FranΓ§oise Hardy by Jean-Marie PΓ©rier, 1964

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Monterey Bay Aquarium
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Not today Justin
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FranΓ§oise Hardy by Jean-Marie PΓ©rier, 1964

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Werner Bischof. Bullfight souvenirs, Mexico city, 1954.
there is a moment between jumping from the frying pan into the fire that feels a lot like liberation
yeah, of course marjane satrapi supported israel and condemned antisemitism you fucking idiots.
you plainly donβt know and donβt care about policy or relations in the middle east, cause if you did, you would know that iranians are skeptical if not outright critical of the palestinian national movement. cause itβs fucking bankrolled by their tyrannical government who rapes and murders teenage girls for showing their hair. go to hell
Toward the end of Persepolis II, the second installment of Marjane Satrapiβs ongoing project of autobiographical graphic novels, the author/
great interview with Marjane Satrapi from 2006
sea moss on sand
sea moss on rock

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you just doordashed yourself a knuckle sandwich pal
Globus INK, Soviet spaceflight navigation computer
my cat stopping me from petting her
her swift maneuver, for context
βTransparence is the highest, most liberating value in art β and in criticism β today. Transparence means experiencing the luminousness of the thing in itself, of things being what they are.β
β Susan Sontag, βAgainst Interpretationβ
it must feel good as fuck to walk on the surface tension of water as a bug

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I will have a life beyond these bad days

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