sensuality sustainability soul

Some time ago I started Jurljin (https://jurljin.tumblr.com) as a side project of Nannimensch. I wasn’t sure whether I wanted to see and treat it as something completely separate from Nannimensch or not. In the meantime I think it’s not possible to separate it completely.  "Nannimensch" is more than “Jurljin”, but “Jurljin” is a part of Nannimensch. One influences the other and there is always an overlap. So I’ve decided to post parts of the Jurljin project also here from time to time - to give an overview of everything I do … to give “Jurljin” a permanent place… and maybe to allow Jurljin and Nannimensch to merge more and more over time (or to find new forms and content).

Art by Lea Yunk

spread 11: I am pleased to announce the recent acquisition by the Fine Arts Museums of San Francisco of my one-of-a-kind hand-painted book, Markandeya: Respite (2006).The book is my faulty recollection of a Hindu myth concerning Markandeya. 

Small scale beach scavenged assemblages. Wood, rubber, sea sponge, resin, fishing line

Found assemblage (detail)

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“Little Mermaid & Other Fairytales,” by Hans Christian Andersen

Edith Sitwell, from “Fire of the Mind: The Complete Anthology of E. S.,” (via violentwavesofemotion)

— Anne Carson, Variations on the Right to Remain Silent, in Nay Rather

N. Dash at Casey Kaplan