❄️ No extensive DNI, as long as you know that I’m queer and proship and won’t dial myself down for people who disagree with that. I have no patience for bigotry, including whatever type of bigotry you think of as "acceptable". Minors can interact, as long as you block the tags “nsft” and “suggestive”.
❄️ Fanfic writer (technically, I write original fiction as well).
❄️ Currently focused on Blue Eye Samurai, but I've also written for Arcane, League of Legends, Overwatch, The Magnus Archives, and RWBY. Other media I enjoy and will likely post about includes Wings of Fire, Castlevania: Nocturne, Baldur's Gate 3, A Series of Unfortunate Events, Homestuck, Genshin Impact, Dungeon Meshi, One Piece, The Silt Verses, The Elder Scrolls, and the Horizon games.
❄️ I regularly go on unplanned hiatuses, sometimes for months. If you're worried I've abandoned this account, there's a 99% chance I haven't, but feel free to send me an ask!
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What I Say vs. What I Actually Mean When Talking About My Writing
Ah, writers. We’re like caffeinated raccoons with a thesaurus—erratic, dramatic, and perpetually on the verge of either brilliance or a breakdown. We love our craft, we loathe it, we panic about it, and sometimes we have midnight sword fights with it (metaphorically… usually). For my long-suffering friends and family, here’s a guide to decipher the cryptic ramblings of an organism like me.
"I’ll finish this draft by the end of the week."
I will procrastinate for six days and have a meltdown on the seventh.
"This chapter just needs a little tweaking."
This chapter is trash, and I’m about to rewrite the whole book instead.
"I love my characters so much!"
I’m going to emotionally devastate them for fun.
"The plot is solid, I just need to flesh it out."
The plot is six sentences, half of which are question marks.
"I’ve got a new idea for a book!"
I’ve abandoned my current project and am fleeing the guilt.
"This is just a first draft."
Please don’t judge me for this dumpster fire.
"I’m doing research for my story."
I’ve been Googling ‘weird medieval punishments’ for four hours.
"I don’t care about reviews."
I’ve read every review. Twice. And cried over three of them.
"The ending needs a little work."
The ending doesn’t exist yet, but thanks for asking.
"I’m editing today."
I’ll spend 30 minutes on commas and four hours rearranging furniture.
"My characters took over the story."
I have no control over anything anymore. Send help.
"I think this draft is almost done."
There’s a 40% chance I’ll delete it tomorrow.
"I’ll outline my next project properly."
HAHAHAHAHA. Sure, Janet.
"I’m working on character development."
I’m Googling psychological disorders and debating tragic backstories.
"I’ll just jot down a quick idea."
I’ve accidentally written half a novel on a napkin.
"I’m worldbuilding right now."
I’ve spent three hours naming a forest and none on the actual plot.
"I don’t get attached to my characters."
I would die for this fictional idiot and cry over their demise daily.
"I’m starting fresh with this new story idea."
I’ve given up on my last three WIPs but refuse to admit defeat.
"I don’t need a deadline to stay motivated."
Without pressure, I will accomplish absolutely nothing.
"My characters feel so real."
I have arguments with them in my head while washing dishes.
"I just write for fun."
I obsess over every word and feel personally attacked by constructive feedback.
"I’m creating a writing playlist."
I’m avoiding my manuscript by curating vibes for the 30th time.
"I’m a writer!"
I am chaos personified, and I occasionally open Google Docs.
Wrapping up "Chippin' In", I went to the oil fields in Johnny's car, with him sitting next to me the entire time. Listening to the radio and "So It Goes" comes on.
Accidentally created one of the most bittersweetly romantic scenes I think I've ever seen.
it rly is so fucked up how a consistent art style and developing one is soooo emphasized like.. you don't really need to do that unless ur trying to be an industry artist and will be expected to conform to other ppls styles. don't you want more. Don't you want to play and experiment and push without fear. Your art will be recognizable as yours bc the way you interpret the world into 2d is unique to you
We are always told to use body language in our writing. Sometimes, it’s easier said than written. I decided to create these cheat sheets to help you show a character’s state of mind. Obviously, a character may exhibit a number of these behaviours. For example, he may be shocked and angry, or shocked and happy. Use these combinations as needed.
You guys, this is such a great chart especially for budding writers. Sometimes it’s more effective to show a character being bored or excited or shocked without explicitly saying so.
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i love your nsfw stuff and even in the tame content its still so creepy. do you have any tricks for making nsfwhump or noncon more implied instead of being graphic? i know the fade-to-black premise but you always get the idea across and somehow salvage the whumpy feeling.
How to write intimate whumpers without being explicit: A guide to getting the point across but leaving out the act.
!!!Viewer discretion: Severe Content Warning!!!
Contents include expanded topics of NC, forced intimacy, manipulation, and mental conditioning. Please inspect further tags before expanding the cut.
Non-con situations and content can be a very difficult thing to navigate, tactfully or without egregious severity. It's ultimately a very potentially triggering subject and some find it more disgusting than scary. Some blur the lines with dub-con, some hyper-focus on the full scene.
While each and every person that writes or creates content about it, does so for their own reasons and likeness, I have seen many examples and this is a subject matter that I have a gratuitous amount of experience working with.
I think there can be varying levels of how much you want to show. If you'd rather not be explicit at all, there are ways to build what I call 'the appearance' of an intimate noncon relationship: which is just using a little knowledge about perception and body language to help add to the situation.
For instance, if you want to psychologically imply that Whumper is too physically/mentally comfortable with Whumpee- here are a few shortcuts that get the point across in my opinion. Little gestures and clips of positioning that you can add to your settings to make them just a touch more dubious or predatorily lustful in nature.
I will also include a few things that can help recognize your Whumper as an intimately inclined one. A few words or thoughts about how to set the scene or embellish things to guide the reader to the feelings you want to instill. Without having to traumatize yourself or anyone involved.
I've dabbled in both explicit and non-explicit dub/non-con and I believe I have a good understanding of trying to balance both. There are ways that if the story or character progression needs it but you're not comfortable writing it in graphic detail; you can work around but get the same effect, essentially.
Whumper touching Whumpee's thigh/knee. Legs in general tend to be considered infrequent touch zones that imply an amount of intimacy on their own. Think of the last person or most common situations your legs have/are touched? How many times does someone hug your legs? Exactly my point, it's a very common part of the body that is ignored unless injured, intimate, or in combat.
Whumper being too casual about stripping them for baths, soiled clothing or hygienic purpose. Slowly taking off their clothing, doing it gently if they're otherwise rough. Clothing is like wrapping paper for bodies, if Whumper is intense about this factor, it can imply they're anticipating and fantasizing. If they're casual, it's understood that stripping happens often to Whumpee, it's a normal thing and they've definitely done it before.
Whumper staring and Whumpee feeling continuously affected by it. (Feeling pinned, trapped, held by the gaze. Following Whumper's gaze to certain parts of their body. Catching the side-ways glances at them when they are thought to be 'not looking'.)
Whumpee automatically closing their legs or adjusting a tighter posture around Whumper. Making movements if possible that create imaginary distance and protection from Whumper. Crossing arms over the chest, crossing legs, creating a barrier between them, if only in body language. Taking a step back in pace, sitting up in their chair if they'd been slouching. Some form of physically responsive tension gives insight into how cautious Whumpee is.
Whumpee is terrified in everyday situations of being restrained, not specifically from the restraints themselves. Seat-belts, heavy blankets, arms over them while they sleep, any sense of restraint making them feel powerless and triggering them. This can also expand to, of course, being physically pinned down, held, hugged, or grabbed.
Whumper skimming into the neck of their shirt while intimidating them. Or alt: dipping into the waistband of their pants while holding them. Just a slide of fingers beyond a physical boundary to push unease. Giving an indication that Whumper would or has gone further than just that covering.
Whumper deliberately whispering in Whumpee's ear and attention being drawn to how close/heated their breath is. You can set a little more mood depending on how you describe the breath. To make it uneasy, calling it sticky or humid can give an insight into the way Whumpee feels.
Whumper licking them, tasting them, biting them exct. Alt: Whumper playing with Whumpee's mouth. Grabbing their tongue, fingers into their mouth, studying, or toying with their lips or teeth. Mouths are intimate by themselves depending on the context of the situation but showing an extra layer of comfort with these things, sets up for a weird feeling. If you want to make it creepy, heavily focus on how much Whumper enjoys these things and vocalize it in the story somehow. Have them comment or narrate to Whumpee what they taste like or how good, etc.
Whumper baiting them with pushing further each time and then changing it up to confuse their internal prep time. Touching them a little more, showing a bit more intention, and then leaving them without the bait for a few days before going again. Make the first move, make the second move on Whumpee, then wait a day or two before going even further the third time. Until they're at the level of intimacy Whumper (or you) want to show.
Whumper exhibits dominance while assuming 'intimate' positions. Parting Whumpee's legs to stand or kneel between them. Grabbing their ankles while putting them into bindings or restraints. Pinning their wrists behind them and sitting on their backside to keep them from fighting. Forcing Whumpee to straddle their lap while doing something as simple as recapping their boring day.
Whumper dictating their dress, fashion, or style. Telling them what to wear, how to wear it, when they look good. Demanding a certain level of perfection. This can also include Whumper hand-dressing them to take that much more autonomy from them. Insults are still a viable way to break a Whumpee down and get in their head. Critiquing their appearance, praising it too much, both could be lethal to a Whumpee's psyche if that's the direction you want to go.
Intrusive personal hygiene is another way; Whumper forcing them to sit still while they brush their hair and fawn over it. Putting lotion on their skin, first aid, bathing them, or brushing their teeth to imply they want it fresh.
Whumper making Whumpee sit at their feet for movies or forcing them to allow an embrace/hold. Long, awkward gaps of silence where Whumper merely holds onto Whumpee. Could be painful, could be normal but Whumpee is expected and required at these times to sit still. Whumper can make it worse by petting them or repetitiously touching them in some manner. Each path could be lower or higher on Whumpee's body in such a way it makes them uncomfortably aware of their intentions.
Whumpee dreading going to go to a bedroom or Whumper's bed. Perhaps they fear all beds and prefer the floor or a chair. Signifying that bed/sleeping or personal space is fearful for Whumpee, gives a surefire way to tip-off that something is intimately askew.
Important factors that in my opinion can help separate intimate Whumpers and regular Whumpers:
Eye contact. It's personal enough that it drives a point of subtle dominance home. If Whumper is obsessive with it and Whumpee is scared of it (or afraid of not making it) that can clue in a good dynamic to build upon for an intimate Whumper.
A desire to touch Whumpee, even if it's just in thoughtful dialogue. Make effort to include how much they want to, or how much they relish in it when they do. Even if it's not an intimate situation, how heavily you focus on their attention to Whumpee's physicality can make for a nice setup or slow-burner.
Removing the typical detachment of 'it' and calling Whumpee she/he/they/them or something affectionate in nature such as pet names, pet, darling, precious, etc. Even just addressing them by their name can shed a form of attachment and or mindset for the scene and Whumper. (Alt: If you want to keep the detachment, have Whumper call them 'it' in general but call them something else when they're becoming intimate/attached. Bringing that much fear around being called anything personally driven.)
Making excuses to Whumpee as to why they're punishing or hurting them. Grandious explanations soothe Whumper's mind as they torment or punish Whumpee for their indebted crimes. Talking to Whumpee through the process of their torture is another minuscule form of intimacy that could potentially confuse and damage their relationship further. (Especially if you mix it with Whumper giving them the silent treatment or withholding sound from them, so they enjoy Whumper's narration of their pain.)
Giving Whumper a hatred for other people in Whumpee's life, circle or even distrusting their own relationships when it comes to Whumpee. The paranoia surrounding Whumpee's activities, if they've been touched, perhaps grilling them with questions if Whumper allows them to be in contact with others. This is a thin chip of obsession that if you include it right, can paint a portrait of Whumper wanting Whumpee all to themselves. (Asking questions like Who touched you? Did anyone hug you? Or even going as far as physically checking Whumpee for marks/evidence of contact while Whumpee was out of their sight.)
Whumper having more interest in their health can be a telltale sign of attraction. Keeping them from starving, dehydrating, giving them sleep at certain times. (Including Whumper addressing their appearance while doing so is added bonus: 'You're prettier when you've slept, you're starting to get too thin for my liking, your lips get dry when you're dehydrated, etc.)
Whumper focuses on intimate zones on Whumpee. Staring them in the eyes, staring at their lips or chest or backside. It's common body language to look where your mind goes or stare at someone's lips to indicate you want to kiss them. The more predatory that you include this, the higher chance the reader will clue in and unwrap the hidden desires. If it's more obvious, the more creepy Whump factor you can add with how shameless it's held. Whumper daring Whumpee to notice them staring and uncaring to how they might feel or react.
Whumper waits until Whumpee is dazed/fevered/delirious to make small gestures or passes at them. Keeping them in bed with them, touching a bit too low or too high to be right but Whumpee doesn't entirely notice. This also works if Whumpee is injured or low-powered; anything that makes them defenseless but Whumper makes it known just how defenseless they potentially are. It could form a pattern, increase in boldness each time. But Whumper only has the courage to show or do things like that to them when they have a larger chance of not remembering it.
Whumper makes hungered gestures when looking at Whumpee or looking at the damage they've caused them. Licking lips, setting jaw, biting tongue/cheek/lips, salivating. Especially if you've made them inhuman, heavily work with the tendencies that happen with hunger or cravings. You can sell a lot.
Whumper intentionally gets them messy, bloody, dismantled in some way that forces them to be close, if not have an excuse to get them naked. This could include staged accidents, spilling, anything to soil whatever Whumpee usually wears. This can also extend easily to making it extra whumpy and breaking something and roughing them up after. An excuse to bandage and care for Whumpee or at least be close enough to examine their handiwork.
Setting the scene and keeping the whump intact:
First off, you'll need to decide what your limits are going to be for your current writing. Also, decide if things will stay in the scene or if you're building up for more explicit happenings to be left up to the imagination.
If you are comfortable with more intense dialogue, I encourage everyone looking to avoid writing the full scenes, to implore it. Dialogue can create more intensive thoughts, projections, and ideas without the hard or uncomfortable work of going all out on an extensive non-con theme.
If you have no objections to 'dirty-talk' dialogue, it can do some heavy-duty work at selling the creepy/intimate factor without having to again, craft a whole scene. This can also include non-explicit but imploratory dialogue that can give a view into how deeply Whumper's intentions and obsession can go.
To give a small idea, Whumper could talk about these topics to push more distress with dialogue:
How Whumpee tastes/smells.
Narrate what they're doing to Whumpee OR what they'd like to do if they had the chance./How they're going to do what they're planning in the long term.
How Whumpee feels under their hands.
How Whumpee is reacting; shaking, trembling, making small noises.
How aroused/interested they are.
How long they've waited to do/get the chance to do something to Whumpee./How much they've looked forward to it or fantasized about it.
How 'honest' Whumpee's body is compared to their words.
What made them want to do the acts in the first place.
How they first fell in love with them.
When they first saw them/How they felt at the time of seeing Whumpee the first time.
Plans for both of them in the future sound too normal to be situationally based. Marriage, a family, buying a house, vacationing, etc. Even celebrating holidays or birthdays.
Praising or scolding them for not fighting/fighting them.
NSFW:
Telling them how tight they were when/are being fucked.
Complimenting how they look while performing a sexual act.
Describing Whumpee back to themselves in a demeaning, sexualized way; narrating their actions with degrading 'pet' names. (Slut, bitch, even more extreme like cumdump, fuckdoll, etc.)
Telling Whumpee how much they were begging for it/asking to be fucked while doing it. Demonizing their normal bodies/actions in such a way implies they've somehow led Whumper on or consented to it. Can be built up with some proper gaslighting.
Critiquing their body in such a way that it implies that they're made for taking the abuse. (Your lips were made for this, Your ass has been begging for it all night, etc.)
How much they love hearing Whumpee's moans and cries of pain and pleasure.
Pointing out how much Whumpee clings or tries to escape/hide from the acts and sensations. Lamenting about how sensitive/unused to the pleasure they are.
Telling them they have no intention of stopping until Whumper is satisfied or talking about how long/much they have to look forward to.
Informing Whumpee how often they'll be fucked/how normal the act will become or has become.
Once you've figured out how far you want to go, what your limits are, and if you want to rely on heavier dialogue for context; the next thing I encourage is to work with whichever side you want to be the most powerful.
If you focus on the Whumper, dialogue, inner thought process and mentality all play big roles in the display I feel. You can get across a lot of intent and cut corners by how much you have Whumper obsess with the thought of the things they want to inflict on Whumpee. If you have them thinking about it, showing physical signs of it (blush/flush, dilated pupils, quick heart rate, physical genitalia ques, etc.) there is a better impact in my opinion no matter how much you cut out.
If Whumper is hyper-focused, soaking in every detail and outer projection Whumpee gives them, it's going to paint a picture of how much Whumper wants them. How far they are willing to go to get those reactions, how much they want to see come out of Whumpee. Giving Whumper a finely tuned sense for Whumpee and a vice for reveling in their physical pains and tip-offs can express how vividly and how deeply the obsession goes.
Don't be afraid to make Whumpers watch. Watch everything. The way Whumpee cries, moans, frowns, twitches. Everything is information for Whumper and if they're addicted to the response, it gives an air of entrapment.
If you focus on Whumpee, lean into the unease and discomfort of whatever situation you throw at them. Make them feel everything, even if they don't show it to Whumper. Try to express the disgust or dread that comes up every time Whumper touches them. Make their skin crawl, prickle, give goosebumps that mean a thousand things.
Close them off from Whumper physically, make them crave distance when Whumper gets close. Flinching when they're touched, pulling away, knocking hands back if it won't get them destroyed by Whumper. The closer Whumper is, the sweatier they get by just how much they already expect contact to be dished out.
If you choose to re-work with dialogue, make them unsure of their responses. Try to make them dubious or open-ended to ensure that the reader and Whumper could take it wrong, whenever you get the chance. You can show heavy manipulation through Whumpee's dialogue, depending on how conditioned or unconditioned it is to the happenstance. If Whumper says something lustful and they reply with something polite but still heading towards a decline; it gives easy reason for Whumper to push further if they don't like being told no.
Whumpee can be forced to verbally consent to relieve Whumper's consciousness and still internally process it as trauma. These two things can very much coincide if Whumpee is aware that they will be treated with more brutal power if they don't consent/agree to Whumper's whims.
An interesting twist could present to have Whumpee be the one to talk dirty to Whumper. Initiate it in such a way they're almost begging to have what they're saying, done to them, to spare themselves Whumpers original wrath. Asking for a gentle touch, even giving explicit detail of what they want Whumper to do them, to try to lead them in a less aggressive direction.
This might seem like a less submissive route but if Whumpee is smart enough and able to play with their outcome, I highly encourage you to make them do so! This can create a bond with Whumper and build trust, even if the situation is faked on Whumpee's end. Even if they still have to hold back their fearful reactions, they can control Whumper in an aspect they couldn't before. Even though they have to give themselves up, they are able to save themselves from the angry, violent aspect.
Another incredible way to imply that a non-con situation is present; Whumpee waking up on a bed, on furniture, and undressed in some fashion. If you set the scene with clothing on the floor, restraints on the bedframe, bruised wrists; you can paint a picture without having to go through the scene itself. Plus, you're able to bypass straight to the aftermath and internalized whump.
You're able to cut a corner and instead, move to Whumpee having a reason to fear Whumper and act skittish around them. Despite how the relationship goes, has went or how the scene itself played out. It's going to add trauma and layers of hurt to Whumpee and their mental status. It will take safety from them, drive them to paranoia if it's randomized and they can't spot Whumpers patterns to prepare themselves.
Things we take as comfort will be horror if the only times they see beds and bedding are when the non-con is coming. If the only time they're allowed in the bedroom, given pillows and blankets after as a sick form of reconciliation for their compliance. If the only time they're bathed or given new clothing is when it's about to be ripped off or their body is about to be used.
This can add a form of panic inside Whumpee and 100% give them enough reason to act however you need/want them to.
Sexually based trauma is no small feat and it can and will destroy your mind whether you want it to or not. It can ruin relationships, all senses of security and make you incredibly self-destructive and irrational.
On top of losing sleep, eating habits, nightmares, night terrors, depression, anxiety, the works. PTSD is a very normal thing to happen in response to sexual trauma, trauma of all kinds too, but it's a very high given for non-consensual assaults.
If you or anyone you love, needs to speak with someone or needs help with sexual abuse or violence; Please don't hesitate to contact someone, even with a text or a phone call. There are so many resources and hotlines out there, that even if you just get it off your chest, you can survive another day.
[Link to American and International Hotlines]
[Official RAINN Resources NA]
[RCNE EU and International Help]
(If anyone has more thorough lists they could link, I'd love to attach them to the post to continue to push them out there. If I'm going to be presenting topics, I'd also like to add real-life solutions, as well.)
"A heart with an arrow through it symbolizes being 'lovestruck' or very deeply in love. Often representing Cupid's arrow, signifying a sudden and powerful romantic feeling....💘"
Reminder that the label NSFW (or versions like nsft) is not a moral judgment. "Not safe for work" literally means "if your boss glanced over and saw this on your phone or computer screen, you could get penalized or fired." That's why nudity is labeled as NSFW because even if nude bodies aren't inherently sexual, your boss probably still wouldn't be thrilled to see naked people on your screen.
me when i see people assign who is the mom, dad, kids and uncles/aunts to a group of friends/found family and entirely ignoring all the fucking complexities of their relationships with each other to give them the same exact shallow surface traits for nuclear family shit. and then that cold ass take on the characters becomes the popular one which means its illegal to even think about these friends having any sort of interesting dynamic bc the majority of people now perceive them as actual blood related family bc theyve been reduced to nothing but polly pocket dolls
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I'm really not apologetic with this hard stance, either. I'm very firm on this, too. My art has already been used, twice now by people who did not ask my permission, so they could "enhance it" with Gen AI. I really see nothing good coming from generative AI except poor excuses for laziness and glorified search engines that don't work.
This is an important time to make the distinction between generative and analytical AI. Analytical AI is what AI is supposed to be for. It’s all the boring stuff like analyzing data for patterns. For example, you probably heard about that AI that was designed to tell apart bear claws from croissants for a bakery that is now being used to detect cancer cells with greater accuracy than human doctors. That’s an analytical AI, while everything mentioned in the post above is generative AI. (Which sucks!)
okay starting with preschoolers (3-5 year olds) they range a lot. i mostly work with nonverbal preschoolers, but i know several who are insanely verbose and use big words. one of them will answer questions in full sentences, the other doesn't even respond to her name.
kindergartners are pretty similar, but they tend to do a lot of vacant stares.
first graders looove attention. if you pay attention to a first grader you're done for. they tend to start developing their personalities to an extent at this point, and are more like little drama queens than anything else.
second graders are complex, strange beasts. they know swear words. they watch horror movies. they stay up until 8. they're real rebels. at this point they get a little meaner. more likely to point out your boogers. they still think burps are funny.
third grade is a bunch of little guys. like at this point they're at the age where they think they're basically adults and have nothing to worry about. baby talking them is a bad idea.
forth grade is 9-10 year olds and trust me, they're so much more mature than you think. they're basically like people. some of them are pretty cool. some are not.
fifth are the snootiest, smuggest little bastards on earth. they understand slurs and use them. do not talk to them.
3 years old : depending on their mood, they want to do everything alone or have an adult by their side during the whole task more for the attention than for any real help. They have a thirst for independence. They are really proud of their achievements and also really proud to be big because now that they started school of course they are a grown up. Their sentences aren’t perfect but they actually speak way better than you think (if they want to talk - not talking non verbal here : some of them won’t talk to you until there is a high level of trust). It tends to be the age where they ask « why » all the time and it may not stop for a while. They have no real concept of time : they say earlier for last week and will believe you are 10 since you are that much older than them.
4 years old : it’s the age they can be real little shit. They are in a balance where they still want your attention but also do not want your attention AT ALL. They are starting to master the language which means they will start to « lie », they are actually just trying to see how far they can take language. They are generally understanding more and more about the world and it may be overwhelming. I’ve seen more meltdown from 4 years old than 3
5 years old : they know things you had no idea about in details you can’t imagine. They love the old gods, old civilizations, geography, everything about nature… They just want to know how everything work. They almost reached the point where they can speak like an adult. They are pretty independent but may from time to time want you for themselves to remind you they are here. If they actually feel you may not be there for them, they may try to do a lot of shit to get your attention
What my dad (who was a teacher) used to say about the 9-11 range was, by that point they have pretty much mastered being a kid. They understand and can manage pretty much everything in their environment. They know who they are and what they like and what they're capable of, and they can do pretty much anything they care enough to do.
And then puberty comes in and burns it all down to the foundation and they have to start that mastery process all over again.
But by a lot of measures a 9-11 year old kid can do pretty much anything (with some obvious categorical exemptions) an adult can do.
a whumpee who can't stand silence anymore. It lets them think, and when they think, all the bad stuff comes out. They can't deal with it. So they consistently have a tv on when they sleep or have music following them through the house... now what happens if they don't have access to that anymore?
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