Umbrella Academy S4 reaction (spoilers)
I'm a little surprised how negative the reaction to S4 has been. It's flawed and a bit too loose, sure, but I think there's a thematic arc, to do with the painful but redemptive potential of selfless love, that a lot of people didn't recognize, or didn't like, possibly because it's too sentimental, or too tragic, or both.
In particular, I have a really different take on That Relationship. You know the one I mean.
But before I get to that, I just want to address the issue of unexplained plot points, of which there are certainly many.
Short version: Just let it go.
Long version: Comic-book storytelling is all about the impossible premise, the unlikely twist, the overblown threat, the arbitrary race against the clock, the catastrophic non-ending. A big part of TUA's appeal is that it takes that formula to an absurd extreme, unwinding a plot so convoluted and horrifying as to be comedic, then offering a resolution that raises more questions than it answers, and that seems final -- but is it ever? There could always be more. Even now. Because reasons.
But scratch the surface, and it's really all about the over-the-top super(anti)heroes who are surprisingly endearing, nuanced and tragic, whom the audience roots for despite a million reasons not to. Would S4 have benefitted from a few more episodes? No doubt, mostly to give each character their due (Klaus, my Klaus, you deserve more!), and to let the story breathe a bit. The plot probably wouldn't have made any more sense anyway. But c'mon, did it ever, really? So, why a subway? Why a squid? Why a diner? Does it really matter?
On to That Relationship, the much-criticized story of Lila/Five (aka Live -- can I copyright this?). This comically trope-laden ship (forbidden love, montage love, love triangle, enemies-to-lovers, pocket universe, happily-ever-after, etc) fits right into TUA sensibility. Despite being a bit underbaked, it's moving. The actors play it well, and in dropping their characters' armor, you realize how much armor they're usually wearing, how hard they're always working to cover their feelings. Out of all the characters, seeing these two having real emotions is most devastating, especially with each other. It's because this pairing is wildly unlikely that it hits.
Lila and Five have similar histories as traumatized, sensitive souls turned cold, cruel killing machines. They're smarter, more cynical, and stronger-willed than everyone around them. And they are clearly starved of love and desperate for connection. (Everyone on this show pays a price, but I find Five's terrible loneliness the most heartbreaking of all.) So then fate throws them together in a way that makes it inevitable they'll form an attachment, only to then demand of them the ultimate sacrifice. Their surprisingly quiet, life-affirming, Guinevere-and-Lancelot love is redemptive, in contrast with the meddling, selfish, and/or destructive love of others: Reginald and Abigail, Ben and Jennifer, Gene and Jean. Live aren't an unnecessary digression, they're central to the thematic development of the story. Sacrifice saves the world, but without love, there is no sacrifice.
And yes, I absolutely think Lila loves Five to the end. And while I appreciate that some might find the age difference between the actors off-putting, I don't think there was anything inappropriate on a Doylist level, and it all makes perfect sense on a Watsonian level.
Aidan Gallagher and Ritu Arya are extraordinary;
the use of Baby Shark is genius;
Diego, Luther and Allison have been the least interesting characters from the start, and S4 does nothing to change that;
Viktor needs a sense of humor;
I love that alternate universes are all the rage these days (so many great tropes started with Trek), but tbh Loki does it better;
as visual representations of the space between realities, I love both the Loki automat and the UA subway, but at some point, using recent-past retro design to signal liminal space is going to get old, which, come to think of it, will be deliciously ironic.
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