Juliette Vaissière (French, 1995) - Hunger (2025)
Juliette Vaissière (French, 1995), Hunger, 2025. Oil on linen mounted on panel, 6 × 8 in.
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Juliette Vaissière (French, 1995) - Hunger (2025)
Juliette Vaissière (French, 1995), Hunger, 2025. Oil on linen mounted on panel, 6 × 8 in.

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nowhere I am asked after - pity swims dreamscapes loose they fall Carrion, earthwardways small sops to pick up and part with
Mia Bergeron (US-American, 1979) - Pursuit (2026)
Mia Bergeron (American, 1979), Pursuit, 2026. Oil on aluminum, 29 1/2 × 41 1/2 in.
greenhills inconstant, you come and go with winter I remember the cold swollencorpse gaze of you at dawntime like an Eye that scoured me hollow it was the last holiday my whole family was alive and my mother’s hands, tan and worn, still worked - yes, I leapt from all that ruin, I fell like hailstones against wisdom’s altar: it shattered and I am all alone now -
my hands crinkle and clap like firewood -
they collapse in their aging - yellowhills inconstant, a whole history of ember sleeps on its side, waiting for the snoring wind to render it onwards and away - where a sister waits, riverbathed and numb, healing the warp and weft of simplicity - let it be simple -

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“Summer Night” by Kitty Kielland, 1886 {info}
'The Prayers of the Potuans at the Feast of the Unfathomable God'. Nicolai Abildgaard. 1785.
when I go to the field, I find a Hell’s dull edge and Her oracles bit blunt into black boulder - there are worlds under worlds and all their roads are fogged over - Come hither, I do not know the way, and there is Romance in the shapes these red trees animal against one another - this woodland path out, it’s like a broken spine: life spills out of it - now I hardly remember places far and real, they are like the smokes of theory, or the heart of a dark well - words, images they mean nothing - and here I am, green amongst the grasses, dusk belling my toll home after such a day of sighs, of simple dreamings - Walk with me, I stick like sap to all this Rescue -
Out from the night strange dogs appear stars silver across the swaying swords villages wait out their own starving, empty soon, silent as the forest’s last tree, not even moss beds turn green for nesting, no birds sing it is a bad time for talking -

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Nymphs at the Fountain of Love (1630) by Jacob Jordaens
Landscape with a castle and a knight, 1928 Józef Rapacki
summer, wildgrasses droop like penitents - the heat is a fist in the belly - I am moving toward something - toward what? something real, snow-covered, the riding of the road to its end -
I will vanish in the morning light; I was only an invention of darkness.
Angela Carter, The Bloody Chamber and Other Stories; from ‘The Lady of the House of Love’
John Atkinson Grimshaw (English, 1836–1893)

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"Hermia and Lysander" (1870) by John Simmons, from Shakespeare’s A Midsummer Night's Dream
Enshadowed Rapture by George Henry Boughton