Do you reckon Christopher Eccleston paid an Etsy witchš¤

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Do you reckon Christopher Eccleston paid an Etsy witchš¤

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Have we considered that Ianto's shrine may have been load bearing?
it would be so funny if/when dw comes back they simply never address the billie piper cliffhanger
and the winner of superwholock is officially??? no one. we all lost. congrats team
Wilderness Era Two

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i guess she's just. gonna keep waiting
they should make a new season like this
and soon
please
Doctor Who remains an important part of the BBC
the TL:DR:
Christmas special cancelled
Russell T Davies and his production company are leaving the show
RTD has confirmed on Instagram that there was never a script or proper plan for the Christmas special
The show is going out to competitive tender.
For anyone who is confused as to what 'competitive tender' means:
Caveat that my knowledge of tendering comes from a completely different industry but roughly speaking: other TV production companies will now have an opportunity to pitch their plan for making Doctor Who to the BBC and how much funding they would need and the BBC will give the show to whatever company can do it best and cheapest. Show will remain with the BBC, they are just looking for a new contractor for the production.
Essentially whether this is good or bad news really depends on the likely outcome of the tender and i have no idea what the likely outcome is.
the best case scenario here is that the BBC find a new contractor who can make an acceptable version of Doctor Who for less money and in a few years time we get a whole new version of the show with a new Doctor etc.
and then obviously the worst case scenario is that no-one wants the show or can meet the BBC's funding requirements and then you know. Wilderness Years 2!!!!
WIP of the pebbles visiting their Uncle Grace
quick study with some of my fave frames

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#oh rocky weāre really in it now via @cosmichorrorbarbie
unfortunately that pose reminded me of something
There is such a direct line between Grace's self-perception of "I'm not Stratt's second in command" and his failure to notice multiple people hitting on him and his inability to take a compliment and his inability to believe he is capable of saving the world. I feel like cowardice is the completely wrong word for it, even though that's the word the novel uses.
Iām not sure what the right word is. He does have confidence in his skills, the moment he gets into the zone with his work of any kind (teaching, sciencing), once he gets out of his own way he has no hesitation. But away from that, he does seem to think very little of himself, or rather, doesnāt see that he could have genuine worth to others. He is out of sync with humanity in general, even though he does have the tools to connect with people fairly easily, mostly with humor/teaching. When they tell him heās the new science officer for the Hail Mary, he calls himself a failure, simply the type of person who is unable to succeed despite his obvious and huge achievements.
I donāt think heās a coward at all. I think he feels alone and afraid most of the time, for whatever reasons (the book/movie do not tell us ā past tragedy? Traumatic experiences? Autism? Simply his temperament? His career flameout is most likely a symptom of this, not the cause) and he is constantly doing it afraid, constantly having to be brave every single day. He has his comfort zones (teaching, sciencing) and his coping mechanisms (humor, burying himself in work) but heās always afraid. Thatās why when he fails (career flameout, astrophage are made of water, etc) he breaks and lashes out in frustration, releasing all that tension in a rush. He pushes himself so hard and he fails anyway and he crashes out/melts down.
And when he has amnesia, heās still afraid. He isnāt suddenly a fearless person without his memories. Heās terrified, waking up in space alone. But he is also the kind of person who refuses to just give up, especially with something so important, because he cares so much. Itās love of science and people that drives him for everything, even when he feels certain he doesnāt belong with either. Itās love that drives him to save Rocky.
And I think Rocky sees that Grace is brave from the start. Even though Rocky teases Grace a lot (returning his humor), he never considers Grace to be a coward. I think ultimately Rocky is able to get past all of Graceās walls, all his carefully maintained boundaries. He rolls right in and makes himself at home, and all Grace can do is accept it. I think itās Rockyās love that gives Grace the boost he needs to make such a calm decision to sacrifice his life for Rocky and Erid. The fear doesnāt go away, it never really can. But love lifts him up over his fear.
Ryland Grace and the narrative he occupies are fascinating to me, particularly the roles that anger and fear play for both.
This has probably been done better by other people, but I wanted to get my thoughts down.
We know Grace was incredibly angry as a younger man. Vindictively, savagely, self-destructively furious. He torpedoed his career, torched every bridge he had, and salted the earth behind him - all in defense of a theory that the viewer is unequivocally told is wrong. Astrophage has water in it; in the book, it's made clear that Eridians do, too, and that's interesting. That that rage is never vindicated.
That's not how things usually work - the abrasive young wunderkind might be completely out of line, but he's right! But PHM firmly lets that particular narrative pitfall wither on the vine, along with quite a few others.
When the film starts, Grace has spent years if not excising, then taming that anger. He is gentle, vulnerable, funny. He dresses in soft and eccentric clothing, he works with children, they love him. When Stratt brings out his thesis, he's visibly embarrassed. He is not that person anymore. He doesn't want to be.
(Relatedly, that's why I think that when he tried to literally nope out of Stratt's room of experts when asked to explain Astrophage breeding to them, it wasn't stage fright or intimidation. He was afraid of it happening again.)
Most interestingly is that when you see this in countless other stories, a man who's lost his anger and/or who is no longer working in his chosen field is a tragic, pitiable figure. He's a has-been, he's broken. Washed up. Missing something vital. But Grace isn't presented that way at all.
It is a good thing that he's not angry anymore. (The closest we get is him throwing a little tantrum in the lab after finding water in Astrophage - old wounds resurfacing, a glimpse of who he used to be, and something that's played for cringing laughs.) It's a good thing he's not that person who can't stop and think or take criticism or input or play well with others anymore, because if he were - he wouldn't have survived. Earth and Erid wouldn't have survived!
Even when it would be understandable for him to be angry, he's quickly soothed by Rocky and the pressing necessity of the situation. It's not a useful emotion for the mission or for Grace. It's made so clear that not only is this a net good, but he ends the film as a teacher again, a "lesser" job that he sees as vitally important and personally fulfilling. There was never anything wrong with him or anything missing.
Which brings me to the fear.
I feel like fear is presented as a fairly neutral emotion in the film, especially because Grace's cowardice comes through much more strongly than in the book. His initial refusal to sacrifice himself for Earth doesn't make him a villain. It's understandable, and there is no satisfaction in his being run down, tied up, knocked out, and loaded onto the Hail Mary.
If he'd made it, or if Stratt had listened to his "no," it wouldn't have made him evil...but it would have been the wrong decision for Grace personally. I don't think he could have lived with it. He would have wondered, as people died the world over, how many fewer of them there would have been if he'd gone when he were asked.
In the moment, the fear overwhelmed his ability for foresight and reasoning. Kind of like the anger did when he was younger, at the UNESCO science conference he dug his grave at.
But Grace is a man who knows how to change, how to work on himself, and how to adapt. So when he's presented with the exact same choice near the end of the story, but without anyone to force him this time, he chooses differently. He goes back for Rocky and Erid, because even though he's still afraid to die, he loves him enough to face death down voluntarily to save lives. And that brings his character arc to an immensely satisfying final resting place.
PHM is a story about a man embracing things beyond anger and fear and being a hero for it. You do not have to be angry, it's okay if you're afraid, it's okay if you're wrong. The love is enough, and you won't make it without other people.
I think that's pretty neat for a lot of reasons.
Some connected facts about how book!Grace's mind works:
He is aware that he is not just good at science, but enjoys it and it improves his mood:
"I start with what makes me happy. I like science. I know it. I got a thrill from all the little experiments Iāve been doing." (Chapter 2)
"Iād have to do the math to know for sure butāI canāt help it, I want to do the math right now." (Chapter 6)
"Iād spent a blissful week doing nothing but science. No meetings. No distractions. Just experimentation and engineering. Iād forgotten how much fun it was to get immersed in a task." (Chapter 6)
When he feels overwhelmed by negative emotions or helplessness, he turns to work to regain the sense of control, to distract himself, and therefore to feel better:
He does everything there is to do on the ship to stop himself from drowning in grief over Yao and Ilyukhina (Chapters 2-6)
Upon the realization that his students are dead men walking, he runs out of the classroom and demands to be allowed to work with astrophage (Chapter 4)
After remembering that he refused to go on the ship and even threatened to sabotage the mission, he insists on a maneuver that would risk his "life and maybe the structural integrity of the Hail Mary" so that he could spend the next 11 days working (Chapter 24)
So, he uses his love for science for emotional regulation ā more or less intentionally, and very successfully.
But there's the other side of that coin. When he buries himself in work too much, his awareness of himself and the outside world suffers. He forgets to take care of his physical needs, damages his relationships, loses track of the big picture:
Neglecting his sleep schedule due to hyperfocus on his tasks leads to him accidentally oversleeping and becoming late (Chapter 12), making stupid dangerous mistakes (Chapter 21), throwing a tantrum and snapping at his best friend (Chapter 25)
He "spent years combating the assumption that life requires liquid water", "got mad" and intentionally destroyed his own career and burned bridges with the academic world (Chapter 3)
He does not realize his position of power and authority in the Project Hail Mary, and isn't aware that other people treat him as the second in command (Chapter 18, the flashbacks in general)
After a long time of doing nothing but scientific and administrative work, and communicating with nobody but his coworkers, he loses sight of his initial goal of saving the world for his children, rejects Stratt's attempts to make him think of the big picture, and is unable to think of anything but his own life or death (Chapters 23, 26)
So, he tends to retreat into science/work as his safe place, but staying there for too long has detrimental effects on him.
Conversely, what has a positive effect on him as a person is the presence of other people who motivate him to reflect and work on himself:
He cares about what his students think of him, and puts work into improving his reputation and earning their trust: "It had taken me years to cultivate a rep as the ācoolā teacher. Kids are smarter than most people think. And they can tell when a teacher actually cares about them as opposed to when theyāre just going through the motions." (Chapter 3)
He rebuilds his thought and speech patterns so thoroughly that the habits of explaining everything with patience and censoring swearwords persist long after he's left the classroom
The need to communicate and work closely with an alien motivates him to choose words carefully, be considerate of the other's habits and adjust his own to accommodate them, take risks, and eventually sacrifice himself for his sake
To sum up: to be at his happiest and healthiest, Grace needs a balance between:
intellectually stimulating work that keeps him feeling excited and in control
welcome company that keeps him from falling into hypefocus, motivates him to be better for their sake, fulfills his social needs
And, of course, these two factors are exactly what the mission with Rocky provided, which counterbalanced the incredible levels of stress and danger, and allowed Grace to be at his best through it all.
ok my thing with Dr. Grace being a movie cinema style punching things man AND having additional audiobook canon volatility stuff, like, in both setups to the point that acting out has affected his career, is that these things do not āgo withā the perfectly acceptably masculine guy that he otherwise is in the Bay Area. You really donāt expect that from guys here! Theyāre busy competing with each other in various other cryptic ways (hi guys! howās it going). Like, heās a molecular biologist; the style of being masculine for biotech & tech here does not thoughtlessly align with outbursts the way rural/default American masculinity does/is more permissive of & which we lionize and rotate in various ways onscreen. And we are told heās been penalized for that!!
Like, he apologizes for his behavior in the lab at the beginning because imo IT IS JUST SO WEIRD. It doesnāt seem like such a wolf note on the bigscreen maybe but itās actually REALLY fun, unusual, and discordant that he has this character trait.
(anyway Iām not actually that observant so maybe thereās tons of fighty people boiling over around me in STEM all the time. and I just donāt notice. maybe theyāre all busy setting each other off where I canāt see them.)
From the replies:
coaxionunlimited:
this is additionally weird for a teacher - if he did any of that around his students he would be unimaginably fired. and like, he should be teaching his kids anger management so he definitely should have better strategies than this...
manyblinkinglights:
This is one reason I REALLY like him/his characterization, because imo heās really put the work in to be good at teaching. See: the complete expungement of cusses! This guy as depicted like genuinely did a bunch of work on himself and exerted selfcontrol and just, took general grownup mature actions in order to Be a teacher. Itās great! His carefully structured cope doesnāt even fully desert him in space! Heās just apparently NATURALLY got these foibles bubbling up where he hasnāt nurtured them out.
rakel-on-ao3:
My personal headcanon is that Grace is dependent on having people around him to be able to healthily regulate his emotions. Not in the sense that he expects kids to actively help him do that, but in the sense that he's so empathetic that the quickest way to make him calm down is to stick a kid in the room with him. Kids NEED responsible adults and Grace will automatically try to fulfill that need. He's the kind of person to react badly to being alone, and even worse to being actively shunned. I do think Grace has underlying anger issues, but I am also saying that being treated like a pariah would be ACUTELY detrimental to his mental health.

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@deervsheadlights wanted a corny Frank Sinatra edit. I hope it's corny enough.
The most emotional moment of the Project Hail Mary book for me came after spending the entire time I was reading wondering why they specifically chose that image of Grace tethered in the EVA suit floating out in space as the cover art. Itās not a story short of striking visuals between the petrova line, astrophage, Tau Ceti, Adrian, etc. Even in the action moments of the book Grace is never in danger of being knocked off the ship and free-floating, so it seemed like an odd and kind of basic Space Story choice to go with.
Then Grace goes back for Rocky.
Now, in the movie they do this too but to a lesser extent in a few-second sequence, and it doesnāt hit the audience in the same way that it does in the book. But, in the book, when Grace finally reaches The Blip-A where itās been floating dead in empty lightless space he has no way to signal to Rocky across the vacuum from the ship, no way to tell if heās okay, and the tunnel that theyād originally connected through has been dismantled on both sides. So Grace sets up his tether, gets in the EVA suit, and takes a leap out of the airlock to cross the black void of space. He hits with too much velocity and barely catches on, but heās able to get a handhold and hammer and yell with his helmet pressed against the side of the ship until Rocky finally realizes what heās hearing is real and responds to the radio in his EVA suit. And that as a moment, that leap of faith across space made by a coward who once refused to sacrifice his life for his whole planet, now gleefully rocketing towards his death because it means heās saving his best friend? That is the perfect image to represent this story.