life.

But this season, not only does the show refuse to let Claire go, it doubles down on objectifying her as a prop for Carmy’s self-loathing, trapped in his memory.

Again, this might work thematically if I knew Claire as a person, or was at all invested in their romance, but I don't and I’m not. As it stands, the multiple extended flashbacks with Claire feel like futile attempts to plug the holes in Season 2's weakest storyline, and drag their episodes down. If we’re supposed to root for Carmy to find happiness outside the kitchen, this is having the opposite effect, and it’s made worse by it all being left unresolved by the finale.

Either do something with this character or move on, because right now every time Claire appears I clock out emotionally, and that’s not her fault, it’s the way the show treats her.

CARMY THE ASSHOLE

All this contributes to an overriding problem that I again think is deliberate, but risky; Carmy isn’t likeable this season. He causes his conflicts with Ritchie and Syd, to whom he has passed down his generational trauma. Carmy's menu is the biggest thing dragging the Bear into bankruptcy. Carmy has stopped working to resolve his familial trauma like in seasons 1 & 2, just as Nat starts making headway. He functionally doesn’t exist outside the kitchen, entirely preoccupied with the past & a girl the audience doesn’t care about.

Unlike previous seasons, the few times Carmy is called out for his bad behaviour he doesn’t make much effort to listen or improve. Again, I get that this is the point. Carmy is on a low, self-destructive ebb, and hopefully when things start resolving in season 4 he’ll snap out of it. But him dragging the show down with him has consequences.

EPISODE COUNT & FINAL THOUGHTS

A lot of people are saying that S3 only had enough plot for 2-3 episodes, and while I think that’s disingenuous- The Bear has always been a character-focused, vibes-first show- I do think it should've returned to the 8-episode count of season 1. You can consolidate the same amount of ‘plot development’ into fewer episodes while maintaining the deliberate sense of inertia. Cut back on the Faks and flashbacks to give more time to the kitchen crew, and many of the complaints would disappear.