Plaque, Mid-16th to 17th century, Smithsonian: National Museum of African Art
Size: H x W x D: 47 x 34.2 x 8.2 cm (18 ½ x 13 7/16 x 3 ¼ in.) Medium: Copper alloy
https://africa.si.edu/collections/view/objects/asitem/items$0040:8957
Misplaced Lens Cap

Kaledo Art
dirt enthusiast
Monterey Bay Aquarium

roma★
let's talk about Bridgerton tea, my ask is open
he wasn't even looking at me and he found me
2025 on Tumblr: Trends That Defined the Year
noise dept.
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tumblr dot com
i don't do bad sauce passes

Product Placement

JVL
Keni

❣ Chile in a Photography ❣

Cosimo Galluzzi
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$LAYYYTER
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@shytimesabandonableplatform
Plaque, Mid-16th to 17th century, Smithsonian: National Museum of African Art
Size: H x W x D: 47 x 34.2 x 8.2 cm (18 ½ x 13 7/16 x 3 ¼ in.) Medium: Copper alloy
https://africa.si.edu/collections/view/objects/asitem/items$0040:8957

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Another subject I should really read a whole book about at some point, because I had legitimately never heard of any of this before.
Assia, Charles Despiau, 1938, MoMA: Painting and Sculpture
Gift of Mrs. Simon Guggenheim Size: 6’ ¾" (184.8 cm) high, at base 17 x 17" (43.2 x 43.2 cm) Medium: Bronze
http://www.moma.org/collection/works/81365
Morrigan Aensland Cosplay Photographies by Mengjie Luan Cosplay by Yan
May God give you glory in both worlds, 19th century, Harvard Art Museums: Calligraphy
This is an example of a rarefied and extremely painstaking genre of calligraphy in which a dried leaf was used for the support. In this case, the leaf appears to be from a horse chestnut tree. Written in a majestic thuluth, the Arabic inscription is be… Size: 21.5 x 10.7 cm (8 7/16 x 4 3/16 in.) Medium: Composition on horse chestnut leaf
https://www.harvardartmuseums.org/collections/object/57662

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Toy plate, Artist unknown, 1850, Art Institute of Chicago: American Art
The Mrs. Maurice H. Mandelbaum Collection Size: Diam. 9.4 cm (3 11/16 in.) Medium: Pressed glass
https://www.artic.edu/artworks/83521/
The Year’s at the Spring, 1920, Harry Clarke
Broken Blossom, Gandy Brodie, 1960, MoMA: Painting and Sculpture
Purchase and exchange Size: 25 5/8 x 36 3/8" (65.1 x 92.3 cm) Medium: Oil on canvas
http://www.moma.org/collection/works/78825
Art by tobi 泳

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Schiaparelli | Fall/Winter 2021 Couture
Three Women in the Studio, Max Beckmann, 1908, Saint Louis Art Museum: Modern and Contemporary Art
https://www.slam.org/collection/objects/13422/
The Egg, 1928, Tarsila do Amaral
Happy Pride, monsterfuckers.
The tentacle looks curved to massage the prostate, lol.
Considerate of the monster.
Jaskyňa, Ladislav Mednyánszky, 1870, Slovak National Gallery
http://www.webumenia.sk/dielo/SVK:SNG.K_4307-a-b

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Fleeing Ghost, Paul Klee, 1929, Art Institute of Chicago: Modern Art
Paul Klee’s artistic skills were diverse: he was a painter, printmaker, critic, and theoretician. He taught at the Bauhaus for most of the famed school’s existence; initially head of the bookbinding department, he also supervised the glass-painting workshop. His greatest influence, however, was as a lecturer for the basic design course on the theory of form in art. In lectures, Klee developed his ideas about the “polyphony” of painting, which was based on his interest in simultaneous sensational effects that could be created by various layered formal elements. He believed that this type of creative experimentation could “issue forth a transformed beholder of art” and thus pave the way for total abstraction. Bequest of Claire Zeisler Size: 35 ¼ x 25 in. (89.5 x 63.5 cm) Medium: Oil on canvas
https://www.artic.edu/artworks/111664/
I have to say…
The cultural context in which mid-century (in which I count the 80s as the tail end of the zeitgeist) “Stalking Is Love” tropes exist, is absolutely as different from today as the cultural context in “Baby, it’s Cold Outside” is from today, and it felt like we were encouraged to want the RIGHT stalker to show up. (Unfortunately, this did send the wrong message to so many dudes, and so many older people, such as the relationships I got pressured into because the guy acted like an 80s rom-com character.) It really seemed like there was a context in fiction where an over-the-top suitor freed up the female character to reciprocate in a cultural context where women are barely supposed to show interest at all and only under the right circumstances. There is a lot of quasi-traditionalist stuff about the girl’s side of the equation and the same cultural context also insisted on, “girls don’t call boys, ever” and “let him chase you until you catch him.” Also, I consider “Twilight” the tail end of a certain generational mood of 20th century romantic fiction, not the beginning of YA. Lots about it makes a lot more sense if you read it as an early 20th century story trapped in the body of a 21st century story.