Guillermo E. Brown - On rhythm and balance
occasionally subtle
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@sneezingbeaver
Guillermo E. Brown - On rhythm and balance

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Tom Sachs on creative leadership and the importance of idealism
Tom Sachs

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One (Wo)Man Drumming Bands & Trommelnde Alleinunterhalter_innen.
Originally posted here: https://www.sneezingbeaver.com/blog-1/trommelnde-alleinunterhalter
I am collecting songs for my beginner drum students to play along to. This is it. Easy grooves, little to no fill-ins.Â
Originally posted here:Â https://www.sneezingbeaver.com/blog-1/2019/5/14/songs-for-beginners-playlistÂ
Ein Drum Break ist jener Teil innerhalb eines Songs, der ganz dem Drummer/der Schlagzeugerin gehÜrt und sich auf das Wesentlich konzentriert: den Groove. Das erste Monthly Mixtape präsentiert einige der Songs deren Drum Breaks zu den meistgesampelten Stßcken der Popmusikgeschichte gehÜren.
Das erste Monthly Mixtape präsentiert einige der Songs deren Drum Breaks zu den meistgesampelten StĂźcken der Popmusikgeschichte gehĂśren und das Fundament unzähliger Hip Hop Produktionen bilden - und Hip Hop war nur der Beginn: Die Schlagzeug-Passage aus James Brown's âFunky Drummerâ (mit Clyde Stubblefield an den Drums) findet man laut whosampled.com in aktuell 1508 Songs wieder: Prince, Mariah Carey oder die Backstreet Boys, sie alle bedienten sich an Clyde Stubblefields Groove.
Vom Low Boy zur Hi-Hat
Im Schlagzeugunterricht passiert es regelmäĂig, dass sich nicht nur Neulinge Ăźber die eigentĂźmliche Konstruktion der Hi-Hat wundern. Die Hi-Hat ist jenes Instrument des Schlagzeugs, bei dem es mĂśglich ist, die daran befestigten Becken sowohl mit den Sticks als auch mit einem Pedal zu spielen. Das alleine sorgt schon meistens fĂźr erstaunte Blicke. Noch erstaunter werden diese Blicke wenn meine SchĂźlerInnen erfahren, dass die ersten Versionen der Hi-Hat alles andere als âhighâ waren.
Blogpost:Â https://www.sneezingbeaver.com/blog/2019/3/12/low-boy-hi-hat
Mary H. K. Joy - On Sustaining a Creative Metabolism

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âThe files available here were recorded in the park and are in the public domain. They may be downloaded and used without limitation; however, please credit the National Park Service where appropriate.â
Leeds producer LK explores the sonics of Japanese piano wizard Takehiro Honda, in VF Mix 134. More info and tracklist: https://thevinylfactory.com/features/vf-mix-134-takehiro-honda-by-lk/
I remember when I was younger, I would read Naked Lunch every year, and I noticed that every year I re-read it, I learned more about me than I did about the book. Because I saw more of how I had changed, in that time, than the book had changed. Because the book, of course, hadnât changed at all: itâs always been there.
Jim OâRourke (via austinkleon)

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