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Stranger Things

★

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@sneaselgutz
It's me!

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Grimy dumpster boy
stranger.
Put Schezo in a Cinderella dress because why not
And a bonus:
Which man will I put in a dress next? Who knows
I know y'all did not read the books but Roald Dahl talks about this in the book. Charlie’s teacher points out the fact that unless you buy a shit ton of bars you’re probably not gonna win. Just like the lottery. Just like how all of the other winners of the tickets bought a shit ton of bars. Except Charlie, who just got lucky. And Charlie was originally black. Literally the whole point of the book was that wonka wanted to give the less fortunate a fair opportunity and it wasn’t fair because the system isn’t fair.
Stop the car.
Charlie was originally black?!?!
!?!!
He was and Mr. Dahl was forced to make him white. Also his widow has spoken and confirmed that as well.
because you shouldn’t believe everything you read on a tumblr post at face value, here is a guardian article confirming that charlie was originally conceived as black but dahl made him white at the behest of his publisher
WHAT
But yeah, coming back to the original point, the other kids, especially Augustus Gloop and Veruca Salt, cheated the system by claiming a ridiculous amount of chocolate bars. News reports mention people hoarding Wonka chocolate bars in hopes of finding the Golden Ticket. Mr Salt even admits that he refitted his staff at a nut-shelling factory for opening chocolate bars, without a doubt losing a huge amount of capital in lost profits and mass bulk-buying of chocolate, just to win. The working-class lady who actually found that ticket didn’t benefit from that luck or labour - she was immediately made to hand it over to her boss for his spoiled daughter, who holds it as ‘his’ victory and good luck.
Charlie didn’t even find the ticket in his first bar, or his second. His first bar, his birthday present, was a dud, and he even failed to enjoy it like normal because he dared to hope, just for a moment, that he might actually be lucky enough to get the one. Later, he is lucky enough to find a dropped 50p piece in the street, and goes to buy a chocolate bar for himself. Finally holding a treat that is all his, he wolfs the thing down, stopping only long enough to realises that he didn’t get lucky and win a Golden Ticket. It’s only on the third bar that he gets it, and, smelling blood in the water, the shopkeeper tells him to immediately go home and not tell a soul that he has it, knowing what people might do to this small starving boy if they find out what he has.
And Wonka knows! He knows he done goofed! He realises almost immediately that the people who have been attracted to his lottery, who have stacked the decks in their favour, are awful, cruel, entitled people! Augustus Gloop, the glutton, doesn’t care what placed in front of him so long as it’s food - and the first obstacle? A room where everything is a kind of sweet. Violet’s gum-chewing is excessive, but the modern film adapts this into a more realistic and sinister flaw - overcompetitiveness. It’s not just that she’s been chewing the same piece of gum for months, it’s that she’s been chewing the same piece of gum, weeks after its taste is gone, whether it is socially acceptable or not, just to break a record. So when Wonka promises a new treat, a personal favourite of one of the kids, but says it’s not ready yet and you can’t have it, of course Violet seizes it, because damn the consequences, she will be the first to try it. Veruca is shown a collection of unique animals, and immediately declares that she wants one, because she’s always had the bragging rights and luxury rare items. And when Mr Wonka refuses to sell? She steals it, because dang it, she will have that golden goose/trained squirrel! Mike Teevee, in his hubris, mutilates himself almost beyond recognition because he had to challenge Mr Wonka’s outlandish claim of transmitting physical objects via television. Charlie was the perfect heir, not because he was humble and poor, but because he had the wonder and appreciation for the treats Wonka made but also the sense and caution not to risk messing with the many dangerous things in an active factory. If the lottery was more fair, maybe Charlie would have had more stiff competition, but as it stands, Charlie is almost the poster boy of ‘won by doing nothing’.
Sorry, got sidetracked
TLDR: Apart from Charlie, most of the other kids were entitled rich (white) kids who gamed a system that should have been fair, and were punished for it by revealing to them their greed and hubris
Well I got a lesson in history
Damn this was so good
Damn I should read that book

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And yet there are those who doubt him and question how he gets around the entire world in one night…
santa’s creed
this has been on queue since january 2nd and it was worth every minute
I’m queuing this on December 26th I’m ready for this
You better watch out
You better watch out
You better watch out
You better watch out
huh again
Fell in love with this Luka symphony module from Alamichu symphony module pack.
Please don't repost my screenshots anywhere else
keep the challenge
MASTERPOST
of that one comic
Or that one part of that comic I keep sorta continuing

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I've made a bloody mess in the kitchen sink - Submitted by @trans-yaoi
#4F6067 #7AB7C5 #A3BCC #A38E89 #C15848 #CA0000
"I want you!"
let me hear your voice, purify my stagnant heart.
☆ Vocaloid buttons~
ㅤ🔎 ꒱ free to use for all your rentry needs, but if you'd like to repay me, my asks are open and ready for pictures of cats 😺
EVERYONE NEEDS TO SEE THE WILD ROBOT. FULL STOP. SEND TWEET.
sometimes a family is a robot mom and a fox dad and their gosling son,,,,and then also the fox’s bear husband yeah he’s there too 😁
READ THE BOOKS TOO i approve of this message op

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File this under “super obvious yet I always seem to forget it.”
I don’t write romance (I totally respect people who do, though!) but this is also great writing advice in general! What is preventing the protagonist from achieving their goal?
Why can’t these two people be together now?
Why can’t the mystery be solved now?
Why can’t they overthrow the evil overlord now?
If you don’t have a solid answer for these questions, that’s a good indicator that the plot could use some more work.
Also test your answer a little bit. If it’s as thin as they’re just refusing to sit down and have a simple conversation, you might want to re-think how things are going.
As a beta reader/editor, I tend to ask this question a lot: “Why are they doing it this way when there’s a much easier path available?” That’s not to say that they should take the easier path, because that would usually be boring. Instead, the point is that the question needs an answer–either eliminate the easier path or give them a very clear reason for not taking it. (And if I’m asking the question, that reason isn’t as clear as you think it might be.)
I find it very difficult to root for characters who have a sensible option available and just don’t take it. If the only reason is “Because there wouldn’t be a story otherwise,” you haven’t actually found the story yet.
And this is why the Big Misunderstanding as a primary plot device is almost universally disliked.
And the reason can be illogical! It can be purely subjective to the characters with a way out that’s obvious to the audience! It just has to fit the story.
I’ve seen incredible authors pull off “this could be solved right now if the characters would just have a conversation” because the characters were blatantly not ready to have that conversation. They had too many misconceptions and too much history to overcome before resolving anything; real problems based in lifetimes of experience are not solved overnight.
It’s the difference between “they won’t take the easier path” and “they can’t take the easier path even though they want to.”
poorly made because im tired