Arien the Maia
i loved drawing her so so much, the idea of experimenting with these gradients to give the impresion of sun fire was really cool to try 🔥
i really love doing these Silmarillion drawings

izzy's playlists!

shark vs the universe

Origami Around
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Show & Tell

oozey mess
we're not kids anymore.

he wasn't even looking at me and he found me

tannertan36
trying on a metaphor

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祝日 / Permanent Vacation
Today's Document
Aqua Utopia|海の底で記憶を紡ぐ

if i look back, i am lost

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@silmarillionno
Arien the Maia
i loved drawing her so so much, the idea of experimenting with these gradients to give the impresion of sun fire was really cool to try 🔥
i really love doing these Silmarillion drawings

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Silvergifting
i had to draw one of my favorite Tolkien ships for pride month, so here is a little lovely moment between these disaster doomed boyfriends 🥰
For the people.
Findis, Eldest Princess of the Noldor
Portrait inspired by my fanfic, The Importance of Being Complacent
bisexual Elros for the pride requests! <33
Our favorite Númenor king!
Celebrate Pride with me

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Can I please request bi flag Glorfindel ? 💖
Have a great pride month
You have a great pride month too <3
Celebrate Pride with me
This time I drew some adult Legolas. Or at least that's how I imagined him to look like in the books 😭
Exile in Formanos (The Eldest Son) - Finwë & Fëanor
Then Fëanor ran from the Ring of Doom, and fled into the night; for his father was dearer to him than the Light of Valinor or the peerless works of his hands; and who among sons, of Elves or of Men, have held their fathers of greater worth?
[Clip Studio Pro] made for @thecactifindahome ♥️
I gave Finwë a blackberry plant motif. Because I don't like drawing fantasy clothing and I was eating blackberries when I drew it <3
my one contribution to pride month
i shall now vanish for another business month
How did I manage to come back to myself after all the losses of Dagor Bragollach?
Or did I not.
For a long time, I thought the answer ought to be worthy of a king. That I should say: I rose; I gathered my will; I held my people together; I did not allow the darkness into my heart. And all of that would be true — but not the whole truth.
And truth, when it is not adorned by song, sounds much quieter.
After Dagor Bragollach, I did not “come back to myself.” Not in the way one recovers from a wound, a fever, or a bad dream. Not as though one morning you open your eyes, and the pain has retreated, and the world has become what it was before.
The world did not become what it was before.
The flame did not merely burn the lands. It changed the measure of things. Before that battle, even our fear had been different: stern, yet still like waiting for a storm beyond the mountains. We knew of Morgoth. We knew Angband did not sleep. We knew the siege would not last forever. And yet, deep within the heart, there lived a dangerous, almost childlike thought: we will hold. We, the Noldor, who came with fire in our blood and bitterness in our memory. We, builders of fortresses, keepers of oaths, singers beneath the stars. We, whose people had seen the light of the Trees.
And then the North opened.
Fire poured forth as though the earth itself remembered to whom it belonged in that age. The plains where our watch had stood only recently became a sea of ash. Hills we knew by name vanished in smoke. Horses screamed. Steel blackened in our hands. Messengers did not return. And every hour brought not tidings, but fragments of tidings: here the line was broken, there something had fallen, this one was slain, that one was cut off, these departed and never arrived.
In such days, grief does not come at once. Duty comes first.
Give an order. Send a rider. Receive the refugees. Close the gates. Open the gates. Close them again. Count the stores. Count the living. Do not count the dead, because if you begin, you will not be able to stop.
I am often asked what a king feels when he loses lands, allies, friends.
A king, in that moment, feels no less than any other.
He simply must not be the first to fall.
That is the whole secret of royal dignity.
I remember the faces of those who came to Nargothrond after the fire. Some faces were black with smoke; others were white from what they had seen. There were those who did not weep at all. There were those who wept as though tears were being torn not from their eyes, but from their bones. There were children who kept asking when their fathers would come. There were wives who already knew the answer and asked all the same. There were warriors who had survived in body, but had left something essential behind on the plains of Ard-galen.
And I received them.
I spoke words. I found places for them. I listened to reports. I sat in councils. I argued. I comforted. I made decisions that seemed wise to me by day and cruel by night.
And at night…
At night, I heard the fire.
Not real fire. In Nargothrond, the stone lay deep, the waters sang in the darkness, and the walls held their coolness. Yet still, whenever I closed my eyes, I heard the crackling. Not even of flame — of shields, spears, bones, hope.
Then I understood: there are losses after which you do not return to the self you were. You can only become someone who carries his former self like a dead brother in his arms.
I lost not only lands. Lands can be named upon a map. They can be mourned in song. One can swear to win them back.
I lost certainty.
And that is a loss rarely sung of.
I lost the certainty that wisdom is wise enough to stay disaster. That nobility is noble enough to tip the scales. That long endurance will surely be rewarded. That if we are brave, faithful, and fair, the world will answer us in kind.
The world does not answer in kind.
Sometimes the world answers with flame.
And yet — strange as it is — there, among charred tidings, I began to understand mercy more deeply than before.
Before Dagor Bragollach, I loved the light.
After it, I became more attentive to darkness.
Not the Darkness of Morgoth — no. I hated that more clearly than ever. I speak of the darkness that takes up dwelling in the hearts of those who survive. Of the silence in which a man or an elf sits among others and is still alone. Of the shame of the survivor. Of anger with nowhere to go. Of the desire to blame anyone at all, if only pain might be given a shape.
I saw it in others — and recognized it in myself.
Yes, there was anger in me. Not that high anger which looks beautiful in songs, when the sword is raised and hair streams in the wind. Another kind. Heavy, slow, helpless. Anger at the Enemy, of course. But also at myself. At my own misjudgments. At my own hope. At all those days when I thought we still had time.
Again and again, my thoughts wished to return to the past: what if I had understood sooner? What if I had fortified differently? What if I had sent more? What if I had held? What if, what if, what if…
That is a terrible song.
It has no ending, once you begin to sing it.
And I did not learn at once how to stop.
Some believe wisdom is the ability to give an answer. But after great losses, wisdom often begins with the admission: there is no answer. At least none that will return the dead.
You cannot explain death so well that it becomes just.
You cannot arrange reasons into a beautiful pattern and say: this is why it had to happen. No. It did not have to. And yet it did.
What helped me was not that I found meaning in the loss itself. I do not believe every loss is obliged to be a vessel of meaning. Sometimes loss is simply a wound inflicted by evil. And to call it necessary is to insult those who fell.
Something else helped me: I understood that meaning may begin afterward.
Not because of death — but in defiance of it.
When a surviving warrior teaches a boy how to hold a bow, though his own hands tremble. When a woman who has lost her home shares bread with one who has lost more. When song sounds again in the underground halls — uncertainly at first, almost guiltily, then stronger. When a people who have every reason to grow hard still do not forget compassion.
That was my return.
Not sudden healing.
Not victory over grief.
Rather, a slow learning to live beside it.
I began to wear my losses as one wears mail: it is heavy, sometimes it chafes the skin bloody, but it reminds you why you must not bow.
There were days when I endured.
There were days when I did not.
And if anyone expects from me a confession of flawless steadfastness, I will not give it. I was not stone. Even the roots of mountains tremble when ancient fire stirs beneath them.
At times, I envied those who could express grief simply. Who could cry out, break things, fall to the earth, curse the Enemy aloud. A king’s grief must pass through narrow doors. It has no right to flood the hall where counsel is awaited. It has no right to darken the face to which others turn for hope. And so it goes deeper.
There, it becomes more dangerous.
I understood that all too well. Suppressed grief does not vanish. It begins to speak in borrowed voices: caution, coldness, pride, weariness. It whispers: do not love too strongly, for all will be taken. It whispers: do not hope, for hope makes the blow hurt more. It whispers: close the doors, close the heart, close everything.
Nargothrond was a hidden kingdom. And sometimes I feared that, along with its gates, I was hiding myself — not from the Enemy, but from life.
But life still found its way in.
It came in the laughter of those who still knew how to laugh. In craftsmen arguing over the beauty of an arch. In children’s footsteps through stone passages. In the voices of minstrels who did not ask grief for permission to sing. In friendship. In loyalty. In the simple presence of those who sat beside me and did not require me to be anything but alive.
This is especially important: I was not brought back by great words.
I was brought back by those who remained.
We often think that after calamity, some revelation will heal us: radiance, prophecy, a high calling. But more often, healing comes in smaller things. In a cup of water. In a hand upon the shoulder. In someone remembering the name of the dead and speaking it without fear. In being allowed to remain silent.
I did not need to be told: everything will be all right. After Dagor Bragollach, that would have sounded almost cruel.
I needed to hear something else:
We are here. We are still here. And while we are here, the light has not vanished entirely.
Perhaps that is how I endured.
Not because the pain became smaller.
But because other things appeared beside it, no less real.
Duty. Love. Memory. Beauty. Loyalty. Pity for those who suffer. Anger cleansed of blindness. Hope — no longer naive, no longer shining like a morning without clouds, but quiet, stubborn, like a star visible only in the deepest dark.
Before the war, I thought hope was certainty in a good ending.
After Dagor Bragollach, I understood: sometimes hope is the refusal to become like the one who brought you grief.
Morgoth wanted not only to kill. Killing is the crude part of his power. He wanted us, the survivors, to continue his work within ourselves. To live in fear. To suspect one another. To turn away from the weak, because weakness reminds us of our own. To cease singing. To see beauty as useless. To make mercy a luxury, and loyalty a folly.
And every time we did not allow that to happen, we wounded him.
A small wound, perhaps. Invisible upon a map.
But real.
I did not come back to myself, if by that one means a return to my former lightness. No. The Finrod who looked north before Bragollach died in the fire, together with many of his hopes.
But I do not count that as complete defeat.
Because after him, another Finrod remained.
Sadder. Yes. More cautious. Yes. Less inclined to trust beautiful forebodings. Yes.
But perhaps also more able to understand another’s pain. More tender toward what is fragile. More attentive to the last small flame held in another’s hands. More clearly aware of the cost of a promise.
Before Dagor Bragollach, I knew what loyalty was.
After it, I learned how much it weighs.
And perhaps that is why, later, when the hour came to fulfill an oath of friendship, I could not do otherwise. Not because I did not fear death. I feared it. Not because loss no longer had power over me. It had. But because all former losses had taught me this: if we begin to preserve ourselves at the cost of loyalty, then the Enemy has triumphed before he even raises his hand.
I did not heal completely.
Now I think that some wounds are not meant to heal entirely within the circles of the world. They remain open not only to torment us, but so that through them we do not forget compassion.
My grief became part of my sight.
Through it, I saw those I might once have overlooked. Through it, I understood silence. Through it, I heard the fracture in the voice of the strong. Through it, I recognized that not everyone who stands upright is whole.
So did I manage to come back to myself?
If “to myself” means back to where I was before, then no.
No, I did not.
But if “to myself” means to the deepest truth of myself — to the place where one can no longer hide behind a crown, behind songs, behind lineage, behind glory, behind wise speeches — then perhaps it was loss that brought me there.
I did not become what I had been.
I became one who remembers.
One who still loves.
One who knows that light does not cancel darkness, but neither can darkness prove that light was never there.
And so, when I am asked how to live after the flame, I do not say: forget. I do not say: be strong. I do not say: everything happened for a reason.
I say:
First, breathe.
Then name the dead.
Then allow those who are near to be near.
Then do one small good thing — not because it will mend the world, but because it will not allow the world to twist you completely.
Then another.
And another.
One day, you will notice that you have not returned backward, and yet you are still moving forward.
And perhaps that is enough for those who have survived the fire.

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My study project. I have always dreamed of making an animation based on The Silmarillion and I also really like Tomm Moore's cartoons. And I think the book's tone and cartoon style would have worked really well together.
When noble Dwarven families from the Blue Mountains or Iron Hills arrive at Erebor to swear allegiance, they expect to see a court of pure iron, gold, and military dominance. Instead, they are often shocked to find the King under the Mountain accompanied by a small, quietly dignified Hobbit in a pristine tweed vest. Thorin intentionally makes Bilbo present the traditional Dwarven welcome tokens a platter of mineral salt and stone-baked grain bread. If any visiting lord dares to look down on Bilbo or hesitate to accept the offering from a Hobbit's hands, Thorin's hand immediately drops to the hilt of Orcrist, and his eyes turn to black ice. The message is instantly clear to every lord in Middle-earth: to disrespect the Hobbit is to declare war on the King
Galadriel says happy pride
discrepancy
Forging Arda
I couldn't stop thinking how terrifying Melkor must have been at the beginning and how much fun he was probably having. basically what i was envisioning when i wrote this fic

Anya is live and ready to show you everything. Watch her strip, dance, and perform exclusive shows just for you. Interact in real-time and make your fantasies come true.
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Tolkien OC Week
A fandom event for OCs and underdeveloped characters in Tolkien's world!
This event celebrates both characters of Tolkien's world and our own characters that need more love, by creating and reblogging all kind of fanworks, like fanfiction, fanart, fanvideos, fancrafts, headcanons, playlists, edits, moodboards etc.
The event is modded by @yellow-faerie and @elamarth-calmagol, and will take place between 24th August - 30th August 2026 for the fifth year running.
NSFW text entries are allowed and we’ll tag them accordingly when we reblog them, but please put them behind a “read more”.
We'll also be tracking the tag #tolkienocweek during this week!
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Event Schedule 2026:
1. Family (24th August)
Create a fanwork about a family member of a canon character. This could be a parent, a child, a spouse, or any other part of the family tree, either implied by canon or entirely original.
2. Friends (25th August)
Create a fanwork about someone in the vicinity of canon, such as friends, coworkers, servants, or acquaintances of a canon character. Or maybe choose someone overlooked by the characters: the ordinary soldiers, farmers, merchants, and artisans impacted by the events around them.
3. Enemies (26th August)
Share a character who is an enemy (or part of a group of enemies) of the main characters, such as a Dunlending, person from Rhun, or King's Men of Numenor.
4. Strangers (27th August)
Create a fanwork about someone from a group of people we don't learn about in canon, such as the petty dwarves, Avari, or people from Far Harad.
5. Spirits (28th August)
Share a character who is not an incarnate being, such as one of the Maiar, a vampire or werewolf, one of the Ainur who never came to Arda, or one of the lesser wraiths Gandalf refers to.
6. Ghosts (29th August)
Create a fanwork about someone who haunts the narrative without ever showing up in it, such as the first generation of elves or men, or whom Tolkien created and abandoned, such as Eriol the Mariner.
7. Freeform (30th August)
Repeat a prompt, or share a character that doesn’t fit any of the prompts!
Thanks to @hobbitwrangler for help with the prompts!
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Since we want to celebrate creations about neglected characters all year long, the mods will occasionally reblog posts and fancreations about OCs and underdeveloped characters. If you would like to see your post on our blog, you're very welcome to tag #tolkienocweek. Since tumblr's tagging system is often being faulty, don't hesitate to message us, too!
We are looking forward to see and share all the awesome work you come up with!
my evil/swap au manwe design comes back to haunt me every so often because i don’t know what the hell is going on with him from his clavicle and down