William Burroughs and Kathy Acker at the Cold City Gallery in 1989.
wallacepolsom
i don't do bad sauce passes
Peter Solarz
Mike Driver

Kaledo Art

pixel skylines

titsay
dirt enthusiast
$LAYYYTER
RMH
TVSTRANGERTHINGS
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izzy's playlists!
occasionally subtle

Kiana Khansmith
Show & Tell
Jules of Nature
trying on a metaphor

roma★
Stranger Things
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@spectrumvivace
William Burroughs and Kathy Acker at the Cold City Gallery in 1989.

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Cosey Fanni Tutti
Charlotte Moorman and Nam-Jun Paik, "Art by Telephone", 1969.
Just in case you ever wondered what noise shows in the 60s looked like.
Dźwigam w sobie ciężar przekleństwa
chrobotanie usterki pod powieką
asocjację martwego kanału.
Oczy emitują fluoryzujący blask
mimo świadomości katastrofy
wciąż wyrastają mi na języku krokusy.
Rzucam więc słowami jak kwiatami
w artystów wiszących na pręgierzach
tam, gdzie alchemia przerabia krzywdę w cuda. Olga Rembielińska 2026
Joan La Barbara

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Exene Cervenka & Lydia Lunch at a book signing for Adulterers Anonymous, 1982, photographed by Rob Allen
Jean Tinguely, Moulin, 1963, Museum Tinguely, Basel
Jean Tinguely, May 22, 1925 – August 30, 1991.
composer john cage during his 1966 concert at the opening of the national arts foundation in washington d.c.
Burroughs on painting.
Paul Klee

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Willem de Kooning
“elles viennent autres et pareilles avec chacune c'est autre et c'est pareil avec chacune l'absence d'amour est autre avec chacune l'absence d'amour est pareille que ferais-je sans ce monde sans visage sans questions où être ne dure qu'un instant où chaque instant verse dans le vide dans l'oubli d'avoir été sans cette onde où à la fin corps et ombre ensemble s'engloutissent que ferais-je sans ce silence gouffre des murmures haletant furieux vers le secours vers l'amour sans ce ciel qui s'élève sur la poussière de ses lests que ferais-je je ferais comme aujourd'hui regardant par mon hublot si je ne suis pas seul à errer et à virer loin de toute vie dans un espace pantin sans voix parmi les voix enfermées avec moi”
— Samuel Beckett, poèmes et Textes pour rien (via idiot-duvillage)
David Tudor and Karlheinz Stockhausen in New York for performances of Refrain and Kontakte (1964).
Old Bull Lee
It would take me all night to tell about Old Bull Lee; let’s just say now, he was a teacher, and it may be said that he had every right to teach because he spent all his time learning; and the things he learned were what he considered to be and called “the facts of life,” which he learned, not only out of necessity but because he wanted to. He dragged his long, thin body around the entire United States and most of Europe and North Africa in his time, only to see what was going on…. there are pictures of him with the international cocaine set of the thirties — gangs with wild hair, leaning on one another, there are other pictures of him in a Panama hat, surveying the streets of Algiers….He was an exterminator in Chicago, a bartender in New York, a summons-server in Newark. In Paris he sat at cafe tables, watching the sullen French faces go by. In Athens he looked up from his ouzo at what he called the ugliest people in the world. In Istanbul he threaded his way through crowds of opium addicts and rug-sellers, looking for the facts. In Chicago he planned to hold up a Turkish bath, hesitated just for two minutes too long for a drink, and, wound up with two dollars and had to make a run for it. He did all these things merely for the experience….
Jack Kerouac, On the Road (1957)
Vali Myers, Ed Van Der Elsken, 1950’s

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Jack Kerouac // "Don’t use the phone. People are never ready to answer it. Use poetry."
Allen Ginsberg - Grégory Corso, Paul Bowles, William S. Burroughs, Tanger, 1961