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“Why I Cannot Celebrate the Olympics”- by: SueAnn Shiah
(photo from CNN)
These days, I’m usually a moment away from tears. I live in the South in Nashville, Tennessee, and you can imagine how the racial and political climate is more than just “tense” at the moment. With the death and terrorism of Black Americans on the news every week, with the xenophobia and racism of a certain presidential candidate splattered across my feed every day (and the people who support him or are silent in not condemning him, therefore complicit in his continued reign of terror), with the years and years of racialized trauma and microagressions I have fought against as an Asian American woman rising up in me, reminding me of the wounds I am still nursing on a hourly basis—I’m having a hard time.
Every moment is a reminder of the pain that in my twenty-four years I have experienced, and what more I have to look forward to in the years to come.
Four days ago, I took my car to the shop and learned that my transmission was on its way out. In order to try and preserve and lengthen the life of my car, I decided I would take my bike around town to run errands and the like, something I have done without problems in the past. While on my way home from biking to the farmer’s market to pick up my CSA, I got hit by a SUV. Half my vegetables were destroyed in that impact, my bicycle was damaged, and I was mildly injured on my left side with some bruising, soreness, and superficial bleeding on my left arm. The person who hit me is refusing to cooperate or communicate with me.
Even this is a reminder to me of the way of the world, the experiences of those of privilege versus those of marginalized people. The roads were designed for cars, they’re dominated by cars. You have every legal right to be on the road, sometimes you’re even biking in a designated bike lane. It is illegal for you to ride your bike on the sidewalk (even though some people do it). If you ever get into a collision or accident, it was because the cars “weren’t looking for you,” they didn’t see you, or even realize that you were there. If you get hit, you are the one who is going to walk away with the most damage, and the car likely without even a scratch.
No one and nothing is protecting you, you have no barriers between you and the world. You are exposed, you are vulnerable to anything and anyone that might want to take a shot at you.
Who is going to pay for your damaged groceries that you worked hard to be able to pay for? Your pain? Your damaged bicycle? Who is going to wipe away your tears?
You are.
This is my experience as a woman of color.
Which brings me to the Olympics. So many of my white friends are very excited about the Olympics, which I understand because in years past I have enjoyed watching the games, races, and competitions. As a former competitive swimmer, the anticipation I have had towards watching America sweep swimming has been high in the past, even more so to watch swimmers we competed against in high school go on to take medals for the United States.
With everything that’s happened just this week, I think you can understand why I am not excited about watching the Olympics, or even more than vaguely aware with the news and ads that it is happening.
Zoom up to an hour ago, when a website that I follow called TaiwaneseAmerican.org reposted this article on Facebook that CNN had written called, “What’s in a name? Anger in Taiwan over ‘Chinese Taipei’ Olympics moniker”.
In the piece they explain how Taiwan will be competing under “Chinese Taipei” and why. It’s been like this 1984, but why did this reminder cause me to break out in tears today?
I have spent the last couple weeks trying to figure out how I can leverage my privilege with my white friends to help them understand #BlackLivesMatter and the nature of white supremacy in our country and our churches. I have been trying to lead them in confessing and apologizing to people of color. I have been leading them, and I have been waiting to hear from them for their apologies for taking me for granted, for white washing me, and for causing me grief and pain. I have been talking to my Asian and mixed race friends about the erasure they experience in “passing” and our struggles in even being considered people of color.
Here in the United States, Asian Americans experience erasure, white-washing, and forced assimilation. Our existence and presence is wiped from history books, films, books, and television. Asian characters are regularly played by white people in yellowface, our identity has been made a mockery and an afterthought. ButI am not considered a real American. I have to prove, as many children of immigrants of color do, that they are really American (Where are you from? No, where are you really from?).
This is my home, I was born in this country, and I have every right to be here and be called an American.
On the other side of my identity equation, Taiwan continues to live in ambiguity, a de facto sovereign country, but in the international community—the United Nations and the Olympics nonexistent. I could start listing out all the ways that Taiwan is a place with its own history, culture, languages, currency, flag, national anthem, people, and government, but..
I am tired of proving to people that I am real, I am legitimate, and that I exist. It is the sad reality and nature of erasure; we are constantly called to prove our existence.
We, Taiwan, accepted a compromise, they let us play in the Olympic games, but they call us “Chinese Taipei” because China does not want anyone to hear the name “Taiwan”. Our flag will not be flown and our national anthem will not be played. Because sometimes you are so desperate to get a seat at the table, that you are okay not being served any food once you get there. We’re so excited to have a big budget feature film directed by a Chinese guy, in China, that we don’t even care that some (historically inaccurate) random white dude is one of the leads in it (when we don’t have “historically inaccurate” Asian people in period films ever). I get it.
I am angry. The quote from the article that really got me was this—
Freddy Lim, a death metal frontman and lawmaker elected at the same time as Tsai, says the name “Chinese Taipei” is “disrespectful.” “Taiwan’s Olympic athletes come from all over the country and are of different ethnic backgrounds, so the best name for the team would be 'Taiwan’,” he told CNN.
Freddy is right. I would know. I dedicated the last two years of my life to creating a feature length documentary film, HuanDao, exploring my journey as a Taiwanese American to learn about the culture, history, and people of Taiwan and what exactly it means to be “Taiwanese,” and consequently, do I even have any right to identify as Taiwanese?
I found so much love and beauty. I found a richness as I traveled Taiwan on my bicycle meeting Taiwanese people from so many different backgrounds, with their own stories and histories. Taiwan is not just China, it’s not just a bunch of Chinese people. Freddy Lim is right, we’re not “Chinese Taipei” because Taiwan is more than a mini- China headquarted in Taipei.
Coen Blaauw, executive director of the Formosan Association for Public Affairs told CNN, “Not only is the name 'Chinese Taipei’ humiliating for the 23 million people of the democratic country of Taiwan, we are concerned that the name will stick,”
And Blauuw is right. It is humiliating for the beautiful island country of Taiwan with all of it’s unique culture and history even beyond the Chinese people who have made Taiwan their home to be reduced to “Chinese Taipei”. It’s like if the United States were referred to as “British Washington D.C.” The United States, though the country was only formed in independence to Great Britain just under 300 years ago, and speaks the “same language” as GB, and has many people who are descended from the British Isles, existed way before that, and was inhabited by indigenous people before that, and has been settled by many other peoples since then as well.
In so many moments, I have wondered if anyone even cares whether or not Taiwanese identity is a thing or if Taiwan is even “a thing”.
The world doesn’t believe that someone can be Taiwanese. Even the Taiwanese who consider themselves to be Taiwanese don’t believe that I’m Taiwanese (because I was born in America). Then Americans question my right to be an American. But in spite of all these things, I know who I am, and I will fight to have Taiwan recognized and to have my identity as a Taiwanese American recognized.
But it is hard, and I wonder if this thing I am fighting for, giving my life, my story, my money, and my talent for—if anyone will even care or listen. That all my efforts to try and convince people that a film like mine matters, that the questions I fought to ask and the answers that I fought to find will be seen or heard, understood or valued.
And the Olympics right now are reminding me that, no, no one does.
So no. Right now, I can’t celebrate the Olympics.
Or listen to Kendrick and think about God
I remember my father asking me if I was sure I wanted to attend Belmont when we were visiting. He looked around campus and implied something about the lack of Asians and how "when my brother was in college some of his best friends he made were Asian girls". I shrugged off my father’s words at the time. I didn’t really care. I went to a mostly white school back in Detroit anyway. I was comfortable with white people and never considered that it could be a source of discomfort. It turned out it was. It also turns out the difference between a school that’s 25% Asian and one that’s 15% Asian is a lot smaller than the difference between a school that's 15% Asian school and one that’s 5% Asian (For the record, in the year that I graduated Belmont was only 2.2% Asian). The difference is in being one of 2 or 3 Asians in your classes in high school and being the only Asian in most of your college classes, if not the only person of color. It meant being alone. It meant feeling misunderstood, misinterpreted. It meant speaking for your whole race. It meant having no one to share experiences or burdens or questions; it meant having no one to defend you. It meant being token. I never realized being a minority could feel the way it felt, I think my dad did. I came to Belmont University because I had a dream to work in the music industry. It never occurred to me that my race would set me apart in my school. It also never occurred to me that the whiteness of my program and university would be reflective of the whiteness I saw in the music industry in Nashville either. I guess that’s one way that Belmont prepared me for the world beyond. I remember fielding awkward questions from the girls in my dorm. I remember my loneliness; having no one to share my culture with. I remember feeling homesick and missing not just my mother’s cooking, but any real Chinese food in general. My freshman year, I think around Chinese New Year, I found the movie Joy Luck Club on Hulu and watching it in my bed. Eventually my roommate walked in at the end of the movie to find me with tears streaming down my face, sobbing into my pillow. Something awoke in me after that. I remember going to the library and checking out the book. I remember spending hours trying to find anything I could on the internet about the novel and what I would later discover was the category of Asian American studies. I remember my anger and frustrations growing, rising; I remember checking the Autobiography of Malcolm X out of the library. I had read the book my junior year of high school in an English class with not a single black person—it was a mix of white and Asian students. The book in my second reading suddenly spoke to my life like it had never before: my oppression, my pandering to white expectations and influences, and the economic realities of racial oppression. This spurred a new extracurricular reading list. I spent hours reading literature from people of color and articles on the internet about racism, microagressions, and critical race theory. My linked cohort second semester was the “Rhetoric of Country Music” and “The Popular Music Experience”. Both of my professors were white, but they held up critical tools for examining the ways that racism not only affected the rhetoric and history of music but also for society in general. We talked about the exotification and exploitation of people of color in music for the financial benefit of white America. I was introduced to the idea of white privilege. I started writing as an outlet for my anger, frustration, and bitterness. I decided that I needed to get away from Belmont, from white America for a while. I was so tired of my otherness. I was so tired of feeling every day all the things I was not, all the ways I was not white. I wanted to know not who I wasn’t, but who I was. I knew if something did not change that my anger would grow into bitterness, and I would become a person I did not want to be. So I started to plan a study abroad trip back to Taiwan. I made plans to take Chinese classes my sophomore year. I looked for a music business internship in Taiwan. It was a logistical undertaking, but the summer I spent in Taiwan changed my life forever. If I had not gone back at that time, I would never have been inspired to make my feature length documentary—HuanDao. Belmont is a school with a diversity problem. But I will say that the things that made me angry about Belmont, the things that came to the forefront of my mind in that time always existed. Racism existed back in Detroit, but it wasn't until I went to Belmont and experienced it more overtly that I realized it had always been there. I lived in a comfortable land of ambiguity before college, just comfortable enough that I never questioned it. Being at Belmont made me so uncomfortable with the way that America talks about race in general that it forced me to confront some very difficult truths. It caused me to look inside at my own internalized racism. It helped me to figure out who I was by first showing me who I wasn’t. It pushed me to grow, to fight, and it lit a fire in me that helped lead me to become the person, entrepreneur, and artist that I am today. I want Belmont and the world to know that when I was thrown to the ground, I rose. I rose and not only did I stand, I flew—high enough to see and strong enough to return to face my oppressors. I returned by the grace of God to fight another day. --SueAnn Shiah, Class of 2014
To read more stories and learn more about “Getting Real About Race” check out their facebook page.
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Until the last resilient hope Is frozen deep inside my bones And this broken fate has claimed me And my memories for its own Your name is pounding through my veins Can't you hear how it is sung? And I can taste you in my mouth Before the words escape my lungs And I'll whisper only once
There is a secret that we keep I won't sleep if you won't sleep Because tonight may be the last chance we'll be given We are compelled to do what we have to We are compelled to do what we have been forbidden
'Cause you will be somebody's girl And you will keep each other warm But tonight I am feeling cold
I don’t know what I’m doing I don’t know what to say When you ask what’s in my Heart these days You say you’re a believer But you don’t have any faith Not even in me It’s the hardest to take
At 23, JK Rowling was broke. Tina Fey was working at the Y.M.C.A. Oprah had just gotten fired from her first job as a TV reporter and Walt Disney had declared bankruptcy.
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