Still frame from my recent drone shoot with knee boarders.

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art blog(derogatory)

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Show & Tell
One Nice Bug Per Day

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@sobolamike
Still frame from my recent drone shoot with knee boarders.

Anya is live and ready to show you everything. Watch her strip, dance, and perform exclusive shows just for you. Interact in real-time and make your fantasies come true.
Free to watch • No registration required • HD streaming
Recently took the drone out to a small re-created mining camp in the El Dorado Hills of Nevada. Â https://vimeo.com/221521124
Been playing with my drone in the mountains. Here are a few shots from Nelson, Nevada.
Pondering the new-fallen snow, Wheelie, the creepy one-armed snowman, rethinks his plan for a mail-order bride.
As a busy DC Freelancer, Jason Nicholls sees most of his action Producing and Directing Unscripted  "Reality" TV.  His credits include series and shows for HGTV, Discovery, Travel Channel and others with shows like Big Time RV, Diggers, and the extremely popular A&E Series Hoarders.
On this episode, Jason talks about the importance of industry friends and just what it takes to Produce Reality TV on a national level.
"Stay Relevant" Episode 24: Reality TV Producer Jason Nicholls.

Anya is live and ready to show you everything. Watch her strip, dance, and perform exclusive shows just for you. Interact in real-time and make your fantasies come true.
Free to watch • No registration required • HD streaming
Hollywood Producers Joke and Biagio on the latest edition of my podcast at http://www.mikesobola.com/podcast
He made his name in Special Effects and was once commissioned to recreate the corpse of Edgar Allen Poe. Now, Artist Eric Supensky wants to be an Actor. With recent roles in VEEP, playing opposite Natalie Portman and Peter Sarsgaard in "Jackie", a role on American Titans and a must-join status for SAG, it looks like he's well on his way to success.
"Stay Relevant" Episode 21: Artist/Actor Eric Supensky.
Pitch your show w/tips from Discovery & Travel Channel Development Pro @dgbaileymd. Â http://bit.ly/1N16Scb
If you've ever pitched to Discovery or Travel Channel, chances are, he was on the other end. In his various development roles, Doug's been personally responsible for hundreds of hours of programming and had his hand in thousands more. On this episode, Doug Bailey talks about his path to the networks, who to get your big idea in front of, and why your pitch probably needs a sizzle reel to get the green light.
This episode: Development Professional Doug Bailey.
    It was a noisy night in Manhattan.  Sirens, car alarms and the random argument pierced the stale night air, foiling my early attempts at slumber. Eventually drifting into a restless sleep, I was suddenly and abruptly jarred awake.  Something had grabbed the toes of my sleeping bag and started yanking hard.  “Hey!”  I yelled, as I sat upright, my scream chasing the would-be thief back into the shadows.  Unable to sleep, I pondered my recent decision to quit my job and move 300 miles north for a freelance life in production.  Now, here I was-sleeping on the floor of a van next to a 12-foot rug in the heart of Greenwich Village.  My journey to this point wasn’t what you might think-and not nearly as bad as your imagination is leading you to believe.
READ MORE HERE
Latest Episode in my Podcast Series: Â http://bit.ly/1N16Scb
Playwright? Actor?  Gaffer?  His early career went through a number of iterations before he settled on “Film Editor”.  From all current indications, it seems Rob Henninger made a good choice.   On this chat, Rob talks about his new facility in Arlington, VA, what it took to get there, and how he manages to stay relevant in the ever-changing world of Post-Production. Â
Stay Relevant: Wandering Conversations with Interesting People. Â This Episode: Rob Henninger- Â http://bit.ly/1N16Scb

Anya is live and ready to show you everything. Watch her strip, dance, and perform exclusive shows just for you. Interact in real-time and make your fantasies come true.
Free to watch • No registration required • HD streaming
Coming to a stop at a familiar point in the road, I made a painfully obvious observation:  we had just spent 20 minutes driving around in a big circle and we were rapidly running out of time.  The morning of our second day shooting in Spain for The Travel Channel , it was going downhill fast.  And things were about to take a turn for the worse.
Read More: goo.gl/dIaqox
Theoretical Physics & Love in the Modern Age. Actor Gia Mora on the latest episode of my podcast: http://bit.ly/1IRf9dN
Sit in the Hallway.
How a desk by the door got me the job of my dreams.
    Looking back, the adventure had a very positive start.  A month earlier, I arrived in Manhattan with a TV degree, a certificate from NYU, two years of corporate video under my belt and a head full of confidence.  I had just finished a deferred-payment gig on an independent feature film shot on Block Island.  Since “Deferred payment” usually meant “volunteer”, I was happy to get the room and board and be surrounded by fellow filmmakers and future friends.  But, my very early success was not to be easily repeated.     Finding work after that initial gig was tough.  My previous experience back home, I learned, amounted to nothing in New York, and although I was working as a P.A., the jobs just weren’t rolling in.  I just wasn’t the superman I thought myself to be.  Conquering New York was to be an earned task if it were to be attained at all.  So I decided on a plan, stuck with it and eventually went from steady freelance to a full-time job with the Travel Channel.  A few key things contributed to my success.  I’ve boiled them down to these five key points:
1. Get Busy.     Volunteer for a student film or join the crew of a 48 Hour Film project.  No job today?  Call or email companies to let them know you’ll soon be available.  Don’t say you’re not working, but instead, mention that you’re just finishing a job and “putting together the coming week’s schedule”.  Employers would rather hire someone who’s busy than someone who’s “out of a job”. Early in my freelance career I made it a point to start each “non-working” day on cold calls.  I’d select 25 production companies from the production guide and call each one offering to send a resume.  Then, I’d follow up the next week to see if they had gotten it.  It kept me busy and often led to some long-term contacts.
2. Get Involved.     Networking is important, but too many newbies think this involves going to functions and begging for work or handing out your business cards.  A big part is demonstrating your reliability. Join the local TV & Film organizations and volunteer at functions.  Suggest and coordinate panels you might be a good fit to participate in.  Be a greeter.  If they see you enough, they’ll eventually remember you when you follow up later.  Then, follow up later.  Send a note to those you’ve met to jog their memory and put yourself on their radar.  Follow the trade news.  Stay up to date on who’s doing what and which projects are coming along.  Folks love to brag, so use that to your advantage.  If someone gets a new job or promotion, send them a congratulatory note. Â
3. Be persistent.   There’s a fine line between persistence and annoyance.  Find that line and straddle it. Keep your contacts abreast of what you’re doing.  Let them know where they can see your latest work and who you’ve worked with. It’s a small business; you’re bound to cross tracks.  Persistence pays off in a couple of ways.  First, when the potential employer wants to hire, they’re more likely to feel indebted to you from all your notes and updates and not having returned the “favor”.  Second, you’re apt to be uppermost on their list and at their fingertips-having persistently contacted them in the past.  People are busy.  If they can easily fulfill their hiring needs quickly with quality talent, why wouldn’t they?
4. Sit by the door.     My only NYC staff job started as a freelance gig with the Travel Channel.  I answered a small ad for a Production Assistant (PA) and was hired on the spot.  Starting the next day, I was assigned a desk in the hall by the door.  The nature of our business frequently had me arriving early and staying late, often the last to leave. And while this sage advice of “first in/last out” is normal for a newbie, I had the unexpected benefit-due to my location-of seeming to never leave the office.  Eventually, this high-visibility location helped sell me to the boss as a dedicated worker, worthy of a staff position.  So, my advice to newbies is to “sit by the door”: make yourself visible so others take notice.
5. Do the best job you can possibly do.     While a desk by the door can help your prospects for promotion, if you do half a job, you’re not going far.  No matter what the task, do it 110%. Someone’s bound to notice.  Make suggestions, think ahead, anticipate problems.  A pro-active approach can be a large contributor towards a successful endeavor.  Learn from those around you by asking questions and putting that knowledge to work.  Above all, be nice to those around you.  It’s a small business and you’re bound to meet those same people again-and next time they might be on the other side of the desk in a position to hire you.
   Finding work in our business can be difficult, but you’ll go far with a little preparation, some persistence and maybe a desk in the hall by the door.
Selling your great TV idea is a tough road, but these two Hollywood Producers are here to help. The dynamic duo of Joke and Biagio have the most amazing podcast I’ve heard in a while. Check it out at producingunscripted.com. You’ll thank me. (Or probably more likely, them.) Concrete tips and advice on what sells, who’s buying and how to get your masterpiece on the air. Plus inside stories about their shows in progress, interviews with deal makers and pitch takers and a whole lot more. It’s really valuable advice and it’s free.
Latest episode on my podcast: Behind the Scenes with V/O Artist and Redskins bandmember Stefan Monica.
Stefan Monica joined the Washington Redskins Band in 1969. His tenure has spanned coaches from Vince Lombardi, to Jay Gruden, included legends George Allen and Joe Gibbs, and three Super Bowls. The Redskins Marching Band is one of only two active bands in the NFL and plays at all home games throughout the season. In this episode, Stefan talks about the band, his recent promotion to Sax Section Leader and what it's like to be part of a DC institution for nearly half a century. Episode 15: published December 1, 2015.

Anya is live and ready to show you everything. Watch her strip, dance, and perform exclusive shows just for you. Interact in real-time and make your fantasies come true.
Free to watch • No registration required • HD streaming
Video Podcast: http://bit.ly/1LzU08i
In 1986, Jeff Krulik & John Heyn set out with a camera and no real goal in mind. Â They ended up Outside the Capitol Center-a local music "super venue" during a Judas Priest Concert. Â What followed was the cult sensation "Heavy Metal Parking Lot". Â Jeff talks about making the film, how he got started plus his reality foray with "Ernest Borgnine on the Bus" and more. Â Stay Relevant: Interviews with Interesting People in TV and Beyond. Â A podcast by Mike Sobola.
Video Podcast: http://bit.ly/1kQS42B
The year was 2001. Â A couple of friends had a far-fetched idea to make a complete short film in only two days. Â For some, it became a weekend of fun. For others, a piece for their reel. Â But for Mark Ruppert and Liz Langston, it marked the start of a film making odyssey. Â Today, more than 30 thousand films later, the 48 Hour Film Project is a respected competition sending its yearly grand prize winners to Cannes. Â
Listen in as Co-Creator and Executive Producer Mark Ruppert chats about the competition's history, it's exciting future and how it manages to maintain a sense of fun that's an integral part of what it is today.