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My frens wedding veil… “In this life and the after”

spiral, 2006

C. E. Housden - Views of Venus, 1915.

Vintage illustration of Sound Vibration Patterns.

Path of the Moon around the Sun, 19th century.

Chiếc vòng bạc, Trương Qua, 1962

Some of the bleach burned thru the shirt bc this was my first time bleaching anything ever, but it kinda adds to it.

speculation

Study of an Angel from Paradise Lost. 1867. Alexandre Cabanel French 1823-1889. drawing. http://hadrian6.tumblr.com

Leon R. Pescheret, The Great Tapestry Hall, Hampton Court Palace, 1935, etching.

Fish-shaped interlocking paving stones.

Dancing Maenads, Roman, 1st century CE

Sophic Putrefaction. Immersed in Mercurial Water, the Homunculus (Latin, “little man”), having undergone the Calcinations of the Sun, is heated to the point of Sophic Putrefaction. The Alchemist’s Flame underneath is closely guarded by three Black Crows (or Ravens), themselves associated with the Process of Putrefaction.

Amor Fati. Amor Fati is a Latin phrase that may be loosely translated as “Love of Fate” or “Love of One’s Fate”. It is used to describe an attitude in which one sees everything that happens in one’s Life, including suffering and loss, as good or, at the very least, necessary, in that they are among the facts of one’s Life and Existence, so they are always necessarily there whether one likes them or not. Moreover, Amor Fati is characterized by an Acceptance of the events or situations that occur in one’s Life. This Acceptance does not necessarily preclude an attempt at Change or Improvement, but rather, it can be seen to be along the lines of what Nietzsche means by the concept of “Eternal Recurrence”: a sense of Contentment with one’s Life and an Acceptance of it, such that one could live exactly the same Life, in all its minute details, over and over for all Eternity.