Daphne Du Maurier, The Scapegoat

oozey mess
YOU ARE THE REASON

blake kathryn

tannertan36
we're not kids anymore.

@theartofmadeline
Today's Document
Jules of Nature
he wasn't even looking at me and he found me
RMH

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Sweet Seals For You, Always

Origami Around
Mike Driver
One Nice Bug Per Day

Kaledo Art

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KIROKAZE

let's talk about Bridgerton tea, my ask is open

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Daphne Du Maurier, The Scapegoat

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Dandelion shoot, 2026-05-11

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La Perla, San Juan, Puerto Rico
on identity
ojibwe / noah kahan / richard siken / unknown / elliott smith / oamisoa / cameron awkward-rich
Some of my new bears I put on my shop! Get them here ☺

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Oulimata Gallet by Elena Iv-skaya for ELLE Germany Magazine , May 2021
maybe there is no best version of myself. just me, right now, vulnerable and tired and hopeful, willing to show up regardless of what it looks like.
"Neighborhood Watch"
as a birdwatcher, i registered a certain familiarity with how the entire neighborhood converged with their horns and whistles to drive away the threat. this is definitely a rough piece, but i had to get it out of me.

Anya is live and ready to show you everything. Watch her strip, dance, and perform exclusive shows just for you. Interact in real-time and make your fantasies come true.
Free to watch • No registration required • HD streaming
I want you to write for pleasure—to play. Just listen to the sounds and rhythms of the sentences you write and play with them, like a kid with a kazoo. This isn’t “free writing,” but it’s similar in that you’re relaxing control: you’re encouraging the words themselves—the sounds of them, the beats and echoes—to lead you on. For the moment, forget all the good advice that says good style is invisible, good art conceals art. Show off! Use the whole orchestra our wonderful language offers us! Write it for children, if that’s the way you can give yourself permission to do it. Write it for your ancestors. Use any narrating voice you like. If you’re familiar with a dialect or accent, use it instead of vanilla English. Be very noisy, or be hushed. Try to reproduce the action in the jerky or flowing movement of the words. Make what happens happen in the sounds of the words, the rhythms of the sentences. Have fun, cut loose, play around, repeat, invent, feel free.
Ursula K. Le Guin, Steering The Craft