why would she be a coyboy?!

Because I study queer media history as a hobby, am working on an intense project on media censorship, and the way Steven Universe was treated is a fucking textbook example of queer content getting shut down by the powers-that-be.

It was literally censored in reaction to its inclusion of queer content. This isn't a secret and it never has been. Rebecca Sugar has been completely open about how hard they had to fight against homophobia at Cartoon Network. Steven Universe is a case study of anti-queer censorship from a mindset of "think of the children."

[ID: A screenshot of a comment from tumblr user mechfried, saying, "Wait, that isn't working out here, they wouldn't cancel the show for having a gay wedding, but than [sic] give the same creator a movie and a second show to continue that story." End ID.]

"Cancellation" doesn't just mean "immediately ended." Cancellations can include shortenings.

These photos are from the "End of an Era" artbook.

Transcript:

Rebecca Sugar: After the publication of The Answer in 2016, I was pulled into a meeting and asked to explain myself. I had been told to play down this relationship, and now it existed as a book. In every meeting like this, I would defend our stories and our audience of queer youth--they deserve cartoons and picture books, too. I would leave these meetings feeling rattled. I drew this self-portrait the night of The Answer book meeting. [Portrait not included in this photo.]

Transcription:

We decided it would be an inexorable part of the story. And then the back-and-forth started, and no one wanted to say the real concerns, so instead it was, "Will this appeal to our demographic of six-to-eleven-year-old boys?" But Ben 10 had an alien wedding, Powerpuff Girls had a wedding--there was no question that the Cartoon Network audience would definitely watch a wedding. Arguments were made that it was "out of character" for Steven to want a wedding, but we'd covered our bases there with the episode "Open Book" [S1E51], which had already aired ages ago. It's old news that Steven loves weddings. I wouldn't bend on the story, and every time there was a concern about it not being entertaining enough, I would add more: A big musical number! A huge fight! A half-hour special! This thing will be so entertaining it'll blow kids' hair back!

"But if Steven Universe gets a gay wedding, then every show is going to want a gay wedding!" "YES!" I said. "GOOD! WHY NOT???"

Eventually the decision came down from on high: We could have the wedding. I knew that was an extremely difficult call to make, and that we were going to be censored heavily and pulled in many countries because of it. And we didn't know at that time if this would mean the end of the show. It looked as if the writing was on the wall, and we were working toward the end.

I had been told this would be the final pickup for us, and I campaigned for an additional six episodes on the end of the season in order to wrap up the story--this became the Era 3 arc.

Navigating a cosmos of relationships was a lot for a young person like Steven as he attempted to find the good in everyone and hook that connection that would allow positive change to blossom in the minds of others. His powers were going to be put into the test in so many more ways as the series moved through this slate of episodes, building steam toward an interplanetary conflict.

And not fucking once have these people stopped to think that Korrasami being confirmed with handholding and a loving gaze was literally as far as things could be pushed at the time, or that Ruby and Sapphire’s wedding could not have happened without that.  She-Ra and The Owl House couldn’t go where they did without Legend of Korra and Steven Universe going where they did first.

where things get better one step

at a time? Progress.

As someone that was there and started blocking the SU Crit tag because of so many bad faith accusations, yeah I think I can say a bit of what happened. Might be a bit disjointed but these are the things that I remember happening.

First thing was the release schedule. The Steven Bombs. Releasing like five episodes in one week and then nothing for months. This was something that CartoonNetwork had control over and might have been something that they tried to use to get Steven Universe to stop being so popular because it was gestures pretty queer.

If Steven Universe was a show that every episode was a stand alone, this wouldn't have been an issue, but it was a linear story. So major developments could drop; major character reveals/fuck-ups could happen and then the fandom would just sit on those for months. Instead of getting the next part of the story that resolved whatever just happened the fandom could sit there and stew in theories and emotions. So characters messing up would be blown out of proration and the resolution wouldn't feel like it actually enough effort on the one that messed up end.

One example was Cry for Help. When Pearl tricked Garnet into fusing more often. If I remember right, we didn't get to Pearl and Garnet actually talking out what happened there until months after the fact. In story not much time had past but for the audience that was plenty of time for people to be offended on Garnet's behalf and distort what happened.

Anther issue was "Gem Harvest" dropped right around the 2016 election. You know when Trump became president. This was made long before the election, but there were people who took that timing as somehow Rebecca Sugar and the Crew saying stuff that they weren't. I would also say this was when the discourse really took off. If that episode had aired when the crew thought it would, probably a year or months before then, I don't think people would have misread it was much as they did. It was about communication and also Uncle Andy is the one that had to realize that the way he acted had caused him to be isolated from his family. This wasn't Steven had to "make his racist uncle no longer racist all on his own" but "Steven gave him encouragement that it wasn't too late to change". But the timing was terrible and the Crew had no control on that. The Steven Bombs made several seasons last for years when they should have been over in some months.

Second, studio interference that fandom blamed on Rebecca Sugar and the Crew. The scheduling, the ending of the show feeling rushed; those were things that parts of the fandom blamed on the crew not the network. There were people that I recall saying that the crew just needed to change how Steven Universe was written to fit with the bomb format better, when the bomb format wasn't something that the crew ever wanted. That wasn't the show style that they were telling. The show got axed because Rebecca Sugar and the Crew wouldn't drop the wedding. They wanted it there because it was important to have in a kid's show. But because they stuck to their guns the rest of the story had to be speed up, and people thought that the crew should have written the ending better; when that ending was planned to have at least another season, not a week long set of episodes. Steven Universe was set up to be a long term story. One that gave time to each character to unpack their mindset and issues. But they couldn't do that with the Diamonds.

Third, people not understanding the theme of the show. Steven Universe was about family, emotions, and open communication solving issues. Characters resolved their issues by talking about them. By being open about what the issues were. That was the reason Gem War happened; because open communication because Pink Diamond and the other Diamonds just couldn't happen. We see that Steven is at his worst when he bottles up his emotions or refuses to talk about an issue that he knows he has. But despite this theme by the time we got to Change Your Mind, people were cheering for the idea of Steven shattering the Diamonds. Which ignores the theme of the show; communication. There were people that wanted Steven to kill the Diamonds when this wasn't that type of show. Steven always hated when he couldn't talk to another character and had to bubble them. Why would this kid resort to killing? That goes against the themes of this show.

Fourth, the rushed ending. The events of Change Your Mind, was something that the crew wanted to be its own season. I imagine that if the crew had gotten what they wanted we would have spent more time on Homeworld with Steven getting to know the Diamonds and sorting out their issues. Blue Diamond would have been first since we had set up with her character first. We saw her living with the regrets of losing Pink Diamond and now not doing her duties as a Diamond. But because of how rushed the ending had to be at that point the audience didn't get that time that they had wanted. Think about how long Lars's arc was. That was several seasons long. If they had gotten a season with the Diamonds like they wanted people probably wouldn't have thought that the ending was rushed.

Fifth, bad faith criticism and very toxic fandom. As I said I blocked the SU Crit tag because after a certain point people would take anything and start shoving completely off the rails criticisms at the show and expect everyone to take them in good faith. Like people claiming that Sugar, a Jewish creator, was a Nazi Apologist because Steven didn't kill the Diamonds. People projected things onto elements of the story that weren't there. People would take a screen shot and call it lazy animation because a character was off model for a fraction of a second that wouldn't be noticed without slowing it down. There was a lot of bad faith criticism. Some of it was probably from people that didn't like how queer Steven Universe was and hid it as saying it wasn't progressive enough. There were probably people that thought that a kid's show was actually not progressive enough without looking at everything behind the scenes that the creators were dealing with. There were fans that drove one of the story-boarders/writers off the show because on her own Twitter account she posted shipping art of two of the characters (Lapis Lazuli and Peridot). It was just one member of the crew showing that she liked the dynamic between two characters that was not cannon and people started harassing them. There was a lot of entitlement from the fandom.

All of those things combined just made for a terrible time.

The danger of adults watching a children's show because "It's so good it could be an adult's show!" is exactly this. Shows that are literally and explicitly for kids have much simpler messaging. One of my least favourite sentences in the world is when you remind someone who is whining about a piece of children's media for not doing what they wanted out of the story that it's aimed at kids and they say "But being for kids doesn't mean it can't still be good!"

Bitch it IS good. 'Good' doesn't mean 'Does the stuff adults want so it feels satisfying and fulfilling to adults'. It means 'Does the stuff the target audience wants and successfully conveys to that audience its message.' Adults are not the target audience. Get a grip and remember you're a guest. Your enjoyment is not the point. You cannot say "The Animaniacs sucked because there was no character development and they would suddenly sing educational songs - I wanted more world building about what these alien things were and how they got into the water tower and what that means for the fabric of American society" IT WAS A KID'S SHOW THAT WAS SUPPOSED TO BE FUNNY AND EDUCATIONAL. AND IT WAS. WHAT IS WRONG WITH YOU

In the case of Steven Universe, Rebecca Sugar once said the aim was to 'redefine masculinity' for children - the point of the show is that Steven is surrounded by powerful women without ever feeling emasculated, and is properly and healthily connected to his emotions. He's not afraid to cry. He's open with his fears. He goes through increasing trauma, and the moral of that is 'Dont bottle up, talk to your loved ones.'

And, crucially, his first and primary response to antagonism is "Let's talk about this" and not "Let's punch this."

It was adults who turned that into a "Talk to Nazis uwu" parable, and then got mad about it; children, the target audience, did not. Children are people who are very much still learning how to process their emotions and handle conflict on the playground. Young boys are learning that they aren't allowed to cry or have feelings other than anger. Young girls are learning that they aren't allowed power and strength. All children are being told that a family can only look one way, that love can only follow one path. SU provided clear role models to the contrary and was extremely valuable for that.

I've always said this is what my idea is and this Ask was my excuse to draw it finally 😂

But it also reminded me of one other thing I really like about Steven Universe, which is that it’s the emotional-toxicity equivalent of all those posts about how cartoons have to come up with unimaginably worse forms of death and violence in the course of avoiding getting censored for depicting plausible forms of death and violence.  All of the ways in which SU characters cross those emotional and interpersonal lines are wrapped up either in their fantastic abilities or their bizarre life circumstances in a way that makes it all esoterically awful and often much more existentially horrifying than any of the real-life dynamics it’s alluding to. You’ve said nasty things to people in the heat of the moment but you’ve never shapeshifted into the guy’s dead wife to twist the knife a little more. No violation of bodily autonomy is ever gonna involve contriving a situation in which the other party will believe that it’s necessary to fuse with you, body and soul in order to do demolition work. The most toxic relationship in the world isn’t gonna involve imprisoning someone at the bottom of the ocean for several months and only emerging to participate in humanoid-sacrifice rituals. Your codependency will never last 8,000 years, be frontloaded with a faked death you’re biomechanically incapable of confessing to, and end with your partner’s suicide-by-childbirth. Your worst roommate situation will never end with one party stealing the apartment and taking it to the moon. Et al. Et al.

Animation I’ve been working on-and-off for the past year-and-a-half. A segment of Pearl’s song from the Steven Universe episode “Mr. Greg”, reanimated in the style of the pilot.

Woulda been great to have this done for when Steven Universe Future ended but what can ya do.

[ Original Link ]

A tribute to Steven Universe(2/2)

Yayyy I’ve finished it!

It’s been a long journey, thanks to the show and its staffs.