by Andres Gamiochipi
The powerful and majestic snorse
@animals-with-fan-art
Update: one of my friends was so captivated by the snorse I made him a sculpture
Thank you @quandocoeli what imagination!
Aqua Utopiaļ½ęµ·ć®åŗć§čØę¶ćē“”ć
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we're not kids anymore.
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@stonegearstudios
by Andres Gamiochipi
The powerful and majestic snorse
@animals-with-fan-art
Update: one of my friends was so captivated by the snorse I made him a sculpture
Thank you @quandocoeli what imagination!

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There's a thing in Classics studies where you'll read surviving descriptions of Ancient Greek automata which attribute all manner of near-lifelike behaviour to them ā then you look at the reconstructed plans for the automaton in question, and it's a device with roughly the sophistication of a wind-up mouse.
The broad consensus seems to be that the authors of such descriptions are exaggerating for clout. For my part, I look at all the people in the year 2026 who've managed to genuinely convince themselves that LLMs are not only sapient, but smarter than they are, and I think: hmm.
I feel like a lot of people get "All Art is Political" confused with "All Art is made with Political Intentions" which is not the same.
Untwisting your tropes by making a video game about a quiet kid with an ugly shirt and a worrying preoccupation with knives who actually has nothing wrong with them at all.
their main problem is they don't have enough knives
Knife regionals are coming up and if they don't get more they're fucked man!

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Well, next stitching attempt last night while I watched Predator for the first time. In some ways I think it's cleaner, I used a thinner thread
But you can also see some mess, trying to know the thinner thread so it wouldn't slip through the holes was tricky, if anyone has any tips on that, let me know
Ed Valigursky,Ā Empress of Mars, 1960s
Metallic Dragons
Petar MiloÅ”eviÄ, CC BY-SA 4.0 https://creativecommons.org/licenses/by-sa/4.0, via Wikimedia Commons
Now I'm betting several someones have already had this idea, but it just hit my brain.
Dragons eat metal, hardly the first to do that, gives them a reason to hoard gold and such if they exist as not just metaphors for greed, but what if rather than being born a metallic dragon (copper, bronze, silver, etc) that was a result of diet
And the reason why dragons prize gold above all else is that if they can eat enough of it they will literally become a gold dragon. Immune to tarnish, to age, to rot.
Of course, acquiring that much gold will inevitably make many enemies, and a gold dragon is literally worth more than its weight in gold, Alchemically Potent Gold...
Text of tweet under the cut because it is loooong.
But... Stochastic Parrots.
Sanguerra Acadamy - Establishment for the Aetheric Arts and Public Safety
Oh wow I made another setting again, so novel, so unexpected...
Anyway, had an idea for my own magic academy thing for a while now and, like so many things post 2021 or so, it's heavily influenced by Dungeon Meshi
Mages are not just scholars, but also specialists, something like EOD experts. Except, instead of homemade bombs, what they defuse is dungeons, ruins, gaols, etc. Now, they aren't the only ones to do this, but Sanguerra was established specifically train people to not just clear and 'defuse' dungeons, but study them as well.
And if you have a professional, they need a uniform.
Now, since I am the fashion illiterate, I relied on the clothing skills of my acquaintance Yaru to make up that deficit, which they did with aplomb. While the details are still loose, I think the silhouette has been nailed down.
To generalize, my basic thoughts were -Layered: You generally only wear the whole thing during events or inclement weather -Side Cape: Side capes are cool -Restricting: A bit to warm and covering for the Academy's generally Mediterranean climate
I think Yaru's designs did that quite well. The capes are distinctive and will eventually be coloured and patterned depending on a students year and specialization. The big hat is for outdoor wear and is also easy to spot from a distance, helping the uniforms roll as advertisement of professional services. The uniform has several layers (overcoat, vest, shirt, undershirt, etc) that can be added and removed as needed (but sends to be just a bit to warm many students say) Things like gaters and gloves can be added for fieldwork
Next step is designing the colour and patterns common to the school but till then here's some other ideas that came up during the process

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Well, first time sewing multiple signatures. Don't think I did it quite right (worried it's a bit loose) and could have really used a curved needle) but an ok first attempt I think
Amosis the Bard
Art by @stormieisdrawing
Been thinking lately that, while I have tons of OCs, in terms of drawn ones I have a lot of ladies, and then NB/NA ones, essentially no masc ones Was time to fix that, especially with Artfight coming up, and I've had a sword and sandals setting rolling around in my head for a few years now
This is Amosis, a wandering bard... among other things. He plays a instrument that is not a Hurdy Gurdy, but not unlike a Hurdy Gurdy (not pictured here because they are hard to draw) made of a strange, greenish metal.
He's slowly travelling north for reasons that are... not totally clear to him. With only the clothes on his back, a dagger in his cloak, and a strange mask with large eyes.
It fits him perfectly, and he knows it's important, vital, but he can never remember putting it on, only taking it off...
Then you have Iah.
Iah is Amosis, Amosis is Iah, but the two are not the same. Iah only exists within the helmet, only when it is worn. Iah knows the secret tunes that his instrument can play, that create the things man and beast call sorcery.
Iah knows why they are travelling north even if not how the trip will go and how they will resolve it, Iah knows that the Void Lost are watching and what they did to the world, Iah knows what hunts them
Hopefully I can punch myself into actually writing some stuff for this setting soonish. Very inspired by both Conan the Barbarian and Dungeon Meshi
I'm thinking short stories over full novels, as Amosis travels north
Also here's some art I used to inspire Amosis
Stephen Fabian
Moebius
Bob Eggleton
Daily affirmations:
What is this place?
What manner of creature are you?
What sorcery is this?
who goes there?
who sent you?
who dares disturb my slumber?
What is that beautiful house?
Where does that highway go to?
Am I right?
Am I wrong?
My God! What have I done?
Letting the Daily Affirmations go by
My girl, for no other reason than that I like her
art by @farvann
Nobody's gonna see them here but just posting for art's sake

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When Zuko apologized to uncle Iroh in the tent cause he was so ashamed of his actions and what heād done to the only person who unconditionally believed in his ability to do good >>>>>
So okay, Iāve given this rant before but this is another good time for it.
Structurally speaking, ATLA did something important with Zuko that, in a purely mechanistic sense of narrative development, I think a lot of people donāt notice immediately, and that even fewer people who want to emulate what was done with him get.
Which is Zuko is made a protagonist VERY early, and the show goes out of its way to continually place Zuko into situations where the audience empathizes and roots for him.
This happens in literally the second episode of the series, if we count the two-part premiere as a single episode, which I think we should. The A-plot of that episode, āThe Southern Air Temple,ā is Aang reckoning with the genocide of his people⦠but the B-plot?
The B-plot is the introduction of Zhao, and more specifically, his introduction in a way that is calculate to shift the audience, whose introduction to Zuko did NOT engender a ton of sympathy to him, directly and forcefully onto his side. They want Zuko to kick Zhaoās ass.
This continues all through book one and book two. Remember, Zuko is never, ever the main villain of this series. Thatās initially Zhao, followed by Azula and Ozai. (Plus various temporary players like Long Feng.) Whenever Zuko isnāt placed into direct conflict with the other protagonists, heās always written and presented in a way that is careful, VERY VERY careful, not to make him too monstrous, and to make us root for him. Heās placed right next to Iroh, who is designed for people to like, and that reflects back onto Zuko; we want Zuko to be better than he is because we want Iroh to have good things.
Put aside for the moment whether any specific character, including Zuko, deserves their redemption. If youāve decided youāre going to do that, you have to erect the proper narrative scaffolding around them, and it extends to far more things than ādid this person not do things that were too horribleā and āis this person genuinely sorry and is working really hard to atone.ā Thereās a difference between protagonist and white hat, but if you want someone to eventually wear that white hat, you REALLY need to establish them as a plausible protagonist early on.
Yeah, it was made obvious from the get go that Zuko is definitely nowhere near Zhaoās level of nasty, which in turn means heās nowhere near Azulaās and nowhere in the scope of Ozaiās.
1.)Ā
He made a deal with Aang to leave the Southern Water Tribe alone if Aang went with him. When Aang escaped with help from two of those tribe members, Zuko didnāt demand they go back and destroy what was left of the tribe as revenge. He didnāt even think of it as an option. There was no split second where he went, should I/shouldnāt I?
2.)Ā
This is repeated. He corners the Avatar somewhere, causes some damage to the area in the ensuing fight, but does not stick around to raze the village/monastery to the ground and kill the people when he doesnāt get what he wants. Doesnāt consider this a necessary action even once.
3.)Ā
The Iroh&Zuko relationship is juxtaposed with the Zhao&Zuko relationship. Both older men have more power over him. Iroh is a retired War General and Prince who is not banished. Zhao is a Commander in favor of the Firelord, who is also not banished. We could tell early on that Iroh is wise and despite being on the bad side, seems to be pretty chill. We took a liking to him immediately. Zhao is the opposite. He is very much like early!Zuko. Impulsive, rude, loud, cocky, etc⦠But why is he more annoying? Why do we root for Zuko as opposed to him?Ā
Because we see what Zuko is like with his Uncle Iroh. Iroh does not rub in the fact that heās banished. He doesnāt use that when reprimanding him for his attitude or his failings. That is a hot iron and he knows it. Itās to the point where Iroh can bend fire in Zukoās face and Zuko is perfectly relaxed over it and doesnāt once believe his uncle will hurt him. There is a lot of faith in Iroh, from this angsty teenager, and itās very obvious with their interactions.
Zhao is not trustworthy from the start. Weāre shown this by how both Zuko and Iroh are hesitant to interact with him and donāt want to linger in areas he has control over, for too long. They even lie to him despite him obviously having more favor in the Firelordās eyes than either of them do. Zhaoās personality opposes both Zuko and Iroh. And as we like Iroh, we want him to win and have nice things, as stated above. But Zuko&Iroh is a package deal. And as Zhao reveals himself more and more to be nasty even if itās subtle, we want Zuko to win even harder.
And even when Zuko wins and heās in the prime position to do to Zhao what Ozai did to Zuko for also āspeaking out of turnā⦠he doesnāt do it. He walks away. He is the bigger man in that scenario. And Iroh further puts shame onto Zhao when he goes against the sacred rules of the Agni Kai because he canāt handle a loss to a banished teen. We are shown that Zuko follows rules and has honor, which is reinforced by Irohās, āeven in exile, my nephew is more honorable than youā. Irohās Word is basically Law at this point. Sf he says it is so, then he must be right and the audience accepts that. He knows Zuko better than us and hopefully weāll get to understand more as the story progresses.
Already by the 3rd episode, weāre shown that Zuko is in no way the worst person from the Fire Nation. In fact, weāre given a sort of scale now from the four major Fire Nation people we know of. IrohāZukoāā-ZhaoāFirelord.
Weāre also hoping that Iroh rubs off on Zuko enough for him to also become wise and learn to chill out.
4.)Ā
WhenĀ āThe Stormā finally rolls around, weāre pretty invested by then in the Iroh&Zuko relationship and that episode gives us so much more info into Zukoās character and we are shown that Iroh is right. He has honor and he cares for others. And yet itās obvious the Firelord doesnāt because we see Zuko do the right thing(protesting the plan to treat new recruits as cannon fodder) in the wrong place, and then his face gets burned off by his father because of it. And further, heās banished for refusing to fight his own father. What sane parent wants to do battle with their own child? What sane parent banishes their child for speaking out of turn at the defense of their own peoplesā lives? What the fuck is wrong with the Firelord?
Zuko was punished severely for showing compassion and having a kind heart. And Iroh(and the ship crew even) is properly mortified by the punishments his nephew received for it, which in turn affects the audienceās perception of this situation. Iroh doesnāt like it, itās especially bad then.
Now we start wondering why does Zuko wants to go back to the guy who burned his face off?! Iroh, talk some sense into him! PLEASE!
Halfway through S1, they got us to the point of wanting Zuko to have a redemption arc.Ā
Making the audience want a character to be redeemed is also very important in this. We were shown he has redeemable qualities. We want that pay off! Do it justice!
I love him!!!
Plate Twelve from 'Art Portfolio for Robert E. Howard's Almuric', 1977 (Stephen Fabian)