Joan La Barbara

pixel skylines

❣ Chile in a Photography ❣
we're not kids anymore.
🪼
occasionally subtle
YOU ARE THE REASON
"I'm Dorothy Gale from Kansas"
wallacepolsom

Andulka

Love Begins

JBB: An Artblog!
Sade Olutola


Discoholic 🪩
cherry valley forever
todays bird
Three Goblin Art
trying on a metaphor

祝日 / Permanent Vacation

seen from Türkiye
seen from Türkiye
seen from United States
seen from Australia

seen from Türkiye
seen from Sri Lanka
seen from Germany

seen from Türkiye

seen from Türkiye

seen from Türkiye

seen from United States
seen from United States

seen from Norway

seen from Chile
seen from United States
seen from Germany
seen from United States
seen from United States
seen from Sri Lanka

seen from Germany
@spectrumvivace
Joan La Barbara

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Exene Cervenka & Lydia Lunch at a book signing for Adulterers Anonymous, 1982, photographed by Rob Allen
Jean Tinguely, Moulin, 1963, Museum Tinguely, Basel
Jean Tinguely, May 22, 1925 – August 30, 1991.
composer john cage during his 1966 concert at the opening of the national arts foundation in washington d.c.
Burroughs on painting.

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Paul Klee
Willem de Kooning
“elles viennent autres et pareilles avec chacune c'est autre et c'est pareil avec chacune l'absence d'amour est autre avec chacune l'absence d'amour est pareille que ferais-je sans ce monde sans visage sans questions où être ne dure qu'un instant où chaque instant verse dans le vide dans l'oubli d'avoir été sans cette onde où à la fin corps et ombre ensemble s'engloutissent que ferais-je sans ce silence gouffre des murmures haletant furieux vers le secours vers l'amour sans ce ciel qui s'élève sur la poussière de ses lests que ferais-je je ferais comme aujourd'hui regardant par mon hublot si je ne suis pas seul à errer et à virer loin de toute vie dans un espace pantin sans voix parmi les voix enfermées avec moi”
— Samuel Beckett, poèmes et Textes pour rien (via idiot-duvillage)
David Tudor and Karlheinz Stockhausen in New York for performances of Refrain and Kontakte (1964).
Old Bull Lee
It would take me all night to tell about Old Bull Lee; let’s just say now, he was a teacher, and it may be said that he had every right to teach because he spent all his time learning; and the things he learned were what he considered to be and called “the facts of life,” which he learned, not only out of necessity but because he wanted to. He dragged his long, thin body around the entire United States and most of Europe and North Africa in his time, only to see what was going on…. there are pictures of him with the international cocaine set of the thirties — gangs with wild hair, leaning on one another, there are other pictures of him in a Panama hat, surveying the streets of Algiers….He was an exterminator in Chicago, a bartender in New York, a summons-server in Newark. In Paris he sat at cafe tables, watching the sullen French faces go by. In Athens he looked up from his ouzo at what he called the ugliest people in the world. In Istanbul he threaded his way through crowds of opium addicts and rug-sellers, looking for the facts. In Chicago he planned to hold up a Turkish bath, hesitated just for two minutes too long for a drink, and, wound up with two dollars and had to make a run for it. He did all these things merely for the experience….
Jack Kerouac, On the Road (1957)

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Vali Myers, Ed Van Der Elsken, 1950’s
Jack Kerouac // "Don’t use the phone. People are never ready to answer it. Use poetry."
Allen Ginsberg - Grégory Corso, Paul Bowles, William S. Burroughs, Tanger, 1961
I didn’t have time to be anyone’s muse... I was too busy rebelling
Leonora Carrington
Brion Gysin, PERMUTATIONS, 1958–1982
The sequential permutation of the Divine Tautology ‘I AM THAT I AM’ begins. Written between 1958 and 1982. Edited and designed by Alec Mapes-Frances, DABA Press, 2021, pp. 8-9.
This volume collects, for the first time, all of Brion Gysin’s “permutated poems.” Written between 1958 and 1982, these poems are composed from a brief phrase or sentence whose words are exhaustively or almost exhaustively permuted over the course of each poem. Gysin wrote the texts manually at first, although later, in collaboration with programmer Ian Sommerville, he would generate permutation poems with the help of a computer.

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Dora Maar, Nush Eluard, Pablo Picasso and Paul Eluard
William Burroughs, Ghosts at No.9, 1962