scintillating

forever repeating 'trust the process' in my head while making these marker portrait studies 😅 #brbchasingdreams

You may need to learn how to set up your paints and such… but this is what people did, live, while the show aired. That’s what the show was for. I had family members create lovely works of art they enjoyed, which I still have on my walls, because William Alexander and Bob Ross both said:

SCREW METICULOUS CLASSICAL ART PRACTICES — JUST GRAB A PALETTE KNIFE AND BIG OLD BRUSH AND PAINT!

They freed a whole generation of people who were taught to paint detail and realism and exact representation of reality — people who largely gave up this kind of thing because it got tedious.

I watched the joy of family members as they rediscovered art as a messy fun spontaneous half hour activity.

What tutorials would you like to see next?

i spent two years working in barns to give you this information. use it wisely

view all 16 parts under the cut!

Equiping an armor tutorial

*(*´∀｀*)☆ - How to draw honey/shiny stuff :

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Quick step by step originally asked by @floatingmegane-san and @suke1234.( thanks for asking! )

i doesn’t really explain anythin’ but that’s how i do it !

Draw the buddy

Use a transformation tool (usually ctrl + click on the small squares)

fill it up like a balloon not forgetting some things cover others

Keep going! That way you keep your proportions right, etc

And don’t forget references for the angles (which I didn’t use here hahah)

Another tutorial I‘ve made, about digital brushwork this time!

You can find more tutorials for a few bucks on my Ko-Fi Shop if you've found this helpful and would like to support me in making more resources like this🙏 ☀️🍃

I was asked by a friend yesterday if I could offer basic tips about comic paneling. As it turns out, I have a lot to say on the matter! I tried breaking down the art of paneling using the principles of art and design, and I hope it helps you out!

EDIT: uh uh there are a lot of people reblogging this, so i figure i may as well append this now while i can lol

This whole thing was very much cranked out in a few hours so I had a visual to talk about with a friend! If this gives you a base understanding of paneling, that's awesome! Continue to pull in studies from the comics you see and what other artists do well and don't do well! You can tell paneling is doing well when the action is flowing around in its intended reading format.

Here's the link to the globalcomix article from which I pulled the images about panel staggering! Someone sent in a reblog that it wasn't totally clear that the 7th slide mostly covers what NOT to do in regards to staggering, and that is my mistake!

I saw in a tag that someone was surprised I used MamaYuyu too, and I don't blame them lol. If I had given myself more than a couple hours maybe I would have added something else on, I just really admire MamaYuyu's paneling personally.

I think I've talked about it before but I'm happy to talk about it again! For learning, personally studying from other artists was the most helpful when learning colour theory and trying to get better with colour palettes/lighting! I also like doing studies based on photos, I have a pinterest board dedicated to photos with fun lighting for inspiration

The way I colour specifically is pretty loose and painterly, I did a lot of painting before I got into digital art so I use similar methods to how I worked as a traditional artist!

I made a little timelapse to show how I work, I start with filling everything in with one colour and work in sections to fill out and render skin, hair, clothes, etc! Then I set the sketch layer as a multiply layer, colour the lineart and add any final details.

The brush I use does a lot of heavy lifting when it comes to colour choice, I mainly use the tiger brush pack brushes from the csp asset store, they're soft and have a lot of hue variation which helps me add colours to my work I might've not thought to add otherwise!

Other little colouring notes:

I try to avoid purely white eyes! Nobody has entirely white sclera and I've found it can look scary in art especially if the rest is fairly well rendered lol

For shadows and highlights, I don't just change the value but also the hue! How I change it depends on the piece but because I like colouring warmer toned stuff, generally I go for warmer shadows. Lots of reds and oranges!

I also really like adding reflective light! Super easy way to do it is to take your drawing, draw some blue (or whatever colour you want) in it, colour pick from that, and then add it where it feels right! Maybe doesn't always make sense but I think it looks good and I like doing it lol