they are wrapping me in filo pastry tomorrow
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we're not kids anymore.
Show & Tell

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I'd rather be in outer space 🛸
Aqua Utopia|海の底で記憶を紡ぐ

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he wasn't even looking at me and he found me
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@sostenente
they are wrapping me in filo pastry tomorrow

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Giardino dipinto (inizi I sec.), particolari, dalla Casa del Bracciale d'oro - Parco archeologico di Pompei, Napoli.
Amazing
Raghib Al-Isfehani ( Abul-Qasim al-Hussein bin Mufaddal bin Muhammad)
from ʻAjāʼib al-makhlūqāt wa-gharāʼib al-mawjūdāt (The wonders of creation, or literally, Marvels of things created and miraculous aspects of things existing) by Zakriya ibn Muhammad al-Qazwini (circa 1203-83) is among the best known texts of the Islamic world. It is often referred to as “The Cosmography.“
The work begins with an introduction, and is followed by two sections, the first on supra-terrestrial, the second on terrestrial creatures. Al-Qazwini concludes his work with a section on monsters and angels. The genre of Aja'ib al-makhluqat (The wonders of creation), of which al-Qazwini’s work is the most famous example, includes texts in Arabic and Persian that describe the marvels of the heavens and the earth. Numerous manuscripts of al-Qazwini’s work have survived, as have several Persian and Turkish translations of illustrations.
scythes and detail

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lesbian boxers and lovers Ann Marie Saccurato and Angel Bovee, 2006
In 1917, Janet Collins, a Black ballet dancer and painter, was born.She moved with her family from New Orleans, Louisiana, to Los Angeles as a young girl, attending Los Angeles City College and the Los Angeles Art Center School. As an accomplished painter, she was able to finance her relocation to New York to pursue a dance career. In 1941, she performed with the new but world-renowned Black dance troupe formed and directed by Katherine Dunham.
At the age of fifteen, Collins successfully auditioned for the Ballet Russe de Monte Carlo at the Philharmonic, but after being told she would have to paint her face white to perform, she declined the offer. She told her aunt what happened and was advised, "You get back to the barre and start your City exercises. Don’t try to be good, be excellent." In 1949, Collins made her New York debut in a solo concert. As a Prima Ballerina in 1951, she became the first Black artist to perform on the stage of the Metropolitan Opera House in New York. Starring in the 1951 production of Cole Porter’s Out of This World, Collins won the Donaldson Award, signifying the best dancer on Broadway.
She remained with the Met until 1954, dancing in Carmen, Aida, La Gioconda, and Samson and Delilah, after which she toured the United States and Canada in solo dance concerts. Having taught at several colleges and dance institutions in New York and California, she retired and resided in Seattle. Janet Collins died in June 2003 in Forth Worth, Texas.
This is by a patient of mine with early late stage dementia, who was a poet for most of her life. Her new poems are dictated to me during writing workshops I run at my hospice job. She hadn't written since her diagnosis. This is one of seventeen poems I've written with her so far.
posted with permission from herself and her family.
She died early this morning.
I’ve been doing poetry since I could write but I do think she was my only teacher.
Working with her was one of the most rewarding experiences of my life. I mean it when I say you all are so lucky to get even this glimpse at the majesty of her work.
In her words from another poem (not posted):
I am not the only creature watching
All of this,
Drinking it in.
I have a companion,
The cat who sleeps in the backyard
Is watching, too,
And there is so much to be.
Denise Levertov // "Claritas" (1963)
God is relation, full stop. He is like reality in this regard. Consider an electron, the fundamental unit of all matter. No one has ever seen one. They really don't "exist" until we turn our attention to them. The physicist Marcelo Gleiser says that "exist" may be too strong a word to use for an electron. I take God's existence to be much the same, though for God "exist" is too weak a word. We don't know what the existence of God is. We have no idea what the word "exist" even means in the context of God. What we do know—or what I know, I should say—is that God doesn't exist until I turn my attention to him. Relation brings him into being, or, more accurately, enables his being to be perceived, experienced, shared. My attention—and the precise quality of that attention—is absolutely involved. I realize this is unorthodox at best, heretical at worst. But it is my experience of being in the world and of being with God. "The feeling remains," as Teresa of Avila says, "that God is on the journey, too."
Miroslav Volf and Christian Wiman, Glimmerings: Letters on Faith Between a Poet and a Theologian

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Long conversation / Долгий разговор Natalia Livitchuk, 2016
strange decanters by etienne meneau
Patrycja Humienik, We Contain Landscapes
Tony Vaccaro, Leonard Cohen

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Eastern greek fluorite carved idol: Owl.
4th - 3rd century BC.
Private Collection.
Nishiyama Hoen, Insect Procession,
detail, ink and color on silk, 1851