Forget twink death let's talk about butch death. Look at what comics are doing to these girls. All their swag gone.

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@shitdiggity
Forget twink death let's talk about butch death. Look at what comics are doing to these girls. All their swag gone.

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ive been thinking about grace and eridian formalwear.... idk how to design clothes/outfits at all so this is me throwing random stuff at the wall
posting on #myblog
Connor Storrie | Instagram | 2025
Out of control Edwardian youths refuse to clap at production of Peter Pan, force distraught J.M Barrie to pull out rarely seen "Tinkerbell Fucking Dies" ending
You probably know this but shitpost ruining fun fact for anybody who doesn’t:
When the play first was performed, JM Barrie et al were so concerned this might happen that they instructed the orchestra to drop their instruments and clap at this point, just in case
I did not know this and I'm grateful for being informed
Peter Pan edited by Anne Hiebert Alton (2011)
(sorry to interrupt joke post but) this is true!
Children not clapping did happen too, (and some were even expected to have hissed, which was later written into the 1928 playscript and 1911 novel). But my all time favourite anecdote about it is from Pauline Chase (who played Peter)'s intro to Peter Pan's Post Bag 1909:
Children love to clap their hands at the play because then they feel that they are really part of it, and you can see them holding their hands poised ready to seize an opportunity. Their great chance is when I ask them to clap their hands if they believe in fairies, and so save Tink's life. But they are very wrathful if any one claps who has the reputation of being a cynic, and once there was quite an uproar in the front row of the dress circle because of a girl who clapped. Those about her pulled down her arms angrily. "How dare you clap," they cried, "when you know you don't believe in fairies!" There was one dreadfully hard-hearted little boy who came to the theatre not to clap. That was his object for coming, and he came round "behind" to tell me so in the middle of the play. His teeth were firm set. "I won't clap," he said doggedly; "I'm not going to clap." And when the time came he didn't clap; above the clapping of all the others I could hear him shouting from a box, "Peter, I'm not clapping."
(Tink was revived each time anyway)

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Reach WITH IN To your LOCAL dirt and you may find A Friend And Boy…
My mom likes to tell me about how when I was a little kid riding public transport with her I'd always smile and giggle and chat with weird old ladies who smelled like cat pee and homeless folks and strangers dressed in bizarre outfits but any time a tidy and respectable businessman in a suit and tie waved at me I'd immediately clam up, and she takes a great deal of pride in my supposed inherentability to clock personalities but the truth is I do vaguely remember those bus rides, and it was never about the clothes or the hair or the smell, but more because everyone "strange" asked interesting questions and listened to what I had to say and seemed to think about what I said while the neat and tidy and rigid folks only ever acted like they were going through the motions, which was boring as hell and also pretty annoying
Well-to-do finance manager with tidy shoes: "Why hello, sweetheart. Can you say 'hi'? Aren't you cute. Are you on a trip with your mom?"
4 year old me: why must we do this
Fantastic old woman in the leopard print coat: "Why yes, my tooth IS real silver! Nobody ever asks me that. Do you like cats?"
4 year old me, suddenly paying attention: Finally, A Person Of Intellect
What if when you leave the bear changes and they are no longer a threat to your safety, how do you cope? Was anything that happened actually real?
Surviving the metaphorical bear attack remains true to the bear metaphor: you must find a way to heal regardless.
And in my experience, whether something is "real" or not is far less important than whether it felt real to you.
Don't concern yourself with objective truths or the universe yet. You've just survived a bear encounter. How you process that experience, how you learn from it, how you enable yourself to feel safe again and plan for a future where you know how to protect yourself without developing a fear of bears that drives you into a panic room complete with a locked door at the expense of actually living is a far more rewarding goal.
WASH YOUR HANDS CLEAN. MON26.

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mozzarella and parmesan is kind of like the age gap yuri of cheese
Your heart is not true enough to enter the gates of Margaritaville
but I know... it's my own damn fault...
it's thousand yard stare summer
undiagnosed autistic people will be like "I don't get upset when my routine changes though!!" and it's because they've built a set of if-then loops in their head to pick from one of 6 different strict routines and they do get incredibly upset when they're unable to keep to any of the 6 scripts. I'm john normal
This is called a fault tree. You will always know how to act if your fault tree captures all possible scenarios. In NASA Mission Control during mission critical events like landings there are huge binders with fault tree protocols, kind of like choose your own adventure books except you’re not the one making the choices, the universe is making them for you and you’re just trying to keep up.
The engineers who develop fault trees, I am told, often imagine new ways for their precious spacecraft to die (new branches on the fault trees) either while in the shower or lying awake at 3am, because human
Was just thinking about this the other day. Yeah I have a favorite seat on the bus (middle of the bus, near the back doors, slightly elevated, facing forward), but I don’t get upset if someone is already sitting there, I just pick one of my other favorite spots. Then I realized that most people probably don’t have a favorite bus seat, let alone a series of backup favorites.

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“Because the truth is, tech doesn’t have an image problem. It doesn’t have a message problem. It has an intention problem. What’s wrong with the axe murderer who broke into my house is not that he hasn’t successfully persuaded me to buy into his narrative. What’s wrong is that he’s trying to kill me with an axe. Similarly, when you launch a product that’s designed to put millions of people out of work, block access to sources of verifiable truth, replace human creativity with slop, and lower the barriers to every sort of atrocity, the problem isn’t that you haven’t told the public a good story about those things. The problem is that you are trying to do them.”
— The 40 Most Rage-Inducing Problems in Tech
formative years? aren’t they all?
show me a permanent self and i will show you a facade or a corpse