This is where I reblog miscellaneous posts as they pertain to my various interests, such as comics, art, goofy jokes, language, writing, and so on.
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Links etc.:
info about my superhero/vigilante OCs:
💬 1 🔁 1 ❤️ 1 · nadia, who's that dumb boy you're always drawing?? · TJ / REfactor: (he/him, later she/her as JJ)
Reckless guy with ADHD w
Art blog: @hoardlikegoldenirises (though I usually reblog most of my drawings here as well.)
Sideblogs: a few, lately mostly @flamesbetween (superhero OC stuff) and @man-i-love-frog-hunting (semi in-character blog for TJ) (not a roleplay blog)
Comic Recs: #nadia's recs
Comic reading tag: #nadia reads comics
Tag for posted fics/links: #arghfic
Tag for writing WIPs and musing: #arghwrites
Tag for my OCs: #oc stuff
Art tag: #nadiart
AO3: softgrungeprophet - note that all my fics are currently locked to be visible only for logged-in users. sorry, you can blame tech bros for that.
My bigass Spidey AU tag: #came in through the window last night
Said AU on AO3: click me (some fics may not be appropriate for all audiences, always check the warnings first)
Other links: bio.link/goldenirises
Strawpage: click
DVD wishlist (Target registry): link
Artfight: goldenirises
Toyhouse: softgrungeprophet
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Most of the things I reblog are generally safe for work, but I am an adult and I do occasionally reblog "adult"/NSFW/suggestive posts.
This is not a strictly 18+ blog, but it's also not 4Kids, so use your best judgment. I do not vet my followers unless I see a very obvious spam bot or TERF, and I am not interested in policing who follows me.
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Not spoiler-free (I try to tag spoilers but I forget sometimes)
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you can block the tag #nadia rambles if you don't want to see my random inane text posts lol
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If you ever want to draw gift art or fanart for me (whether of my fics, OCs, etc.) you don't need to ask permission. Go right ahead. You can @ me, tag my username, send an ask, or whatever.
all I ask is that you mention me as the creator of the character, fic, au, or whatever and ideally link back to my profile or something 💕
I track #softgrungeprophet if you ever want to tag me in a post 👍
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As far as artist signatures go, Jan van Kessel’s 17th-century painting of his name in caterpillars and snakes must be up there with the best. More on the unique work here: https://publicdomainreview.org/collection/jan-van-kessel-s-signature-of-caterpillars-and-snakes-1657
unfortunate that none of the ideas i have for Sil feature his face, but i am quite satisfied with this being my first time drawing him properly. I didnt try to make the spine prosthetic make sense or anything as my priorities was to get the material right and to just make it look cool.
Im interested in Sils rejection of the "flesh" by replacing it more and more with tech, both for himself and his followers. I also have the headcanon his arm was amputated from his injuries in the Ald Sotha tragedy (reason behind the scar), later causing him back problems from improperly fit dwemer prosthetics. I can never let this guy have a break so i also imagine he had some debilitating illness (eg. cancer) leading up to the Foul Murder, its the reason why he was so tempted to use the tools besides just being curious as Sil genuinely just wanted to survive, also why hes so desperate to replace his body with machinery.
also sorry for my increased absence as im very busy and exhausted with uni assignments, i will also be missing for a few weeks in June due to mandatory summer practice
oh and have in mind im not as knowledgeable about Sil as i have not played eso (likely never will) only watched a playthrough of the clockwork city dlc, havent read the truth in sequence either, so bear with me if i make very "contradictory" headcanons here
Anya is live and ready to show you everything. Watch her strip, dance, and perform exclusive shows just for you. Interact in real-time and make your fantasies come true.
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been reading The Traitor and the Wretch and while its prose is admittedly on the amateur side and imo could have used at least one (more?) very heavy editing pass, I'm still enjoying my time with it and having fun with the characters and their situation(ship)—love when characters are foils for each other (complementary skill sets... yessss....) and also are both weirdos
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you literally can not have a vagina without paying for it. vaginoplasty for some, period products for others, if you want to stop buying period products that’s gonna be expensive medicine or an expensive procedure, recovery from surgery requires time off work and vaginoplasty specifically requires money spent on dilators. our bodies shouldnt cost us this much on baseline. having a vagina shouldnt have such a hefty tax on it. it makes me feel like i’m in a fictional dystopia written for middle school classrooms when i think about it.
We are still selling pre-orders for Vol. III of Broads and Broadswords Zine, an LGBTQ+ charity zine that will donate all proceeds to the Transgender Law Center and Point of Pride!
Click the link in our bio to buy your copy today!!
Anya is live and ready to show you everything. Watch her strip, dance, and perform exclusive shows just for you. Interact in real-time and make your fantasies come true.
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the other day i saw a tiktok of a woman talking about how her hyper-militant abusive parents would sometimes punish her by “taking away her name” and referring to her as a prisoner number. genuinely terrible stuff, obviously. but i skimmed the comments and. listen. i truly DO NOT mean to dunk too hard on this person, like they could be a kid or something, but.
just. breathtaking. imagine if your primary reference for the concept of the un-personing of prisoners was (check notes) a book series about owls.
This is why it's important to Include stuff like this in fiction, especially ya fiction. It can be a lot of sheltered and/or indoctrinated children, in the case of a lot of rural "Christians", first introduction to these types of concepts in a way they can understand.
I don't think there's anything weird or shameful about it. Knowledge is knowledge, regardless of where it came from.
I was once listening to one of the ten billion animorphs podcasts out there, with two hosts, one who'd read Animorphs as a kid and one who was reading it for the first time as an adult. For those who don't know, Animorphs is a war story in which a handful of children have to secretly hold off an alien invasion until the "good" aliens arrive to save Earth. It starts off with fairly clear-cut Bad Species of aliens and Good Species of aliens but as the series goes on it becomes clear that there is no such thing as a good, clean or glorious war, that a clean Good Side and a clean Bad Side is usually propoganda, that heroism is a matter of circumstance and that war will chew up and spit out even the victorious; there are no winners in war, just the side that lost less.
It's a lot, for books aimed at eleven year olds who want to read about kids turning into fun animals.
On the podcast, the two (American) hosts happened to get onto the topic of the post-9/11 Iraq War and their reactions to it. They were both children at the time and as such could not be expected to have particularly nuanced views of US military policy. The person who hadn't read Animorphs was unsurprised by the declaration of war; that's what you did. Someone attacks America, America goes to war. That's how a country protects itself, through military revenge. The Animorphs fan, about the same age, had been devastated and against the war from the start. War was a Big Deal and, while sometimes unavoidable, should be a last resort; a lot of people were going to die, and a lot more were going to get hurt, and no matter how the war shook out it was still going to be horrible. They attributed this perspective, of course, to the series that had taught them about the horrors endemic to war in an engaging way at such a young age -- to Animorphs.
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