Hello, I'm Lama... My husband, Mohammed, is 30 years old. I want to ask for your help for my husband. Please support him and share his story so that it reaches everyone.🙏

My husband, Mohammed, has suffered from numerous health problems for 12 years, and the situation has worsened during the war due to shortages of medicine and healthy food. He urgently needs surgery and medication.😔

The costs of treatment and medication are very high; please, every donation from you will contribute to his recovery.

Please help my husband, donate to him, and share his story so he can recover and get the medicine.

My name is Suheila, a mother of five children.

Thanks to your kindness, we’ve reached $12,200 of our $14,000 goal 🤍

Since the ceasefire was declared, many people think things in Gaza are “over.”

But the truth is nothing has materially changed for us.

There is still destruction everywhere.

Food is still scarce.

Clothes are still a need, not a luxury.

Because of the ceasefire, donations have slowed, but our suffering has not ended 💔

My husband is still wounded and unable to work, and I am doing everything I can to keep my children safe, fed, and warm. We still urgently need money for food, clothing, and daily survival.

More than anything, I hope to leave Gaza as soon as possible so my children can have a future, but leaving requires resources we simply do not have yet.

We are so close now. Every donation, no matter how small, truly makes a difference.

Every share helps us move one step closer to safety, stability, and hope 🙏

Please don’t stop supporting us now.

🤍 Donation link in my bio

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What once felt like a stable and promising path has shifted unexpectedly, leaving us struggling to meet even the most basic needs. Daily life has become focused solely on survival, where things like a warm meal, clean water, and a safe place to rest are no longer guaranteed.

The hardship we are facing is overwhelming, with no reliable income or consistent support. Each day presents new difficulties, and access to essential resources continues to grow more limited.

This fundraiser was created out of urgent necessity. Your support will directly contribute to:

•⁠ ⁠Access to daily meals and clean drinking water

•⁠ ⁠Essential medical and hygiene supplies

•⁠ ⁠Safe shelter and sleeping arrangements

•⁠ ⁠Transportation to meet critical needs

No contribution is too small; every act of kindness brings light and stability into our lives. Your generosity helps restore a sense of peace, dignity, and hope in this incredibly difficult time.

If you’re not in a position to give, sharing this with others means the world. Thank you for standing with us.

Vetted by @gaza vetters, my number verified on the list is (74)

His career brought him millions upon millions of dollars and lasted almost 40 years. He finally admitted to painting fraudulent art after the white paint he used came under scrutiny. 

“ Bob Simon: What do you think this Max Ernst would be worth? Wolfgang Beltracchi: This one? Simon: Yeah. Beltracchi: $5 million, I think. Simon: $5 million.  And you can do it in three days? Beltracchi: Yeah, oh yes, yes, sure, or quicker” -From a 60 minutes interview with Bob Simon

In The interview with Beltracchi, he said that none of his forgeries are copies, they’re all original works that the famous artists could have painted.

“Beltracchi estimates he has done 25 Max Ernsts. He is not copying an existing work. He’s painting something he thinks Ernst might have done if he’d had the time or felt like it.”  -  The Con Artist: A multi-million dollar art scam

His wife was also in on the scam, she would dress up in old clothing and take pictures holding the paintings with old cameras to fake proof of the paintings’ ages.

Keating painted more than 2,000 forgeries by over 100 different artists in his sixty-six years. Many had fraudulently sold at auctions with the total profits estimated at over 10 million dollars. “I flooded the market with the work of Palmer and many others,” the artist said. “Not for gain (I hope I am no materialist) but simply as a protest against the merchants who make capital out of those I am proud to call my brother artists, both living and dead. It seemed disgraceful to me how many of them had died in poverty,” he defended in The Fake’s Progress, his autobiography. “All their lives they had been exploited by unscrupulous dealers and then, as if to dishonor their memory, these same dealers continued to exploit them in death.” […] Keating had a great respect and understanding of all the artists he imitated but was always reckless in his handling of the materials. He often used house paint and poster paint to mix in with his acrylics as a cheaper way to achieve the impasto works. At times he wouldn’t bother preparing his antique canvases he found at the junk shops out of laziness, so that in just a few years the paint would peel right off to reveal what was originally underneath. Keating often planted what he called “time bombs” like this in his paintings. Because of his understanding of the chemicals used in art restoration, Keating would purposely paint with layers of glycerin, which would destroy the painting once it was cleaned by a restorer, proving it was a fake. He often wrote obscenities under his paintings, like “Bollocks!”, in lead white so that it could be seen by the experts who x-rayed the painting to check its authenticity.