Shit Sjef Saw

Been working on thing about conspiracy theories, drawing reality maps, the on-boarding of technologies, Foucault and how (capital P) Power changes dominant historical narrative(s) when required to support its own needs, and so on and so forth.

An excerpt:

So imagine then being Joe Schmo on main street in 1964. Sitting outside a drug store (not a costa), But the fake wooden filmset streetscape still remains the same. It’s a time before ‘real’ commercial airline travel - the first flight of the 747 is still 5 years away. The closest thing Joe has to the idea of air travel is a 1st gen airliner like a De Havilland Comet and then only because he heard about it on the radio (My Grandpa worked by the way on the De Havilland Comets decompression investigation), and Black and White TV’s are still sold more than colour.

Meanwhile, you say: “Classified technology is flying a Mach 3 stealth plane to edge of space.” Do you think you could tell O’l Joe without his hackles being raised, do you think he’d believe you? - I’m not sure Mr Schmo would accept it at all.

Nevertheless in the 90’s the project was declassified and everything we know about the Blackbird’s capabilities where ‘Onboarded’ back into the official history of the 20th Century.

It’s strange that whilst something is actually happening but hidden beyond the borders of the official narrative - it’s unbelievable - but after the fact it’s just history. When discussing any conspiratorial subjects i always approach them with this framework and like to call this ‘The Blackbird analogy’.

- Seeing Through The Debris (excerpt) 

See https://solari.com/blog/ for the Red Button

See @crossquadrantbulletin for The Quadrant Model

The Quadrant Model won’t be included in that piece but I hear on the back channel that the CQWG might have something cooking it will be included in.

Thanks to @shitsjefsaw over on http://www.sjef.nu/ for his own Diagram Mashing for inspiration:

Theory of Change and the Futures Cone.

Theory of Change and The Golden Circle.

Back To The Futures Cone

Nati Abascal (top) and Jean Shrimpton photographed by Richard Avedon for the April 1965 issue of Harper’s Bazaar, of which he was also guest editor.