Ignoring assignments and drawing my pathetic son instead
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@skylark03
Ignoring assignments and drawing my pathetic son instead

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My sweet summer child
[The wildest part of my labor history class is when we learn about the repression of a strike and another student is like “wait… the companies just like, killed strikers? and the police helped? wasn’t that illegal?” and my professor just like “…”
- @pink_leninade on Twitter]
Companies didn’t just kill and use police, they used US army as well. The largest labor uprising in US history and largest armed uprising since civil war was Blair mountain. I doubt they teach that in schools.
https://en.wikipedia.org/wiki/Battle_of_Blair_Mountain
Also, don’t forget – you know all those armories in your towns and cities? Look around, there’s a good bet that your area has at least one, possibly many. They often look like little medieval fortresses or something. These days, they are often used as public spaces – they have big open spaces indoors, and they get used for conventions, fairs, performances. They seem like benign civic spaces, don’t they?
They were built in the late 19th and early 20th century specifically because of the labor unrest in the U.S., as a central point in communities from which the National Guard could operate AGAINST labor demonstrations.
Approximately 120 armories were built in New York State from the late eighteenth century to the middle of the twentieth, and most date from the last quarter of the nineteenth century, when the National Guard was America’s primary domestic peacekeeper during the post–Civil War era of labor-capital unrest.
https://www.sunypress.edu/p-4344-new-yorks-historic-armories.aspx
Since Colonial times, local militia units drilled on village greens or met in rented space, often taverns, hotels or Masonic halls. Even the Civil War did not bring a outcry for more publicly owned military buildings. What did was the intense domestic unrest of the 1870s.
A national recession struck in 1873. Conditions got progressively worse and boiled over in 1877, when a railroad strike in Baltimore triggered strikes and riots across the country. Rebellious workers in St. Louis briefly installed a communist government until troops were sent in.
“More than anything else, these outbursts initiated the first great wave of armory building in America. Throughout the remainder of the century, urban and industrial tensions between management and labor, immigrant and native and affluent and disadvantaged ebbed and flowed,” Rossano and Donohue write.
“It was the time of the Pullman Strike, Homestead Riot, Haymarket Riot – a time of great labor unrest,” said Donohue, a historian who is survey and grants director of the historic preservation and museum division of the state Commission on Culture and Tourism, in an interview last week.
City officials and corporate elites, fearing the wrath of the riff-raff, now saw the National Guard’s mission as the maintenance of public order. That meant the troops needed their own buildings: secure, comfortable, impressive, impregnable.
https://www.courant.com/news/connecticut/hc-xpm-2007-05-27-0705270184-story.html
You can find out more if you dig around, and especially if you know to start searching for the history of armories along with labor unrest.
It’s nice that they were largely able to be repurposed into civic spaces open to the entire population… but it’s hard to ever look at them the same way again when you know that THIS is why they were built.
Spider-Man is for lesbians and trans guys, I need scary cishet men to stop touching all over him.
Whenever people ask me "why don't you know xyz, it's so popular" well see it's because
new art style

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WIP that I forgot about for months and now I don't know what font i used or line weight or colours and I'm kinda boned.
Stupid comic I made a while ago lmao. Can't believe I found it again
A quote from the late Georgina Beyer, a Māori whakawahine trans woman, sex worker, and trans activist.
Quote taken from here, a recording of trans history and how it aligns with gay liberation in Aotearoa New Zealand, written by Will Hansen.
Some OCs!!!! But I drew them in a different era (Soviet era, but they're anarchists instead of commies (what can I say, I'm a Nestor Makhno girlie)). I lost the original art, so all I have is the very low-quality screenshots from Discord that I sent years ago. (waaah!!! it's so compressed).
Anyway, lore time.
The inspiration of these characters comes in two parts. Firstly, the staggering prevalence of prostitution in Victorian-era England (around 80,000 prostitutes estimated at one point, according to Lisa Rogers, 2009). It was hard for women to get a job, and once they did, they were pretty much scorned by society and turned into pariahs, plus the pay was horrendous, not enough to live on, and certainly not enough to raise children on. Scorned by society, unable to get a husband and completely abandoned by the government, often these women would have to turn to prostituting their daughters or themselves as a side hustle. Of course, instead of addressing the social issues that lead to prostitution, the police just cracked down harder on prostitutes, especially as these women getting venereal diseases affected the poor, poor military :( Of course, the way to check if a woman was a prostitute was to grab her off the street and strip her down in order to 'check' for any STDs. Predictably, this affected both sex workers and non-sex workers.
The other inspiration was the weird tendency for vampirism to be used as a metaphor for syphilis in literature. I don't quite remember the stories I used as inspo since these characters were made years ago, but one was a short story about a guy who goes crazy from isolation and starts seeing things (then the author, who happened to live in a big isolated manor and was reported to be seeing things, died of syphilis 🤔)
Anyway, these characters are Hestia and Isaac. Hestia is a pretty successful and wealthy prostitute who, unfortunately, has extremely progressed syphilis (since the symptoms tend to disappear during its second stage until they suddenly flare up in its third stage). In her last days, she wants to travel Europe, which she never got to do. Isaac is a rich nepobaby with a sizable estate and just got turned into a vampire. He's now on the run, but he doesn't really have any street smarts, until he meets Hestia, who's already half blind from the syphilis and can't really tell that Isaac is a vamp until they're already on the road together. I don't remember most of the story. I might have it written down somewhere, but the whole story is just them on the road together, growing as people, as one of them slowly dies, and the other has to face the reality of potential immortality (an ego death in and of itself).
Propaganda I'm not falling for:
Using "separate actor from the character" mantra in the case of Punisher, Frank Castle, to excuse Jon Bernthal being a zionist who has also lended his social media platforms to several abusers.
How can one conscientiously draw a disconnect to justify your support for media involving this man when his adulation of the IDF and their genocidal goals and activities as well as his attempt to spread zionist rhetoric using his several platforms including the very prevalent zionist speak of "The IDF is merely fighting back against Hamas" with the absolute intention of framing Palestine as equal oppressors? You are cheering that his Frank is killing fictional criminals yet he is out here spreading actively harmful zionist propaganda to his millions of followers, especially highlighted when he dedicated a whole episode for an IDF soldier to "tell their side of the story" for an ethnic cleansing campaign they have started years back?
How can you muddy the line between character and actor when the very people Bernthal supports are exactly the type of people Punisher would hate? The irony of celebrating a depiction of Frank Castle opposing corrupt cops, only for his actor to be steadfast in his cop fanaticism in real life and contributing towards their propaganda machine.
How can you blur the line between character and actor when you cheer that Frank Castle kills fictional abusers and of women, only for Bernthal to have highlighted the voices of not one, but two domestic abusers (Shia LaBeouf, Sean Penn) on his podcast, one of them at the immediate heel of their domestic abuse case coming to light...
...as well as uplifting a figure like Marilyn Manson who has very public cases of sexual battery and misconduct?

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Prism fanart hell yeah
Please tell me I'm not the only one who likes literally every character just not Invisigal sigh
I watched the time masters (1982) recently. Idk man, french people are crazy. The animation was sick, but the pacing of the story felt a little off - especially the ending where everything just sorta collided together and suddenly the 'time masters' were relevant. There was definitely something with the fucked up faceless angels invoking religious imagery while the this massive lava lamp bong talks about how jaffa and matton 'must assimilate' but it didn't really come up as a central theme, it was just sorta slapped on there. ula and jad were the best characters though.
Nothing was revolutionary and it was kinda predictable, but good writing does not equal a twist that i cannot predict. Matton's betrayal being foreshadowed by the white fish running away from the big red fish every time he entered a scene on that one planet was good set up, and even though i was pretty drunk by the end of the movie, i still figured out that silbat was pele before the reveal.
The scene I drew was the one where the hippornithorhynchus gets brutally killed by these vine things in a cave. I wish that the movie lingered on the speculative biology/alien species more because there were some interesting interactions there. At least the vehicle and space ship designs were all very cool. It reminds me of how dragon ball has a really cute artstyle, but the vehicles are super detailed.
Idk man, 7/10
This was supposed to be a tango-mumbo drawing after the latest past life session but then I got really into drawing tango.
lmao this goddamn motherfucker. it never fails. it. never. fails.
this is why there’s no momentum for a third party in this country and never will be. this is why there’s no real “leftist movement” in the United States. this is why electoralism is a pure fucking fantasy when it comes to achieving any kind of socialist advancements. at this rate, Bernie Sanders and the liberal Zionists that make up the Democratic party are going to wind up Jeremy Corbyn-style fucking Zohran out of this seat and everyone will blame it on him being too radical and left. i hate this fucking country and its useless, feckless, servile politicians. fuck all of these people. i’m so sick of this. holy shit i am fuming.
lil art thing I had in my brain

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Yoink
Officially adding Sampo to my list of my Favourite Problematic Fictional Characters right alongside Sanji, Finral and Alexander the Great. Throw Robespierre in there too.
Oh the brainrot is bad between getting my history major and having downright horrendous faves.
Oh also this is my first foray into pixel art in literal years so be nice.