πhi hi. im foster. 23. local crow who does art sometimes. π
about β¦ art
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2025 on Tumblr: Trends That Defined the Year

Origami Around

pixel skylines
Xuebing Du

if i look back, i am lost
let's talk about Bridgerton tea, my ask is open
RMH
KIROKAZE
Monterey Bay Aquarium
Three Goblin Art

oozey mess
trying on a metaphor
NASA
occasionally subtle

titsay
PUT YOUR BEARD IN MY MOUTH
AnasAbdin

#extradirty

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@squuote
πhi hi. im foster. 23. local crow who does art sometimes. π
about β¦ art
esims for gaza β¦ gaza funds β¦ daily click β¦ trevor project

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hahahehehehooho
β @zlmrz
Dont be very woried about me since i deserve all of this
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i named them cruelty of the heart and sickness of the mind

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the most valueable skill a white leftist can ever learn is how to take an L with grace.
You gotta be able to take an L if your moral and ethical belief systems are to be capable of guiding you. Otherwise you just have an idealized self where you get really mad and scared when anyone points out it isn't actually you. How the fuck are you gonna walk the walk if you can't handle being told when you are not, in fact, actually walking it
you cannot just socially transition into being a good person you are going to have to settle for being a messy human being who has to try and fail and keep trying to get better like everyone else. yeah even when it's embarassing and sucks for you a lot.
Ya gotta learn to earnestly and honestly say "Oh shit, my bad."
And to then end the sentence there, not launch into a paragraph of explanation or panicked super-apology.
helppppp I think Iβm addicted to having fun and laughing and joy and whimsy
TW: slavery and the slave trade
The fact that the trafficking of enslaved Africans underpins so much of western European culture is so severely underacknowledged by white western Europeans that it boggles the mind to think of it. I've posted here before about how pitiful have been the attempts of white institutions to account for the crimes of their past, how they will at best acknowledge only the most blatant and undeniable parts of their history while laundering responsibility for the great majority of it. One particularly striking aspect of that is how little museum space in western Europe is dedicated to discussing slavery.
The British Museum in London was formed from the private collection of Hans Sloane whose collection was funded by profits from Caribbean plantations inherited by his wife. The original museum building was bought by the British government from the children of John Montagu, a man who was literally granted ownership of the Caribbean islands of St Lucia and St Vincent by the British state. The current museum building was constructed starting in the 1820s (when slavery was still legal in the British Empire) funded directly by the British government, around 20% of whose tax income at that time came in the form of customs on imported products, such as sugar and cotton from the Caribbean.
Yet the extent of the museum's engagement with its total historic dependence on slavery is merely to have moved a bust of Hans Sloane's head to a new location with some comments on his slavery connection. There is an ongoing campaign to have merely one permanent exhibit about the slave trade at the musem. (And this is not even getting into the famous legacy of that museum as a repository of looted colonial plunder such as the Benin bronzes.)
It's not just big museums either. A tiny museum like Jane Austen's house in Chawton, UK, has a notice on its website regarding mentions of slavery that actually reassures guests that they won't go too far in doing so, "We would like to offer reassurance that we will not, and have never had any intention to, interrogate Jane Austen, her characters or her readers for drinking tea." An admission that's rather telling about what they expect the views of museum visitors to be. But why not interrogate her or her characters? That is exactly what they should be doing!
It is quite well-known among Austen fans than Mansfield Park is her book that deals with slavery: the protagonist lives in the house of a man who owns slave plantations in Antigua. Many fans are keen to find evidence in the text that the protagonist objects to this, but she ultimately marries the son of the plantation owner and lives on the land of the plantation owner and her husband's income is paid by the plantation owner, so her objections (if they exist) cannot be worth much.
In Persuasion, the protagonist's love interest is a naval officer who fought in the Battle of Santo Domingo, a battle that was explicitly about protecting British interests in the Caribbean (i.e. sugar plantations) from being captured by the French.
In Pride and Prejudice, Mr Bingley has no land and his huge income is derived from investment in government bonds, which is to say that he pays for British military campaigns (such as the same Battle of Santo Domingo) and in return he is paid by the British government out of tax income, of which a big chunk is customs levied on slave-produced products.
And that's without even getting into the question of where the cotton comes from that makes up the dresses which are a frequent subject of discussion for many Austen characters.
For that matter, what about the dresses worn by Austen herself when writing her novels? The sugar in the tea she drank? The very house she lived in was owned by her brother, who inherited it (and all his considerable wealth) from Thomas Knight, a Tory MP (which is to say, a politican from the British political wing which most heavily supported slavery). The world of Austen's novels is entirely about slavery, it is the very thing which makes the lifestyles of the characters possible. The whole museum is about slavery whether the curators like it or not, anything less than mentioning it constantly is a deliberate hiding of the truth. And when I visited it a couple of years ago, I do not recall seeing slavery mentioned even once (maybe I missed one sign in a corner of one room or something idk).
As well as the severe underreporting of slavery at museums, the lack of slavery-specific museums in western Europe is also really remarkable. The Mercado de Escravos in Lagos, Portgual and the International Slavery Museum in Liverpool, UK, are the only two that I am aware of, albeit the latter is closed until 2029. A slavery museum in Amsterdam has been proposed and is supposed to open in 2030, but given that a French slavery museum was proposed by Francois Hollande a decade ago and never built I will not get my hopes too high about it.
The London Museum Docklands has a permanent exhibit on London's connection to slavery, which is pretty good as far as it goes, but is utterly pathetic in the context that it is the only permanent exhibit about the slave trade in the whole city. The best I have seen by far is the Suriname Museum in Amsterdam, which dedicates a huge portion of its space to covering the slave trade in great detail. The fact that the museum was founded by the descendants of enslaved Africans who were trafficked to Suriname is surely why this particular museum is so good.
The contrast between that and white institutions like the British Museum is really stark. Do you treat the slave trade with the gravity it deserves, which is to say that you mention it at every opportunity and do not shy away from saying, "The slave trade is why this museum, this city, this country, this continent, why all of it is the way it is"? Or do you move one statue to a new location, put a little sign up about how one man's wife's family owned slaves a long time ago, and say "That's enough, we've dealt with the slavery issue now"?
immaterial girls, immaterial boys π³οΈββ§οΈ
added this to my shop as a print/poster/etc
"why can't they just be friends?" not in the homophobic sense, but in the "in your need to center romance in everything you are missing the whole point of the media in question" sense

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I can make any character aromantic.
Okay, if you are tired then you won't be able to read. There I say it. No one else want to say it. It is strange. If you are tired, if you cannot finish a book that's a given. That's why you need to read...at work. You need to steal your reading time from your employers.
aapi history month is over but βοΈ i will milk pride month too i suppose. if you would like to help a queer korean in the deep south move away his transphobic family, my βοΈ is linked here and in my bio! my hope is to go on testosterone this august as soon as i've settled into the new house, but between that and moving expenses, i've adjusted my goal. i will be making enough for a month of rent and everything we need right away, but i'd appreciate some savings for when the fall semester starts. we're sitting at $199/500 and every little bit helps! thank you π
Just you and me and the retching explosion of fire and metal over and over and over for all of eternity.
im in your hallway standing on a cliff

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six towels in the orange bag
Friends come and go. Relationships end. That edgy character you latched onto at age 12 is forever