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let's talk about Bridgerton tea, my ask is open
Sade Olutola
YOU ARE THE REASON
One Nice Bug Per Day
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todays bird

bliss lane
Noah Kahan
Today's Document
Monterey Bay Aquarium
hello vonnie
d e v o n
Fai_Ryy
he wasn't even looking at me and he found me

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Misplaced Lens Cap
Not today Justin

roma★
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trivia

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zone out
this feels like a sensitivity training for how to not commit micro aggressions against vampires in your workplace

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If it makes you feel any better, he hated it too.
This is the funniest and saddest sentence I've read all week
Every time I see one

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A Bug’s Life, 1998
CONTEXT: I wrote/drew this in 2020. Lol. Happy New Year!
Good Omens: a gentle reminder
Your headcanon is your headcanon. The characters in your mind are what they are, and nobody is trying to take them away from you. Think of the Good Omens TV series as a stage play: for six full hours, actors are going to be portraying the roles of Crowley and Aziraphale, Shadwell and Madame Tracy, Newt and Anathema, Adam, Pepper, Wensleydale and Brian and the rest. Will they look like the people in your head? The ones you’ve been drawing and writing about and imagining for (in some cases) almost 30 years?
Probably not. Which is fine.
The people in your head and your drawings are still there, and still real and still true. I’ve seen drawings of hundreds of different Aziraphales over the years, all with different faces and body-shapes, different hair and skin, and would never have thought to tell anyone who drew or loved them that that wasn’t what Aziraphale looked like. (And a couple of years after we wrote it, I was amused to realise that the Aziraphale in my head looked nothing like the Aziraphale in Terry’s head.) I’ve loved every instance of Good Omens Cosplay I’ve seen, and in no case did I ever think anyone was doing it wrong: they were all Aziraphales and Crowleys, and it was always a delight.
Good Omens has been unillustrated for 27 years, which means that each of you gets to make up your own look for the characters, your own backstories, your own ideas about how they will behave.
The TV version is being made with love and with faithfulness to the story. It’s got material and characters in it that Terry and I had discussed over the years, (some of it from what we would have done it there had been a sequel). Writing it has taken up the greater part of my last three years. You might like it – I really hope you will – but you don’t have to. You can start watching it, decide that you prefer the thing in your head, and stop watching it. (I never saw the last Lord of the Rings movie, because I liked the thing in my head too much.)
Remember we are making this with love.
And that your own personal headCrowleys and headAziraphales and headFourHorsemen and headThem and headHastur and headLigur and headSisterMary and all the rest are yours, and safe, and nobody is ever going to take them away from you.

Anya is live and ready to show you everything. Watch her strip, dance, and perform exclusive shows just for you. Interact in real-time and make your fantasies come true.
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An all-charter-school system was heralded as the future for urban schools. The future is filled with flaws
Here is all you need to know about the New Orleans schools before Hurricane Katrina hit, 10 years ago this summer: They were awful. The schools were awful, the school board was awful, the central office was awful—all of them were awful. At a recent conference held to tout the progress made by the schools here since Katrina, Scott Cowan, an early proponent of the all-charter-school model that exists here now, described New Orleans’ pre-storm schools as mired in “unprecedented dysfunction.” In other words, they were awful.
I’ve probably posted this article before but oh well.
2x16 “Roadkill” “No. But Molly, you don’t belong here. Haven’t you suffered long enough? It’s time. It’s time to go.” For wigglebox: HAPPY BIRTHDAY, DEAR!!!