Snippets from the conversation with Rob Brydon at The Union Chapel, London, UK, May 25th 2025 (x)
(The lower gif is when Ron is singled out for very politely sitting through Rob's rendition of a Sparks song. He had his most diplomatic face on.)

@theartofmadeline

shark vs the universe
Cosimo Galluzzi
Xuebing Du

JVL
cherry valley forever
KIROKAZE

pixel skylines
Jules of Nature
Lint Roller? I Barely Know Her
todays bird
Sade Olutola
Acquired Stardust
wallacepolsom

Product Placement

titsay

izzy's playlists!
Three Goblin Art
Misplaced Lens Cap

#extradirty
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@skipwa
Snippets from the conversation with Rob Brydon at The Union Chapel, London, UK, May 25th 2025 (x)
(The lower gif is when Ron is singled out for very politely sitting through Rob's rendition of a Sparks song. He had his most diplomatic face on.)

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you've never changed, hair rearranged đ
SNL . May 15th 1982
I'm deadly dead
maeltime:
Franz Ferdinand & Sparks = FFS (x)
âĽÂ âĽÂ âĽ
you've never changed, hair rearranged đ

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Thanks to both Instagram user jeffknet for posting this to their stories and to the person who messaged me with "I thought you might appreciate this".
Russell kicks a puppet
Ron, Russell and Tunde Adebimpe at Non Commvention, Philadelphia, 07/05/2025
âIt was a long time ago, in 1981. My brother Pierre and I, living not far from the Forest National concert hall in Brussels, often went to see bands during their afternoon rehearsals. That day, the Mael brothers â Ronald and Russell â of The Sparks were rehearsing a few songs for their evening concert. We had no credentials, just a couple of 16 and 17-year-old 'tourists' passing by with a camera. No one asked what we were doing there. It was another era.â
Images taken by Frederick Mouleart
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can't stop thinking about this comment
(the wealthy employer is russell and ron grows to find his goofy ass too endearing to rob)

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Ron & Russell Mael - Songwriters Roundtable (2021)
The t-shirt (La Maroquinerie, Paris - may 24, 2013)
more gifs i took from the sparks brothers :D
these have probably been giffed before but i felt like looking through tumblr posts would be less fun than sifting through 2 hours of footage + manually cutting and cropping these myself
i took a lot of screenshots as well that are all on my pinterest @ bondraculaa. ill post them on here one day maybe probably
So there was a point in my work life when Ron Mael was my mortal enemy. True story.
I used to work at a famous arthouse theater in West LA from about 2002 until â08-â09, when I moved up at another theater in the chain. Even then I was often called in to pinch-hit when the famous place was expecting a film to be busy or if they needed someone between new hires. (I left the company in 2015.)
One of the downsides to working there was that parking was pretty terrible. The theater itself was built in the 1920s, and the street to the east of it was almost all apartments. Most of those were built from the â40s up until the â60s, so they were largely street parking only. Not to mention the fact that the street on the west side of the theater was getting busier-- hipster boutiques and Pan-Asian eateries had started popping up a few blocks down the road from us. (IYKYK.)
So the employees of the theater, the video store, and the less-hip restaurants next to the main drag all had to compete with customers of said businesses âas well as those of the used bookstoreâ for the handful of double-stacked spaces in the back alley. The best space was the fairly generous single spot by the dumpster. You werenât gonna get towed because you blocked someone in, or get blocked in yourself, or risk your carâs bumper by parking in the other, shorter single space by the freeway on-ramp; you could simply just park your car and forget about it until your shift was over- no need to play musical chairs. And if your shift ended after midnight and you had the dayâs cash earnings stuffed in your jacket to deposit at the bank, the closeness of the spot was optimal.
That is all to say that the dumpster spot was hot property.
Cue the Black Volkswagen Thing.
(I marked The Thing even then because a member of the theaterâs Rocky Horror cast also owned a Volkswagen Thing, though his was white. I thought it funny that two of the same rare car* should converge in this one place, often on the same day.)
The Thing did not belong to the theater staff. It did not belong to the video store staff. (I asked.) It did not belong to the staff of the used bookstore, who had three dedicated spots and never had enough customers to need more than two employees at a time**. (It might have belonged to one of the restaurants, but we hadnât the Spanish nor Arabic skills to ask.) Nevertheless, The Thing was parked in the dumpster spot at some point during almost every weekend, and it would be there at the worst possible time.
It seemed that I could rarely beat The Thing to the coveted space no matter how early I got there. Maybe if I showed up before 4. But very often between 4:30 and 5:55, The Thing was there. Sometimes I stuck my head out the back door during a shift to see if the space was free. If it wasnât, it was because a car had parked there after The Thing had left. And sometimes The Thing had the audacity to take up the other single spot to the same result. It seemed The Thing existed entirely to spot-block me.
Then one day, while I was attempting to park, I saw a man coming from the bookstore towards the lot. It was Boss Accountant.
Boss Accountant was a lithe man with a stern face and plastered hair that was too black for his age; he usually dressed in a crisp white shirt and tie with proper trousers, and seemed like he was on his lunch break from an accounting firm despite it being the weekend. He looked like the boss battle in a video game where you had to fight your way through an office building; the final accountant you had to beat to level up. I had seen him at the bookstore more than once.
I put my car into park âhazard lights onâ waiting to see which spot would be freed up.
Boss Accountant was approaching The Thing.
A customer! It was a customer that had been spot-blocking me! Not even one of my fellow workers there for a six-hour haul, but someone there for a capricious ninety minutes at best. And a customer of the stuffy bookstore to boot. Clearly not deserving of the coveted spot.
I glared at him beneath my sunglasses while he took his sweet time getting there. I tried not to begrudge the old man, BUTâŚ!
My fingers drummed irritably against the steering wheel. This fucker. I inched slightly closer as he got in the car. The spot was MINE gatdammit and no one else was gonna come along and take it.
Finally, after an irritably long time (and probably him figuring out that I wasnât a crazed fan trying to box him in but someone gunning for the coveted parking space) the backup lights came on. I reversed. He pulled out and drove away. I pulled in, triumphant. Spot-blocked no more! At least, not on that day. In my own mind, I had tangled with The Thing and won. (I was like 23 and undiagnosed, bruh- go easy on me here.)
Then one day the dumpster spot got painted off as disabled parking, and the dumpsters were moved to the other single spot, leaving us all to fend for ourselves in the double-stack and on the street.
Iâm unsure what year this all took place, and I didnât know (at the time) what had become of Boss Accountant and The Thing, since I saw less of them after that. (Thinking back, it was probably promo and touring for Hello Young Lovers that took him/it away.) My moving to the other theater made the point moot anyway. Itâs definitely moot now as the bookstore was razed for a new-build apartment sometime in 2016. The new building does not have its own parking garage.
However, enough time had passed that I didnât recognize Boss Accountant when he bought a ticket for The Umbrellas of Cherbourg during a slow weekend matinee in 2014. Pleasant demeanor. Polite smile. Crisp shirt, too-black plastered hair. Didnât order concessions, didnât dwell in the lobby but went right into the theater. The old man was surely out of earshot when my manager looked over at me. âDo you have any idea who that was?â
âNo.â
âThat was Ron Mael from Sparks.â
âWho?â
---
Thank goodness I watched The Sparks Brothers at home on Netflix, cuz when I saw that car I about lost my gatdamn mind.
*J, the Rocky Horror guy, told me they were rare. Looking up info now, I see that less than 30k of them were made for the North American market, and they were only sold in the US from 1973-74. A 2017 report from an informal registry of Thing owners estimates around 5k of them still exist today in the entire US. Weird, right?
**The bookstore itself was highly curated and had the mid-century Spartan sparseness of a Bell Telephone Laboratories office. I didnât care for it much; it was too hoity-toity and tended to eschew paperbacks even of Very Good Books for rare or collectible hardcovers. It wasnât particularly welcoming, and didnât even really have much of an Old Book Smell. But in the days before The Pocket Internet, employees were allowed to read while the film played. Sometimes you just needed A New And/Or Different Book.
Forgot to post them here, oops!!

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Sparks and Les Rita Mitsouko at Montmartre Recorded for Cent bougies pour la tour Eiffel which aired on March 30th 1989 (x)
"I'm more... Trenet." Ron and Russell on Telematin, French TV, July 2021 (x)