Hamnet (2025) "He can feel Death in the room, hovering in the shadows, over there beside the door, head averted, but watching all the same, always watching."

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Hamnet (2025) "He can feel Death in the room, hovering in the shadows, over there beside the door, head averted, but watching all the same, always watching."

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“You be greater than your feelings. I don’t demand this of you — life does. Otherwise you’ll be washed away by feelings. You’ll be washed out to sea and never seen again.”
— Philip Roth, Indignation
Albert Camus, from a letter to María Casares featured in Correspondance, 1944-1959
“When you reach for the stars, you are reaching for the farthest thing out there. When you reach deep into yourself, it is the same thing, but in the opposite direction. If you reach in both directions, you will have spanned the universe.”
— Vera Nazarian (via quotemadness)

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...and this desire for human warmth.
Albert Camus, from a diary entry written in April 1939
One must imagine Sisypus happy not because he enjoys the struggle but because the struggle is all he has. Journey on the hill is who he is, without it he would lose all sense of identity. In an absurd world we define the struggle as our identity, identity is all we have and we are eager to maintain it even if it brings us misery.
Loneliness does not come from having no people about one, but from being unable to communicate the things that seem important to oneself, or from holding certain views which others find inadmissible.
Carl Jung, “Memories, Dreams, Reflections”
I am constantly trying to communicate something incommunicable, to explain something inexplicable, to tell about something I only feel in my bones and which can only be experienced in those bones.
Franz Kafka, “Letters to Milena”
It’s so hard to speak and say things that cannot be said. It’s so silent.
—Clarice Lispector, Agua Viva
Paintings from the ‘Peripety’ series by Jen Mazza
“Each year is like putting a new coat over all the old ones. Sometimes I reach into the pockets of my childhood and pull things out.”
— Simon Van Booy, from “Little Birds,” The Secret Lives of People in Love (Turtle Point Press, 2007)

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“To make a new world you start with an old one, certainly. To find a world, maybe you have to have lost one. Maybe you have to be lost. The dance of renewal, the dance that made the world, was always danced here at the edge of things, on the brink, on the foggy coast.”
— Ursula K. Le Guin, Dancing at the Edge of the World: Thoughts on Words, Women, Places
I could function in a society that had an actual nightlife that isn't synonymous with just clubbing. Where are the night markets what if I want to go to the library at midnight
“These poems teach me about the world, about how to look at things, and at each other, even if this looking injures me. Viktor Shklovsky famously notes, “Art exists so that one may recover the sensation of life; it exists to make one feel things, to make the stone stony. The purpose of art is to impart the sensation of things as they are perceived and not as they are known.” As they are perceived and not as they are known… So the poet’s role is to speak truthfully, objectively, simply, to open the reader’s eyes to what is, not how it is deformed by thought… To restore life, to return us to the absurdity of being on earth, with other people.”
— Aria Aber, from “On beginnings, the perpetual exile of the poet, and beauty”, published April 28, 2023
Patrick Nunn, from "The stories of oral societies aren't "myths"; they're records", pub. Aeon
(And could love free me from the shadows? Can a bird sing only the song it knows, or can it learn a new song?)
Angela Carter, The Bloody Chamber (via quotespile)

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Patrick Nunn, from "The stories of oral societies aren't "myths"; they're records", pub. Aeon
How sublime the moon. How sublime, the mossy ruins. The fear and the fear itself.
— Elisa Gabbert, from "Yes & No," Normal Distance