ɴᴇɪɢʜʙᴏʀʜᴏᴏᴅ ᴋᴏꜱᴍᴏɴᴀᴜᴛ

This particular picture is rather special though, because he drew the first draft for it while in space using coloured pencils he took with him:

the church bells are ringing from above

Laura Aguilar is a Los Angeles-based photographer whose work mines the intersection between feminism, body image, queer politics, and latinx identity. Her earliest works depicted latina lesbians in intimate portraits, calling to mind the frankness of Catherine Opie, while her best known series features self-portraits of Aguilar posed nude in the California desert landscape. These photographs are instantly striking, finding in the artist’s body formal elements that echo the landscape itself, as in its doubling here with the giant rock that eludes the frame. Aguilar also forces our gaze onto a body that does not conform to stereotypical images of latinx or feminine identity—a body type that is not so much othered as invisible, despite its ubiquity. The artist originally began to produce these photos as a means of grappling with her own issues with weight and self-acceptance, but quickly came to see them as something more. They offer a profound, ambivalent vision of woman and nature. We see Aguilar dissolve into the landscape in search of anonymity, at the same time that she reclaims the pride and beauty in her body far removed from the society that rejects it.

🎶 A long time ago, we used to be friends But I haven't thought of you lately at all 🎶

Audience gathers around a piece at What Survival Left Behind, an art exhibit in Al-Bureij refugee camp c. May 2026