You set a goal, I set it higher

Breath of the Wild is a story about grief. Hyrule is a grave and each ruin is a tomb. Zelda is holding the Calamity back from adding to the body count and Link is the only one who can help her stop him for good. To do that, he needs to help the kingdom move on from its death a hundred years ago. He needs to free the Champions’ spirits from the Divine Beasts and destroy Ganon and save Zelda.     

Based on how the map is laid out once you get the Sheikah Slate repaired, Vah Ruta is first. It’s closes to Kakariko/Hateno and the enemies are the easiest. The game tries to subtly funnel you in that direction with the random Zora laid out in the area, searching for Hylians for Prince Sidon, and there’s a reason for that, narratively. 

(or there isn’t and I’m reaching, but bear with me)

Mipha was Link’s childhood friend. She (and Zora’s Domain as a location) is the representation of his youth and the child he was before he pulled the Master Sword. She’s his innocence, ripped away by the sword a hundred years ago and handed back to him by the Shrine of Resurrection a hundred years later, even though he doesn’t remember. It’s how he rediscovers his lost innocence, through Muzu being pissed at him and Sidon hiding his sadness, an innocence which he loses again once he frees Mipha’s spirit from Vah Ruta. 

She tells him, “Yesterday, I was awash in a pool of tears. I had nearly given up hope and resigned myself to being trapped here, as a spirit, for the rest of eternity. But now you’re here”. In this moment Link faces the reality of what the Champions being dead means. He’s been told by everyone that they’re prisoners, unable to move on, but now he’s seeing it for the first time, hearing in Mipha’s voice the pain of what these hundred years have been. He knows now that he really is the light, our light, that must shine upon Hyrule once again and that if he wants to remember more, he needs to go free the next Divine Beast. 

In freeing Mipha, Link gets hope in the form of her Grace. 

The game tries to funnel you to Vah Rudania next. There’s a very easy path from the Domain to Death Mountain, with the stable where you get the heatproof elixirs close by. Goron City is the Okay, I know what’s really going on, now what? of the game. Daruk was Link’s rock (pun not intended but it’s true), a grounding presence, the person that keeps him himself once he’s saddled with the burden of being the Hero of Hyrule.

He calls Link to Death Mountain in the memories to show off his progress with Rudania, yeah, but also to have, like, guy talk. He mentions “all those delectable rocks” and then reminds Link that he’s not alone in protecting Hyrule, that, “I’ll protect this land of ours to the death!”. He’s reassuring Link that he’s got his back and then literally does when those rocks fall and he uses his Protection. 

Daruk gives him that Protection once he’s freed from Rudania, that encouraging smack on the back that says, Go get him for us. 

Then there’s Revali and Vah Medoh. Revali was a jerk to Link, and sure he’s jealous that Link is The Hero, that the Master Sword is arguably the most important piece of the “killing the Calamity” plan, and that all he’s going to be is glorified backup, but the point of Revali is that he keeps Link on the ball.

By that, I mean that Link’s little rivalry with Revali (whether or not he actually sees their relationship as such) is akin to, like, a sports team. There’s always that one person you don’t necessarily get along with, but you know you can count on them to push you to be your best and be there to pick up the slack whenever you stumble. Rito Village is home to Teba’s pride and the spirit of Revali’s arrogance lives within his landing, and Link is able to remember that one time Revali made fun of him for not being able to fly, how that eggs him on to find a way up to Vah Medoh in the present just to rub it in the archer’s face (at least, that's how I felt when I first played the game). There’s a method to Revali’s madness and it’s to make sure Link is in tip-top shape if he’s supposed to be the one to save the world. 

Revali then literally uplifts Link with his Gale after he has control of Medoh again.  

Finally, we have Urbosa. Like Daruk, she was a reassuring presence, but not in the sense of, I’m your shield, I’ll be watching your back. She’s comforting in the way having five 100+ damage Lynel weapons in your inventory is comforting. She’s reassuring in the sense of, I’m your sword, I’ll be next to you on the front lines. She reminds Link that despite his youth and the burden of the sword on his spine, that he has a duty to protect Zelda, and that by protecting Zelda he is protecting Hyrule.

She’s not forcing him into the role, but she’s keeping him on track whereas Daruk allows him to stray for the sake of his mental health/childhood. She’s saying, Be a child for as long as you can, but also be the Hero. It’s why she tells him to open up to Zelda, so he can have a friend his age that he can be around 24/7, so he can have someone to relate to (and so that Zelda can, too). Urbosa is the representation of Link’s duty and his relationship with Zelda (whether platonic or romantic, I don’t care in this context), and how that relationship with Zelda turns into Zelda finally unlocking her powers on Blatchery Plain. Without Urbosa’s presence, Link isn’t in the right headspace to even be the Hero.  

Now that Link knows exactly what he’s lost a hundred years ago, and what he’s then regained during his quest, he can take her Fury and use it as a conduit for his own. 

Link starts Breath of the Wild a blank slate tasked with saving the world. Throughout his quest, he remembers his lost childhood, but regains that little spark of hope, that thought of, I can do this. He remembers that he wasn’t alone in his task, that there were other people right there with him, and that it was the actions of a monster that took them all away from him, not the unheard prayers of the princess he was sworn to protect and then came to genuinely care for. He learns that there’s nothing he can do to change the past, that all he can do is let his dead friends move on and do his best to do the same.

It’s why he takes their weapons. It’s why he buys the house in Hateno. It’s why he furnishes it. It’s why he builds Tarrey Town. He accepts that his old friends are gone and that the best thing he can do for them is make new ones with the people who helped him free them. In dealing with his past, in accepting it, Link sets up his future for after the dust settles.