love is just a history that they may prove
and when you're gone, i'll tell them my religion's you.
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@specialisthyena
love is just a history that they may prove
and when you're gone, i'll tell them my religion's you.

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Each time you look at me, why does all the Shakespearean nonsense feel real? Why do all the fairy tales feel true? Why does it feel like âthis is what Hozierâs muse must have felt like?
I'm relatively new to being a Starscream fan, but, let me tell you, as someone who'd previously only heard about him through hearsay and got the impression he was just a traitorous buffoon, learning about him has been a TRIP. Like, wait, he's competent? He's potentially quite smart? HE'S A SCIENTIST?!? Possibly immortal? Was a pretty decent ruler of Cybertron in at least one universe? But ALSO a kinda goofy traitor at times? And I'm supposed to NOT be Obsessed?!? Li'l bastard jet, I love him!
My first iteration of Starscream I remember seeing was TFA I believe (I saw Armada when I was really little so at the time I didn't remember a ton of it until I rewatched it later), so I can understand the whiplash you get after learning he is A SMART SCIENTIST! I mean, I guess that was somewhat evident in TFA when he created his clones, but nothing prepared me for learning Starscream's G1 history and such later on. It's WILD.
So in light of that poll about who of the Greendale Seven would win in a fistfight (where Abed managed to come in 3rd place ahead of Troy, Jeff, Britta, and Pierce), I thought I would (lightheartedly) compile some of the things that Abed would canonically do in a fistfight:
Run away
2. Casually request a high five (?) right in the middle of the brawl
3. Attempt the crane kick from The Karate Kid
4. Gleefully run away some more, while occasionally getting hit on the bottom by a broom

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One of my favourite things in all of TES is Mannimarco's terrible, terrible poetry. As laid out in the ESO book, it's hard to see all the amazing rhymes. So let me present to you with the lines divided and the rhymes bolded. You will notice that he starts with no rhymes at all, switches rhyme schemes, pays no attention to meter and believes that "necrotic" is a noun.
Worm Saga by Mannimarco
Mage from infancy, blood-selected for magicka, descended from isles of Artaeum forever! Destined was I from long before birth to exceed all mortals. Altmer? Nay, Aldmer: scion of et'Ada by direct descent, summoned to Ceporah, and there was I sent: to Iachesis, to tutor, to test and ferment. No magicka handler Iachesis Ritemaster, sage of the Elder Way, gentle spellcaster! To warp not the wind, unlike guild of the latter day, courting disaster. Necromancy, death art, chose me stern and fast. To change not the present, but call up the past, obverse of Elder Way, forbidden without cause, deep-delved in death's way, against Gray Cloak laws. Ill-timed then arrived one, Trechtus by name: ambitious, obstreperous, blind and deaf to shame, talented, reckless, thought himself my equal, his arrogance and envy determined our sequel. Magic he practiced: open, raw power, flouted the Elder Way, endangered the tower, then with lowborn cunning cast me as the villain, engineered exile, made me Tamrielan. All undervalued my will and resolution,  my knowledge formidable, my wit and acumen. Thus found I new allies to study the death-rites, the sacrifice rituals, the summons of ghost-wights. Robed all in black goes the Order of Black Worm, bringing wisdom to seekers who see beyond death-term, but Trechtus-now-Vanus pursues us to continent, to persecute worm-wrights his evil intent. Come, all necrotics, defend practice and life, against Mages who wield magicka like a knife, heedless of heresy and ignorant of Elder Way, hating necromancy yet heralding doomsday. Child of Nirn ponder, which would you choose: tyranny of mages, restricting spell use,  or necromancy, communion with thy dead, ancestors returned, generations reunited?
Mannimarco was an Emo Boy, change my mind
abed my very favorite person who doesnt exist but he does in my head
SOBBING ALOUD
â¨robot in clothesâ¨
hmmmmm thereâs so much to unpack about âclone abedâ because he makes sure to specify that heâs not an exact replica. he says, âI have all of abedâs abilities and memories, but I'm missing his wild emotionality. although I think I may be able to let troy go nowâ and itâs almost startling how different abed is post geothermal escapism. heâs closer to early season 1 abed (before he was besties with troy) when while still an avid movie fanatic and dedicated to the craft film, lacked the whimsy he exuded when he had his best friend. he didnât do bits. he rarely wore funny costumes or did voices. he didnât come up with new traditions or start school wide pillow fights. he didnât talk about the dreamatorium. even when britta and jeff started a 1920s themed speakeasy he didnât immediately play along. I wonder if he stopped doing things like that bc he could stop thinking âi wish troy was here.â itâs almost as if to cope w him leaving, âclone abedâ left behind everything that reminded him of troy (which included some of the best parts of himself)
Fruit bat noises, apparently. If you care

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BATMAN: EUROPA
Shooting a movie
I just found out that Oingo Boingoâs âLittle Girlsâ song (which I actively avoided because the title bothers me) is actually a villain song where Danny Elfman was deliberately mocking, calling out, and shaming sleezy Hollywood executives and rock musicians for how they prey on under-age girls. Â Itâs deliberately from the perspective of one of those executives as a means to shame them and suggest that they will get caught.
Danny Elfman has a few songs from the perspective of characters youâre not supposed to agree with or like.
It kind of reminds me of Pat Benatarâs âHell is for Children.â Â People mistook it as Satanic for the title but it was actually an anti-Child Abuse anthem.
That makes me feel so much better about the song âLittle Girlsâ because it IS creepy and it IS from the perspective of the guy youâre supposed to hate.  And now I realize itâs deliberately off-putting.  Danny Elfman was channeling the âMe tooâ movement about thirty-five-years early.
My personal favorite Oingo Boingo songs are Weird Science, Dead Manâs Party, Flesh ân Blood, Mary, Insanity, No one Lives Forever, and No Spill Blood. Â
Just a silly idea for a comic I had one night. Not based on real events. IRL I like to feed my neighborhood corvids because watching them is so much fun. They fricking love peanuts.

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A Stake in Someone's Fortun
An Escape from Someone's Misfortune
I have Planted my Crops in Someone's Fields
I shall Harvest the Crops and Leave behind the Weeds
How Cruel is my Kindness
How Selfish my Aid
One day I shall be Caught
One day I shall be Punished
Yet I atone everyday by Planting Chance into someone's Garden
I hope the Fruits are Fortune
video essays about horror, fear and dread
Films That Feel Like Bad Dreams
The Nightmare Artist
Fear of Big Things Underwater
Control, Anatomy, and the Legacy of the Haunted House
House of Leaves: The Horror Of Fiction
Monsters in the Closet: A History of LGBT Representation in Horror Cinema
The History of Insane Asylums and Horror Movies
The Saddest Horror Movie Youâve Never Seen
Fear of Forgetting
Slender Man: Misunderstanding Ten Years Of The Internet
The Real Reason The Thing (1982) is Better than The Thing (2011)
The Bizarre Clown Painting No One Fully Understands
The Little Book of Cosmic Horrors
The Disturbing Art of A.I.
Fear of Depths
Goyaâs Witches
David Lynch: The Treachery of Language
The True History That Created Folk Horror
The Existential Horror of David Cronenbergâs Camera