The second Captain John Price receives credible intelligence regarding his missing lieutenant, accompanied by photographic evidence of said lieutenant’s current condition, he pinches the bridge of his nose and holds it there for a long moment.
Then he releases a sigh so deep and profoundly exhausted that the paperwork on his desk flutters.
There are moments in a man’s life when he reflects upon the choices that brought him to his present circumstances. Price has had more of those moments than most, usually while being shot at, occasionally while filling out expense reports, and once while watching Soap attempt to determine whether a grenade could be used to open a particularly stubborn jar of pickles.
This, however, may be the first time he has seriously regretted not accepting that desk job his uncle offered him straight out of school.
Corporate office. Nine to five. Sensible shoes. Perhaps a retirement party where the greatest threat to his life would’ve been Sandra from Accounts becoming emotional after two glasses of prosecco.
Instead, he is staring at a photograph of Lieutenant Simon Riley tied to a chair in what appears to be a dungeon.
Bare concrete walls, chains hanging from hooks, one exposed bulb casting ominous shadows. There is even what appears to be a table containing several neatly arranged implements of torture, although Price suspects at least two of them are novelty kitchen utensils.
Simon sits in the middle of it all wearing his skull mask, trousers, and an expression that cannot be seen but can nevertheless be felt radiating through the photograph.
Price studies the ropes binding his lieutenant’s wrists.
He blinks.
He studies them again.
The rope is looped around Simon’s arms perhaps twice, secured with what looks suspiciously like a shoelace knot, and hanging loose enough that a moderately determined toddler could escape it.
“Are we certain this is current?” Price asks.
The intelligence officer standing opposite his desk shifts his weight. “Timestamp puts it at fourteen hundred yesterday, sir.”
“And we’re certain it’s Riley?”
“Yes, sir.”
Price looks back at the photograph.
Simon’s boots are planted comfortably apart. His shoulders are relaxed. There are no visible injuries. Someone has placed a folded blanket beneath him so the metal chair won’t be uncomfortable.
There is also, Price notices with mounting despair, a bottle of water positioned beside his right foot with the water level already half gone.
“Right,” Price says.
The investigation continues and it should be difficult to determine how one of the world’s most highly trained special operations soldiers was abducted from his own home. Simon Riley is six foot something of professionally cultivated paranoia. He checks exits without thinking, sleeps lightly, and once identified a surveillance team because the same pigeon appeared outside three different cafes.
You, by comparison, possess all the operational subtlety of a marching band falling down a staircase.
Price discovers you have been following Simon for six weeks.
Not discreetly, no. You’ve followed him to the store, the gym, the shooting range, and several coffee shops. You’ve taken photographs from behind newspapers held upside down, worn a black trench coat during a heatwave, an once crouched behind a decorative hedge that did not make you as invisible as you probably led yourself to believe you were.
Security footage shows Simon looking directly into the camera on several occasions while you scurry behind him between hiding places.
Price sees all of this and lowers his face into his hands.
The next report arrives shortly before lunch.
“A syringe was recovered from Lieutenant Riley’s residence,” an officer tells him.
Price straightens slightly. Finally. Something resembling an actual crime.
“Forensics?”
“Lorazepam, sir.”
“What dosage?”
The officer consults the report. “Zero point five milligrams.”
Price stares at him.
The officer clears his throat. “Ativan.”
“I know what lorazepam is.”
“Yes, sir.”
Price looks at the report again, perhaps hoping an additional zero will materialize through force of will.
It doesn’t.
“Zero point five.”
“Yes, sir.”
“That dose wouldn’t knock out a pensioner after Sunday lunch.”
“No, sir.”
“Riley weighs nearly two forty.”
“Yes, sir.”
They stand in silence and Price’s eye begins to twitch.
The final piece of evidence is recovered from a traffic camera positioned across from Simon’s flat where Pricd can see you dragging Simon beneath the arms towards the back door.
Dragging is perhaps generous. You are straining, red faced and panting, moving him approximately three inches at a time while Simon allows his boots to scrape uselessly across the floor. His head lolls against his shoulder with theatrical unconsciousness.
In the process, his boot catches the base of a standing lamp, which begins to fall.
Simon, still allegedly unconscious, reaches out one hand, catches it, carefully rights it, and places it back beside the doorway.
“Unbelievable,” Price mutters.
You turn around at the sound and he drops his arm and resumes being unconscious before you see him.
You stare suspiciously and Simon remains perfectly still.
After several seconds, you shrug and return to your kidnapping.
Price pauses the footage, sits back, and runs both hands slowly down his face, dragging his palms over his beard until he resembles a man trying to physically remove himself from existence.
Behind him, one of the task force operators shifts impatiently. “Captain?”
Price says nothing.
“Do you want us to assemble a team?”
“No.”
There is a pause.
“No, sir?”
“No.”
“But Lieutenant Riley has been taken hostage.”
“Has he?”
The operator looks at the frozen image on the screen. Simon’s enormous, supposedly unconscious body is halfway inside a compact hatchback while you attempt to fold one of his legs through the door.
“He’s tied to a chair, sir.”
“He could break those ropes by sneezing.” He says while he picks up Simon’s personnel file.
He opens it, turns to the appropriate page, and begins filling out a leave request.
The operator watches him. “Sir?”
Price writes Simon Riley beneath the section marked PERSONNEL NAME.
“Captain, what are you doing?”
“Administrative work.”
“Shouldn’t we at least contact him?”
Price checks the box beside personal leave.
“He’s been missing for two days.”
Price writes seven beneath REQUESTED NUMBER OF DAYS, considers it, crosses it out, and replaces it with fourteen.
“Sir.”
Price signs the bottom of the form with a flourish made violent by fatigue.
The operator makes a questioning noise in the back of his throat.
Price places the completed document neatly on top of the photograph showing his lieutenant sitting comfortably in a dungeon with a blanket beneath his ass, a half finished bottle of water by his foot, and enough slack in his restraints to knit a second rope.
“No deployment,” Price says. “No rescue attempt. No one contacts him unless there’s an actual emergency.”
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I love reading fanfics where one character is tagged as jealous, but their partner is unlovable to anyone but them. Like.. calm down, sweetheart, no one wants your man. We're still trying to figure out why you want your man.
I was making raspberry jam, and @wormwoodartemisia told me about cranachan, the scottish dessert, that i den googled and drooled a bit. Then they also spawned this idea <3
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"S'gid tae blether wae somedy new, a wis fuckin scunnert wae huvin tae luk at this wanker aw day."
Rudy knows multiple languages, as does Alejandro. They're intelligent men, and even if they don't speak something fluently, they can pick up the basics.
A glance back at Alejandro tells him that the colonel is also stumped by whatever the fuck just came out of Soap's mouth, even if he's trying to play it off with a grin and a nod.
Ghost gives away nothing with the mask, but the subtle shrug of his shoulders is telling; not even he understood. Their only possible ally in the war against the language of Scots, and he's fucking useless, Rudy decides then and there that the mask is to hide his shame.
"I understand."
Rudy will be adding a new tactical skill to his file later: phenomenal liar.
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thinkin about how soap, who grew up a devout catholic, may have felt when he arrived at the church in las almas. he’s halfway to death’s door, committed more sins tonight alone than most do in a lifetime. there’s blood on his hands and only some of it is his own. he can see ghost, his savior, through the gates, and he thinks there’s probably a metaphor there, but he’s too hopped up on adrenaline and blood loss to think about it. for a moment he feels like a kid again, except instead of praying for good grades or sisters that don’t make fun of him, he’s praying that he makes it out of there alive.
then ghost vaults himself over the gate like a fucking cat, and they’re moving again. soap feels a bullet graze himself somewhere but he barely even registers it. he wishes he had had time to go inside the church. he hadn’t been in years- his prayers had long since been confined to his shitty bed in the barracks.
ghost is yanking him by the wrist to cover and it feels like holding hands to say grace over dinner.
catholic soap and the church being the rv point makes me absolutely feral. just the church being foreshadowed when alejandro is driving them through las almas, subconsciously you feel the weight of it; you know something about it is important. and then soap is wounded; he’s betrayed and alone and you understand
this is where soap needs to go. this is where he’ll be safe. this is his salvation. this giant beacon he can see for miles, where ghost keeps telling him to go and he fights with everything he has to get to it
but then soap finally makes it… and it’s overrun. it’s been desecrated by shadows. it isn’t safe. but soap still gets this sense of relief; not because he’s at the church but because he’s with ghost. and you realise; the entire time it wasn’t the church he was pushing towards, wasn’t the church that would grant him safety
microdosing on catharsis by watching a fictional character or persona i relate to have an emotional breakdown until my chest starts to ache from the amount i've repressed
[Image ID: an image of a pair of scissors cutting a red thread on a plain white background. the scissors are right at the edge of the thread, but haven't cut them yet. the thread is labelled: "the thread i'm hanging on by". the scissors are labelled: "someone's voice cracking with genuine emotion during a performance". /.End ID]
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Imagine if simon had to leave you behind because you were badly injured on a mission?
He hid you away, safe, before getting the rest of the team. But when medical came you were gone..
No signs of struggle, no drag path, no blood.
No signs you existed.
They searched with dogs, choppers, men on the ground. But nothing was ever recovered.
No dog tags to give your family.
No body to bury.
No uniform to hang.
So weighted with guilt simon wonders everyday what happened to you.
Where to dragged off by enemy soldiers?
But no blood splatter...
No shreds from animals getting to you...no flesh torn.
So then what..?
He tried to move on but he couldn't, seeing visions of you in the dark, waking up in cold sweats..
He never should have left you behind..
One night when he sat on the couch, beer in hand, gear tossed to the side he wanted to watch some tv before calling it a day, but he couldn't turn the tv on for whatever reason.
He sat, slightly confused staring at the black screen before he heard his Radio crackle.
He checked it, maybe he was drunk...
But it was switched off, but static was still coming out, coming through on an old unused channel, with the right encryption files he could understand it now.
''I'm right where you left me...''
It was your voice!
He threw his radio clean across the room, it thudding against the wall heavily before falling to the floor.
He backed away from the radio, breathing heavily, years of mounted and suppressed emotions and trauma coming back crashing over him.
A scary thought came across his mind, Maybe he should answer..?
The radio breathed, then followed by a small sob.
He tried to answer but he was too choked up, trying to keep it together.
When Gaz came to check what the loud thud was, he found simon sitting on the floor, head in his hands, shaking violently.
Simon looked up as Gaz walked in, eyes bloodshot.
''Gaz...She's a carcass,but.. she still haunting me..''
There’s this trend going around on TikTok where people talk about how we have to let go of Soap because he’s dead and he’s not coming back. And you know what? That’s some hateful shit.
Not like genuinely hateful, but hateful to my feefees.