sil

Saw some pictures of hooded crows playing in the snow and wanted to redraw them as silly little dromaeosaurs.

The pictures are under the cut!

I really just wanted to write something quickly on this, it’s not so much a theory as it is just a small analysis on the general mood of the ending, with a little contextualizing with in game dialogue.

So the subconscious is such a mysterious yet integral part to understanding the more spiritual/alien parts of Rain World. This isn’t a world in which the eldritch and unknowable lurk in the far reaches of space, but rather appear through our own minds and subconscious.

Echos appear in dream like sequences, where all other life except scavengers (in vanilla) fall asleep.

Karma flowers allow us to contact imagined worlds, other selves, dreams, and memories.

Eating a neuron of an iterator allows us to perceive voidspawn.

Our karma is raised through the mark of communication, which is linked to the brain in some way judging by Five Pebbles’s slideshow.

And, beyond that, plenty of cerebral/brainy imagery and concepts are present.

“Cabinet beasts” (the organ-like worms found in Memory Crypts) are likely some sort or mutated brain tissue, I talk about it more in this post.

Void worms also have a neural texture that covers their skin.

There’s the cut brain tree, which made it back in the game (though pretty unceremoniously) in Downpour.

And then of course there’s iterators, massive brains that are the last long-standing remnant of the benefactors’ civilization, and serve as the main driving forces of the game’s side plot.

I bring all this up just to show how cerebral and subconscious elements are pretty prevalent throughout the game, and it provides some context to my thoughts on the Void Sea.

That being said, I think the Void Sea acts as a collective unconscious, a place where the many worlds and selves of the subconscious coalesce into one, dream-like existence.

Echos appear in dream-like sequences, but are still experienced by nearby scavs. They even have different personalities and reactions to it, some being curious, while others are afraid.

Continuing on this, benefactors experienced the same dreams we do in Subterranean, shown through white pearl dialogue.

“Oh, interesting. This is a diary entry of a pre-Iterator era laborer during the construction of the subterranean transit system south of here. In it they describe restless nights filled with disturbing dreams, where millions glowing stars move menacingly in the distance”

These go towards the idea of the Void Sea and other void related phenomena existing as a sort of collective unconsciousness, experienced through hazy dreams and hallucinogenic plants by many.

But then there’s the “egg” sequence, where you swim in unison with others just like yourself. I think these are the “selves of other planes” mentioned by Moon in the Karma Flower dialogue, and I think that same dialogue is indicative on what the nature of the Void is. It’s detaching yourself from your carnal body and coming in contact with your own subconscious, and possibly the subconscious of others. Think of it like a big mind soup.

Anyway this really resonated with me because I distinctly remember the feeling I had the first time I went through Depths. As the caves around me started melting, it felt like I was descending deeper and deeper into a dream I couldn’t wake up from. That packed with the genuine horror of seeing the worms, and the dreamy ending, it really left a lasting impression.

Comfort

I was requested to draw Moon and Pebbles hugging, so I drew the scene I wanted to see

it's odd that there are so many works where Moon comforts him, but I rarely see anything with the opposite. Does his Sister not deserve to cry, too? To be held? To be the one that gets to show their pain? To be supported and loved? Is it fair that she is entrusted with his care above her own, never expecting anything in return? All because she happened to be born before him?