taylor price
Alisa U Zemlji Chuda
JVL
todays bird
Janaina Medeiros
shark vs the universe
h
trying on a metaphor
Monterey Bay Aquarium
JBB: An Artblog!
sheepfilms
he wasn't even looking at me and he found me
$LAYYYTER
Stranger Things
tannertan36
Lint Roller? I Barely Know Her
#extradirty
d e v o n
Mike Driver
seen from Malaysia
seen from Austria
seen from Guatemala
seen from United States
seen from United States
seen from United States
seen from United States
seen from United States
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seen from Malaysia
seen from Malaysia
seen from Malaysia
seen from United States
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seen from Malaysia
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@smolheros
“texting”
peter: mr doctor strange?
stephen: yes spider-man?
peter: could you PLEASE tell me your real name?
peter: i won’t tell anyone i promise.
peter: besides, you know my real name.
stephen: peter my name IS stephen strange.
stephen: i’m a real doctor in a hospital so that makes me doctor strange
peter: oh...
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“it’s that time of the year for butterflies in Mexico”
(Source)
Drawing Faces (A Collage of Tips)
Hey hey! We just drew a cute sketch of one of the alters in our system (Ava) and, since we’re really happy with it, we’ll share some proportion and facial construction tips that will hopefully help you with drawing too.
Picture for example above, explanation/details are below each picture.
The center of the eye almost always lines up with the corners of the lips (approximately–some people have slightly smaller or larger lips). If you’re confused about the size of the mouth, but the eyes look great, just draw a line down from the center of each eye and you’ll have the exact size of the mouth you need!
It’s approximately five eyes that go across the face (depending on your style, play with this a little). The head wraps in a circle, so if the end eyes go over that’s cool, especially when drawing the face at an angle or in a semi-realistic style like this.
The key part is that one eye width is in between both eyes. This helps remain as a guide for typical eye-to-eye distance. Then, if you have a character who has wider or closer together eyes, you can change that consciously!
Enticing eyelashes have movement! They essentially work like arrows from the center of the eye. Upper eyelashes curve in the opposite direction of the lower eyelashes (directions are on the left side of the above picture).
Just make sure they curve, no one has straight eye lashes (unless you’re deliberately using that for stylistic effect)!
Hair has lots of movement too! Drawing arrows to start getting a sense of direction can be a great place to start. Start the arrow where the hair is attached to the head or pinned (like with a clip or hair tie) and then fan out from there.
Draw hair in sections/chunks that vary in size. See how some are thin sections and others are thicker? Typically on the edges of hair it’s thiner (like by the face, edges of the hair/outline) and in the center of sections it’s thicker.
As always, don’t be afraid to use references so you can see how hair falls on the shape of a human head!
A little neck trick: There is a V of muscles that connects near the collarbones and all the way up to under the ear. Make sure this V is something you draw (even if you erase it because your character has a thicker neck). The thinnest part of the neck cannot be thinner than this V.
Also, shoulder muscles start pretty soon after the neck, so see that thick red line on the side? That’s where the V and the shoulder muscles (the ones that get really sore on all of us) coming around the back connect. This gentle V will add a much more realistic look to the necks you draw and help the head look properly supported!
Best wishes with your drawing!
-Arien (& Bael)
Hi y'all! Folks wanted me to explain how I draw mouths, so here it is! Nothing super complicated, just a really quick and simple demonstration. Another quick note I’d like to add- I’ve always been taught that you should never learn to draw features outside of the face. For example - A lot of young artists will recognize that they need to practice drawing eyes, but then after hours/days/weeks of practicing they find themselves unable to work all this new drawing ability into an actual face. Same thing goes for mouths/noses/brows etc. Get the bulk of the work out of the way on the first attempt! Draw the whole lower half of the face!
bodies
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New tutorial!
THANK YOU! ANON!
I stopped the coloring of the shirt here cause I guess you get the basic idea. If you wanna see more of the coloring and the brush I use you can look HERE! Also you can see how not just folds but shading can define a form HERE!
I hope this helps! I’m so bad with words and explaining things (/)//(/)
In my opinion the hardest thing to swallow about TLoU 2 is how it challenges protagonist-centred morality with Abby. Because the thing is, Abby really doesn’t do anything worse or better than what Ellie or Joel have done. Her motivation for killing Joel is literally identical to Ellie’s own motivation for seeking revenge. Yes the way she kills Joel is horrific but Ellie kills people just as brutally (esp. Nora), and the more people talk about how much they hate her and wanted to fuck her up at the end of the game just proves that you’re capable of understanding her impulse to enact extreme violence on someone out of revenge. The only thing that makes Abby “worse” to the player is that she kills the protagonist of the last game and traumatizes Ellie, both characters who we’ve come to know and care about from a meta perspective. She is a direct challenge to the ingrained assumption we have when interpreting a text that the only characters who actually matter, who are actually human and deserve our empathy, are the protagonist(s) and their allies. And yeah, that can be a hard thing to adjust to, but personally I love narratives that challenge my own assumptions about fiction and whose perspectives matter.
The single best piece of writing advice I ever got was from a professor teaching a playwriting class, who told us that in every scene, especially scenes that were just dialogue, every character should want something. Making every character in a scene have a goal is an easy way to avoid dialogue that’s just exposition, and to make sure your dialogue drives the plot forward and/or reveals characterization.
It doesn’t have to be complicated or super weighty–as long as the characters have a goal, there will be tension in the scene even if the goals are small. Character X wants to borrow a pen, and character Y wants to make a good impression on character X. X wants to insult Y until they go away, and Y wants to annoy X by pretending not to notice the insults. X wants Y to give them the last slice of pizza, and Y is super full but still doesn’t want X to have it. No matter what your character’s goal is, it will reveal something about who that character is to the reader, and the conflict between your characters’ goals will give the scene momentum.
WHY IS DRAWING HANDS SO FUCKING HARD
AAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAA
you just gotta figure out how to do the mitten thing! (everybody does it differently, so whatever works for you)
make a little mitten shape, a bump for the big thumb muscle, a line for where you want to knuckles to be (and where the fingers end), and you can work out how the hand does hand things~
you can make them more simple or more real, however you want! hands are weird, so don’t worry if they keep looking wrong for a while, once you figure out what works for you, it’ll click. If you practice like 10 or-so basic hand shapes, you can make slight variations on all those, and 10 turns into 20 different hand poses~
Good luck, you can do it, practice until you find your groove, hands are stupid, don’t worry if they don’t look right!
you are a fucking saint x2
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pretty closet x @urbvanity
fun fact: i hate this outfit since it makes me look like i have such a wide waist 🤡
it’s my belly button
Anya is live and ready to show you everything. Watch her strip, dance, and perform exclusive shows just for you. Interact in real-time and make your fantasies come true.
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style guide / outfits thing for mystery inc as they are in my ao3 fic now that i can see your face, i can stand up to anything, an AU fic where the mystery begins is set in an alternate 1969. as such i wanted to have some looks in mind to refer to for the characters…
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Ominously venomous🖤
