Bel 💫

i blame you for giving me sad infectious brainworms

Hobie was long from completely healing from Miles' death but, had gotten a better hang on his emotions when it came to talking or thinking about him for too long. So, when Miles from Earth 1610 showed up, he had hoped he hadn't come off as overly excited and clingy. He just-he looked /so much/ like his best friend/first love. Acted like him too. Wanted to help people no matter what and was almost a little shy when it came to new people. Hobie hated himself for it but he was growing attached to this new version of Miles and couldn't help but wish that the Miles in his world had been bitten instead of him. Maybe he'd still be alive.

Miles was a good guy back on Hobie's world too though. He had gone by the name "Prowler" and while the government had condemned him and labeled him a criminal against the dictatorship, Hobie saw him for what he was, a true genuine good person that would do whatever it took to help another person in the fucked up world they lived in. It was what made Hobie so attracted to him to begin with. They had similar goals and similar ways in how they handled things. He didn't have any super powers like Hobie but could hold his own. He designed all of his own gear and even sowed some of his own designs onto Hobie's vest, painting badass doodles on his guitars and shit. It was the only thing Hobie had left of him after he died.

He didn't exactly approve of Miles going out there without Hobie by his side but, he had never been one to stop his friend. But, Hobie was nothing if not selfish. Often, he'd be found right by Miles' side and their friends used to tease that they were attached to the hip. Hobie had only wished that were true because, if it were, he could've saved his best friend from being murdered.

He didn't see Miles get shot but, his spidey-senses had warned him only seconds before and by the time he had turned around, Miles was on the ground clutching his chest while the child he had saved was wailing beside him.

Hobie had never lunged for anything so fast and he was immediately at his best friends side, ripping off their masks as Miles wheezed and gasped for air.

"No," Hobie shook his head. "No, no, no. Miles, mate? Miles, love, come /on/-"

"Hobie," Miles croaked. "It's gonna-it's gonna be-"

"Shut up, shut /up/!" Hobie yelled, feeling tears well in his eyes. "Just-why did you do that? /Why/ didn't you let me handle those guys, why would you-?"

Miles laughed breathily. "Because," He whispered, voice fading. "Someone's...someone's gotta look out...for the little guy...right?"

Hobie's breath hitched and he sobbed.

"Miles-"

"Hobie," Miles interrupted and shakily raised a hand to his cheek, fingers bloody. "I'm gonna...take a nap."

"No," Hobie shook him. "Miles, no-"

"I love-" Miles coughed again. "I love...you..."

His hand fell and with it, Hobie's entire world had shattered.

Sometimes, other Spider-Men will ask why his laces are blue and he'll say he kicked the snot out of some bad nosed cops. But, in reality, he had went on a rampage that night and killed over eleven officer's at the scene of Miles' murder in a desperate attempt to avenge his first friend and the love of his life.

Imagine if Wreckers and Spec Ops were drunk and hanging out in one bar and decepticons decided that it's a good idea to ambush them (it's not) All the budget went into Kup, this old man (de)serves Song H0ES DEPRESSED THOT SQUAD

Optimus: *telling Jazz about Earth and Humanity and it’s wonders/horrors* Oh! That reminds me! I made this for you. *hands Jazz a box*

Jazz: Was’sis?

Optimus: It’s a box of Earth things I collected because I thought you would enjoy them. Music, trinkets, car decals. Humans actually have a very large market for car decoration, you would love it.

Jazz: *choked up and full of emotions* For me?

Optimus: *nods*

2: What scene did you first put down?

3: What’s your favorite line of narration?

4: What’s your favorite line of dialogue?

5: What part was hardest to write?

6: What makes this fic special or different from all your other fics?

7: Where did the title come from?

8: Did any real people or events inspire any part of it?

9: Were there any alternate versions of this fic?

10: Why did you choose this pairing for this particular story?

11: What do you like best about this fic?

12: What do you like least about this fic?

13: What music did you listen to, if any, to get in the mood for writing this story? Or if you didn’t listen to anything, what do you think readers should listen to to accompany us while reading?

14: Is there anything you wanted readers to learn from reading this fic?

For a long time I’ve wavered on how to express myself, my faith, and how I see much of it in the way the Jedi are portrayed and why I connect so much to them. I hope this breakdown of similarities between them makes sense.

This one's for the scenes with multiple characters, and you're not sure how to keep everyone involved.

Writing group scenes is chaos. Someone’s talking, someone’s interrupting, someone’s zoning out thinking about breadsticks. And if you’re not careful, half your cast fades into the background like NPCs in a video game. I used to struggle with this so much—my characters would just exist in the scene without actually affecting it. But here’s what I've learned and have started implementing:

✨ Give everyone a job in the scene ✨

Not their literal job—like, not everyone needs to be solving a crime or casting spells. I mean: Why are they in this moment? What’s their role in the conversation?

My favourite examples are:

The Driver: Moves the convo forward. They have an agenda, they’re pushing the action.

The Instigator: Pokes the bear. Asks the messy questions. Stirring the pot like a chef on a mission.

The Voice of Reason: "Guys, maybe we don’t commit arson today?"

The Distracted One: Completely in their own world. Tuning out, doodling on a napkin, thinking about their ex.

The Observer: Not saying much, but noticing everything. (Quiet characters still have presence!)

The Wild Card: Who knows what they’ll do? Certainly not them. Probably about to make things worse.

A list of resources to help you describe different colors in your writing.

The Color Thesaurus A collection of infographics that show various shades of different colors, each shade/color labeled by name.

Color Reference Chart Another collection of infographics that show various shades of different colors, each shade/color labeled by name.

Hair Color Reference Chart A collection of infographics that show various shades of different hair colors, each shade/color labeled by name.

Eye Color Reference Chart A collection of infographics that show various shades of blue, brown, and green eye colors, each shade/color labeled by name.

Different Ways to Describe Hazel Eyes A list of ideas and suggestions for describing hazel eyes. Can be used as prompts or for brainstorming.

Different Ways to Describe Green Eyes A list of ideas and suggestions for describing green eyes. Can be used as prompts or for brainstorming.

Different Ways to Describe Blue Eyes A list of ideas and suggestions for describing blue eyes. Can be used as prompts or for brainstorming.

Different Ways to Describe Brown Eyes A list of ideas and suggestions for describing brown eyes. Can be used as prompts or for brainstorming.

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Hi writers.

I’m Rin T, and in this post I’m excited to share with you a detailed guide on how to craft vivid descriptions and descriptive sentences for your writing. I’ve long believed that descriptive writing is the magic that turns ordinary text into an immersive experience. When done well, every sentence acts like a brushstroke that paints a scene in the reader’s mind.

──────────────────────────── Why Descriptive Writing Matters ────────────────────────────

I have seen how powerful descriptions can engage readers and establish a strong connection with the narrative. Descriptive writing is not simply about decorating your work; it is about building an atmosphere that transports your reader to a world. your world.

When you write descriptions, remember:

You are setting the tone.

You are building a world.

You are evoking emotions.

You are inviting your readers to experience your story with all their senses.

──────────────────────────── Step-by-Step: Crafting Vivid Descriptions ────────────────────────────

Below are my personal tips and tricks to help you build detailed and captivating descriptions:

Begin With the Senses

Description does not solely depend on what the eyes can see. Consider sound, smell, taste, and touch. For instance, instead of writing “The witch’s hut was eerie,” try elaborating: “The witch’s hut exuded an eerie aura. The creaking timber and distant echoes of whispering winds mingled with the pungent aroma of burnt sage and mysterious herbs.” In this way, you help the reader not only see the scene but also feel it.

Choose Precise and Evocative Language

Precision in language is vital. Replace generic adjectives with specific details to boost clarity and imagery. Rather than “The forest was dark,” consider: “The forest was a labyrinth of shadowed boughs and muted undergrowth, where the light barely touched the spindly branches, and every step unveiled whispers of ancient spells.” Specific details create tangible images that stay with readers.

Show, Don’t Just Tell

A common mistake is to “tell” the reader how to feel, rather than “showing” it through context and detail. Instead of writing “It was a spooky night,” immerse your reader: “Under a pallid crescent moon, the night unfurled like a canvas of foreboding whispers; broken branches and rustling leaves narrated the secrets of a long-forgotten curse.” By showing the elements, you invite the reader to experience the fear and mystery firsthand. (You don't need to be as dramatic as my examples, but this is simply for inspiration)

Use Figurative Language Thoughtfully

Metaphors, similes, and other figures of speech lend an artistic flair to your descriptions. When writing about a scene in a magical world, you might say: “Her eyes shone like twin beacons of moonlit silver, cutting through the gloom as if to part the veil of night itself.” Such comparisons evoke emotions and deepen the reader’s connection with the scene. However, be cautious not to overdo it; a little figurative language can go a long way.

Strike a Balance Between Details and Pacing

While elaborate descriptions are alluring, too many details can weigh down your narrative. Consider introducing the broader scene first and then focusing on key elements that define the mood. For instance, start with an overview: “The village lay nestled between ancient stone arches and mist-covered hills.” Then, zoom into details: “A solitary, ivy-clad tower sent spiraling tendrils of mist into the twilight, as if guarding secrets of a long-lost incantation.” This technique creates a rhythm, drawing readers in gradually.

──────────────────────────── Practical Exercises to Enhance Your Descriptive Writing ────────────────────────────

To help you practice these techniques, try the following exercises:

Sensory Detail Drill: Select a familiar scene from your fantasy world (for example, a witch’s secluded garden). Write a short paragraph focusing on each of the five senses. What do you taste as you bite into a magical fruit? What sounds resonate in the quiet of the enchanted night? This drill helps you to avoid flat descriptions and encourages you to integrate sensory experiences.

Revision and Refinement: Take a simple sentence like “The night was cold,” and transform it using the advice above. Rework it into something like, “The night was a canvas of shimmering frost and darkness, where every breath of the wind carried a hint of winter’s sorrow.” Compare the two, and notice how minor adjustments can dramatically heighten the mood.

Peer Review Sessions: Sharing your work can offer invaluable insights. Exchange your descriptions with fellow writers and ask for focused feedback, Does the description evoke the intended emotion? Does it deliver a clear image? Use these sessions as opportunities to improve and refine your craft.

──────────────────────────── Common Pitfalls and How to Avoid Them ────────────────────────────

Through my years of writing, I've learned that even the most passionate writers can stumble. Here are some pitfalls to watch out for:

Overloading With Adjectives: While it’s tempting to create elaborate descriptions, too many adjectives and adverbs can distract rather than enhance. Aim for clarity and purpose in every word. Instead of “a very dark, spooky, frightening forest filled with creepy sounds,” try “a forest shrouded in ominous silence, where every rustle hinted at unseen mysteries.”

Falling Into Clichés: Familiar images can sometimes render your work predictable. Try to avoid worn phrases. Instead of “as dark as night,” imagine “as impenetrable as the void that separates worlds.” Unique expressions capture attention and create lasting impressions.

Neglecting the Flow: Descriptions are vital, but the narrative must continue to drive forward. Check that your detailed passages serve to enhance the storyline rather than bog it down. Ask yourself: Does this description bring the reader closer to the action, or does it detract from the momentum of the narrative?

──────────────────────────── Advanced Techniques for the Aspiring Writer ────────────────────────────

Once you’re comfortable with the basics, consider these advanced methods to elevate your descriptions into artful prose:

Integrate Descriptions Seamlessly: Instead of isolating your descriptions, weave them into dialogue and action. For example, as a witch brews her potion, you might describe the bubbling cauldron and swirling mists as part of her incantation, not just as a standalone scene. “As she whispered the ancient words, the cauldron responded, its surface rippling like a dark mirror reflecting centuries of secrets.”

Reflect Character Perspectives: Let your characters’ emotions color the scene. If a character fears a looming threat, their perception will add a layer of tension to the environment. “I entered the dim corridor with trepidation, my heart pounding as the flickering torchlight revealed spectral figures dancing along the walls.” This technique makes the description both situational and personal.

Use Rhythm: The cadence of your sentences can mirror the pace of your narrative. In high-tension moments, short, abrupt sentences heighten the urgency. Conversely, in serene scenes, longer, flowing sentences can create a tranquil atmosphere. Experiment with sentence structure until you find a balance that suits both your style and the mood you wish to convey.

──────────────────────────── Final Thoughts and Encouragement ────────────────────────────

your narrative is your unique creation. you too will find your distinctive voice. I encourage you to keep experimenting with different techniques until your descriptions feel both natural and mesmerizing. Write freely, revise diligently, and most importantly, let your creative spirit shine through every line.

Thank you for joining me. I hope these tips can help you.

He'd be the type to feel like he's gotta be a known and trusted face in the city, not myth or a force of nature like Batman. Is he brutal when it comes to it? Absolutely, and everybody knows it. Either by it being daylight or it being in some more populated areas, Signal's greatest hits make the rounds on social media at least once every other month or so. New villains and old keep trying the new hero, and the new hero keeps finding ways to win. (The Riddler doesn't know whether to be frustrated, frightened, or flattered that Signal's been studying his tricks for years.) But he'd take that whole "Batman keeps candy in the belt for the occasional kid he runs across on patrol" thing to the next level. It'd take a lot of work, but he'd start to be treated like one of those police officers who make themselves known and not just their presence.

I also think that this would eventually give him that kind of worst kept secret identity that Daredevil does (or like Black Lightning wben he was Secretary of Education under Lex Luthor's term as president), where a whole bunch of people know his face or maybe exactly who's under the helmet, but if you press them, it's "Man, I ain't know nothing about no bat. All I know is Signal is Signal, he wear bright ass yellow, and he the type of MF you can flag down if he ain't moving full speed, and instead of needing to know who he is, you NEED to start dapping him up instead of hating on his ass." People could probably pick him out of a lineup, but they'd intentionally not do it. He'd have a bunch if people willing to come to him with a problem or give him a tip or something.

It's rough at first, because everybody sees him like just another Bat, and everybody in the Narrows has a story of how somebody they know or love got done dirty by the big bad Bat. ("That MF powerbombed a guy off a second story balcony onto the roof of my car. Woulda lost my damn job if my auntie ain't give me a ride after her night shift. Almost died, cause she tired as fuck after that double. Bat done broke all my windows and shit. I just got that MF detailed and tinted too!) He's almost seen like a cop at first, and people in the Narrows are wary at best and downright hostile at worst, criminal or not. (Duke gets it. He's as much "Fuck the Police" as he is "Be the change you want to see in the world.") But they notice Signal seems to be a lot more careful than the other bats. Stick Robin is a coin flip on whether he actually cares or is just getting info or stopping crimes, and Sword Robin doesn't give a fuck how uneasy he makes you. The girls are fine, unless they after you, then you paying Ms. Rita or Mr. Raymond to set your bones back and maybe getting some crutches from Shawn that fell off the back of a truck or out the pawn shop or a neighbor or something.

("Red Hood, like, he a'ight. I mean, he killed Unc and them, but his rules really did make it a bit better out here tho. Just took a minute.")

But Signal? If he got you, you really did that shit. Like, you was talking to people you shouldn't have been talking to and making deals you shouldn't have been doing. Signal will give you the chance to turn yourself in, or just stop, or something. You'll be breaking in the trap house for the first cook, and Signal will just pop in like "Did you know Mama Shirley about to retire from her job at the post office?" And he'll just look at you like you're stupid until you turn off the stove, and then he'll pat you on the shoulder and leave. And when you finally get that job, within the first week, Signal calls you by name and asks how the job treating you. Signal will stop the robbery at the corner store and then drop the robber off at his granny's house because that punishment would feel way worse than jail time. Signal having people to call off drive-bys because he was spotted on the next block playing basketball or getting lunch at that one food truck or talking with the old heads or something.