styofa doing anything
Acquired Stardust
Jules of Nature

Discoholic šŖ©

Cosmic Funnies

ē„ę„ / Permanent Vacation

romaā
Misplaced Lens Cap
cherry valley forever

if i look back, i am lost

⣠Chile in a Photography ā£

shark vs the universe
taylor price

pixel skylines

titsay

Andulka
Stranger Things
tumblr dot com
seen from United States
seen from France
seen from Bahamas
seen from United States

seen from Türkiye

seen from Singapore

seen from United States
seen from Romania

seen from United States

seen from Malaysia
seen from United States
seen from Malaysia
seen from Pakistan
seen from Bulgaria
seen from United States

seen from Belgium

seen from United States

seen from Australia

seen from Singapore
seen from Honduras
@solaropsis

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spiral, 2006
C. E. Housden - Views of Venus, 1915.
Vintage illustration of Sound Vibration Patterns.
Path of the Moon around the Sun, 19th century.

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Chiếc vòng bẔc, TrưƔng Qua, 1962
This sick bleach shirt I made. Something to showcase my undying love for prehistoric cave art.
Some of the bleach burned thru the shirt bc this was my first time bleaching anything ever, but it kinda adds to it.
speculation
Study of an Angel from Paradise Lost. 1867. Alexandre Cabanel French 1823-1889. drawing. http://hadrian6.tumblr.com
Leon R. Pescheret, The Great Tapestry Hall, Hampton Court Palace, 1935, etching.

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Fish-shaped interlocking paving stones.
Dancing Maenads, Roman, 1st century CE
Sophic Putrefaction. Immersed in Mercurial Water, the Homunculus (Latin, ālittle manā), having undergone the Calcinations of the Sun, is heated to the point of Sophic Putrefaction. The Alchemistās Flame underneath is closely guarded by three Black Crows (or Ravens), themselves associated with the Process of Putrefaction.
Amor Fati. Amor Fati is a Latin phrase that may be loosely translated as āLove of Fateā or āLove of Oneās Fateā. It is used to describe an attitude in which one sees everything that happens in oneās Life, including suffering and loss, as good or, at the very least, necessary, in that they are among the facts of oneās Life and Existence, so they are always necessarily there whether one likes them or not. Moreover, Amor Fati is characterized by an Acceptance of the events or situations that occur in oneās Life. This Acceptance does not necessarily preclude an attempt at Change or Improvement, but rather, it can be seen to be along the lines of what Nietzsche means by the concept of āEternal Recurrenceā: a sense of Contentment with oneās Life and an Acceptance of it, such that one could live exactly the same Life, in all its minute details, over and over for all Eternity.

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Eternal Return. Eternal Return, also known as Eternal Recurrence is a concept that the Universe has been recurring, and will continue to recur, in a self-similar form an Infinite number of times across Infinite time or space. The concept is found in Indian Philosophy and in Ancient Egypt and was subsequently taken up by the Pythagoreans and Stoics. In addition, the philosophical concept of Eternal Recurrence was addressed by Arthur Schopenhauer. It is a purely physical concept, involving no supernatural Reincarnation, but the return of beings in the same bodies. Time is viewed as being not linear but cyclical. The basic premise proceeds from the assumption that the probability of a world coming into existence exactly like our own is greater than zero (we know this because our world exists). If Space is Infinite, then Cosmology tells us that our existence will recur an infinite number of times. In 1871, Louis Auguste Blanqui, assuming a Newtonian Cosmology, where time and space are Infinite, claimed to have shown that the Eternal Recurrence was a Mathematical certainty. In the post-Einstein period, there were doubts that time or space was in fact Infinite, but many models existed which provided the notion of spatial or temporal Infinity required by the Eternal Return hypothesis. āTime is Infinite, but the things in time, the concrete bodies, are Finite. They may indeed disperse into the smallest particles; but these particles, the atoms, have their determinate numbers, and the numbers of the configurations which, all of themselves, are formed out of them is also determinate. Now, however long a time may pass, according to the Eternal Laws governing the combinations of this Eternal play of repetition, all configurations which have previously existed on this Earth must yet meet, attract, repulse, kiss, and corrupt each other againā¦ā
Signs of the Zodiac, 16th century.