very tempted to add it/its pronouns to my collection or simply go by it/its. I feel so "other" due to my feelings around other humans and how my brain works.
I currently love thinking about the feeling of having someone acknowledge I'm a creature and not a human. Having someone acknowledge that I'm desperately trying to mimic everyone and struggling every day. Having someone understand that I'm different and trying to do human things.
Anya is live and ready to show you everything. Watch her strip, dance, and perform exclusive shows just for you. Interact in real-time and make your fantasies come true.
✓ Live Streaming✓ Interactive Chat✓ Private Shows✓ HD Quality✓ Free Actions
Free to watch • No registration required • HD streaming
Osiris takes the wine glass out of my hand, takes a sip, watching the alcohol cling to the glass when he puts it back down again. He smiles at me, his face green and beautiful.
"How many gods does it take to change a corpse?"
---
My God is dead. We didn't kill him, nothing so poetic. He was murdered because he needed to change. Because the underworld needed a Lord. Because the dead need someone to take care of them.
It's not fair.
"When is life ever?"
You were brought back, you could've stayed.
"How many gods does it take to change a corpse?"
---
His hands are cold on my face as he holds me upright on the drive home. Wesir runs cold, cold as wet earth, cold as clay, cold as a undisturbed corpse.
But he wasn't undisturbed, was he? None of our dead are. They're taken care of, wrapped, prepared for their journey. Burial is the final act of love you can do for someone, caring for them when they can do it theirself no longer. My God loves me, and one day he'll guide me to the field of reeds when I can no longer take care of myself.
How many gods does it take to change a corpse?
---
My God is a harvestman.
My ancestors were all farmers, going back as far as we can tell. I've visited the fields they worked, seen the vines they tended, touched the soil. I'd like to say I felt some connection to it but I didn't, not really, not until He came along.
I see him resplendent in the light of the sun, with his hand outstretched. "C'mon, we have work to do."
How many gods does it take to change a corpse?
---
Fermentation is a process that involves recycling a dead thing. Grapes ferment into wine because their lifeless corpse is consumed by hungry bacteria. Is winemaking a type of mummification?
"You tell me."
Nothing ever easy, nothing ever unearned. Always asking what I think, what my perspective is. When was the last time someone did that? When was the last time someone wanted something from me more than quiet understanding approval?
How many gods does it take to change a corpse?
---
"Just one," he tells me, unreadable glint in his eye. How can anyone comprehend the gods? How can anyone know the dead, when they've changed so far from what we are? How can I fathom this?
"But the corpse has got to want to change. Do you want to change?"
---
I lay out in the grass. Everything is alive around me, and everything is dying, and everything is changing. Constant flux, constant shift, never ending. "It stops when we die, for a while. But even then, I give the option. Do you want to stop being inert? Do you want to leave behind what you are and change?"
I do. I do I do I do, I call out duas, I praise the Lord of the Duat, beloved of the living and dead.
Dua Osiris, you who takes care of the dead, dua Osiris, Lord of the harvest, dua Osiris, mourned by all, dua Osiris, Lord of change.
Can you explain the part of Egyptian religion that dealt with the partition of the soul. I never understood that
The tricky ones are Ka and Ba.
Ka is often described as your personality, but it's almost like a spiritual application of the concept of difference. It's the part of You that contains identity, and allows you to be distinct.
Ba is the vital essence, the juice that makes you alive rather than dead. Run out of Ba, and you're dead.
CT's made a common mistake here (one I've made countless times too) but they're the other way around! ngl I'm half worried I've got them the wrong way round now and this is all nonsense
The kA is the vital essence and the bA is the personality! This is why offerings in Ancient Egypt are made for the kA of the deceased because that vital essence needs to be sustanined in order for someone to continue to live on in the afterlife. (I'm writing it the way I am because the aleph sign (Egyptological) doesn't show on mobile so the A is doing the heavy lifting for my inbox to not receive 'I can't see that letter' asks)
Your kA, or vital essence, was what definied an Egyptian person as 'being alive'. If it was with a person's ẖt (Khet) or body, then a person was alive. However, upon death, the kA would leave the ẖt and travel to the afterlife and from there it would need to be sustained by the procurement of offerings from the living. If that failed to happen then the kA would die and the deceased person would experience what's known as 'second death' wherein the deceased would cease to exist entirely as they fell into Nun (chaos/nothingness). For the Egyptians this was a fate they were desperate to avoid, so this is why there are lots of depictions of food and drink in tombs. A true 'if my family ain't got me, I know the divine power of Heka in images got me' moment.
The bA is the personality, and the part of the Egyptian concept of a person that could come and go from the afterlife as it pleased. In both the Coffin Texts and the Amduat, they talk about the bA leaving the tomb to go out and eat/drink/enjoy themselves before they returned in the evening to be reunited with the kA in the afterlife. In the Instructions of Merikare, the king is instructed to 'do what is effective for his Ba' which means he is supposed to 'improve his reptuation' so when your bA lives on it is viewed favourably.
The thing that is usually what trips people up (including me) is that the bA and the kA, in royal contexts, interact with each other. In Egyptian religion, it's common for Gods/benign or malign spirits to inhabit statues and the same goes for the bA. If the bA inhabits a statue and then leaves, then the statue is said to become part of the kA of that individual. This is why the destruction of images of an individual (damnatio memoriae) was such a harsh punishment for a person because you quite literally destroyed a part of that person's existence.
Anya is live and ready to show you everything. Watch her strip, dance, and perform exclusive shows just for you. Interact in real-time and make your fantasies come true.
✓ Live Streaming✓ Interactive Chat✓ Private Shows✓ HD Quality✓ Free Actions
Free to watch • No registration required • HD streaming
We're back to calling ourselves a creature and not feeling like a human anymore!!!
Tried to look at myself from a third person perspective. Tried to look at how others see me and just saw a damaged creature that's mimicking humanity and failing at it. 😎 Tried to metaphorically look at myself in the mirror and didn't see a human at all.
Osiris (Great and Beautiful is He) is the God of the Underworld; its King and Pharaoh ruling over the Duat. He is pictured here on the far left, His skin green and His body in mummiform. This is commonly how He is depicted; as a green-skinned, mummified man.
Son of Nut, the Sky Goddess, and Geb, the Earth God, Osiris was the first King of Egypt in accordance with Kemetic mythology, although there are stories that recount Geb, His father, being King before Him. There are a great deal of myths and stories that surround and involve Osiris, and I suppose it is important to at least skim over them before discussing hard facts about Him, as it gives some reference as to who He is and what the culture surrounding Him is like.
Osiris Myth
After the world was created, the Demiurge (who changes according to myth, and can be Neith, Ra, Amun, Ptah, or others) produces children; in the most popular form of this creation story, it is usually Ra who births the first Gods. They are Shu and Tefnut, Air and Moisture. Shu and Tefnut then form a union and birth two children of Their own: Nut and Geb, Sky and Earth. Nut and Geb were very much in love and refused to separate from each other, which, of course, caused a problem, because if the sky and the earth are eternally in contact, there is no space for anything to live and walk upon the earth. Ra made it so Nut and Geb were forever separated, by having Shu, air, stand atop Geb and hold Nut up as the sky. But Nut was already pregnant. When Ra discovered this, He was enraged, and forbade Nut from ever giving birth on any day of the year.
Nut cried to Djehuty (Thoth), and Thoth devised a plan. He went to Khonsu, God of the Moon, and set up a gamble, saying that every round of the game Senet Khonsu lost, He would have to give Nut some of His moonlight. Khonsu ended up losing so many times that Nut had enough moonlight for five days––five days that weren't in the calendar. This allowed Her to give birth on those five days, and on each day She had a different child; Ausir (Osiris), Wr-Heru (Horus the Elder), Sutekh (Set, Seth), Auset (Isis), and Nebet-Het (Nephthys). Nut and Geb were still forever separated by atmosphere (Shu), but the five Gods were birthed, and Osiris, as the eldest son, became King of the Living World.
As a side note, all Gods do have ancient Egyptian names which are different from Their Greek and now modern names. For convenience's sake, and to avoid confusion, I will use the names They are most known by; Their Greek/modern names. And as another side note, there are a lot of variations on this story. I will be piecing together a lot of different ideas but I will be leaving some things out for the sake of cohesion.
When Osiris came to Egypt, He found the people there to be chaotic and lawless. As King, He instituted laws and spread ma'at, which is truth, justice, harmony, and order. Egypt flourished under His rule and the people were incredibly happy, as all were equal, and with the fertility of the God-King, the crops were always bountiful and food was plenty. He brought not only law and prosperity, but also the right way to worship, and the teachings of agriculture.
Set, God of chaos, confusion, the desert, and of foreigners, and the youngest brother of the Ennead, grew to be quite jealous of His older brother. There are many variations and the most popular variation of this story comes from the end of the New Kingdom (1550-1070 BC), where Set fashions a fabulous coffin in the perfect measurements of Osiris, throws a party, and tells the party-goers that whomever the coffin fits may have the coffin as a gift. When Osiris fits perfectly, Set quickly shuts and bolts the coffin and throws it in the Nile (this version of the myth gives an origin to the idea that people who drowned in the Nile were holy). His coffin drifts downstream and into the Mediterranean, where it washes ashore in Phoenicia, in Byblos. The coffin wedges itself into a growing tamarisk tree, a tree which envelops the coffin. Eventually the tree is cut down and used as a pillar in the palace in Byblos.
Isis, Osiris' wife and sister, searched far and wide for Her husband, and did eventually find Herself in Byblos. The story is quite long and complicated, but in the end She convinced the King to give Her the pillar, and when she returned to Egypt, She hid Osiris in a swampy area of the Nile delta, and bade Her sister, Nephthys, to watch over Him while She went in search of healing herbs. But Seth heard that Osiris was back, and so after interrogating His sister-wife, Nephthys, He found Osiris, cut His body into pieces, and threw them into the Nile.
Isis was horrified at what transpired in Her absence, but She immediately set to work on finding the many pieces of Her husband with the help of Her sister, Nephthys. They managed to find every piece of His body except His phallus, which had been eaten by an oxyrhyncus fish, a fish that was thus forbidden to eat.
With the pieces of Osiris reassembled, and the healing powers of Isis in full power, Osiris was brought back to life, but incomplete. Isis assumed the form of a kite, and from above drew out the seed of Osiris, impregnating Herself with Their child: Horus the Younger. But Osiris, still incomplete, could not properly rule over the land of the living any longer.
This is why He is the ruler of the dead––He was once the king of the living, was killed, and was resurrected, and this is what every ancient Egyptian expected and hoped would happen to them: that they would die and be resurrected. In tombs and mortuary temples you will always see Pharaohs associating themselves with Osiris.
But this long myth I have just told you is not the only version of the story, and in my opinion, it is definitely the longest version of the story. Back in the Old Kingdom and Middle Kingdom there were several different versions; for example, Set's motive is different, ranging from revenge for Osiris kicking him, to revenge for Nephthys (Seth's sister-wife) sleeping with Osiris (which eventually births Anubis). Some texts claim that Seth took on the form of a wild animal, such as a crocodile or a hippopotamus, and killed Osiris that way. In others, Osiris is drowned. In some, the steps surrounding the coffin are skipped, and Osiris is simply cut up, and His pieces scattered around Egypt; a version which explains the many cult centers of Osiris claiming to be a place where Osiris is buried. Osiris' resurrection is also often helped along by other Gods such as Thoth (God of wisdom) and Anubis (God of embalming). In some versions, Set is killed for His actions. In most He is simply defeated and driven from the land, as chaos is necessary for balance and harmony, and thus cannot be killed. And the story that I have told is from the Late Period, recorded by Plutarch, and does not really go along with many Egyptian accounts, which often find Osiris' penis intact.
So that is the Osiris myth with all of its' intricacies and changing rhythms over the course of 4,000 years of Egyptian history. It embodies a huge amount of cultural practices and religious ideas within ancient Egypt, including the idea of truth, harmony, and justice, as well as resurrection, the afterlife, healing, and the workings of the cosmos. I've decided to leave out the later parts involving Osiris' son, Horus, and His fight with Set, for now because this does not directly involve Osiris, and that is our topic for this post.
Tradition, History, and Culture
Worship of Osiris dates back to the Old Kingdom, but the idea of Osiris is likely older than this. Before Osiris was actually Khentiamenti, an agricultural God centered in Abydos, a city which would later become the cult center of Osiris. Khentiamenti means 'Foremost of the Westerners', a title for the ruler of the dead, as the dead resided in the west, where the sun set each day. But Osiris Himself is not found mentioned in any texts or carvings until the 5th Dynasty, where He is depicted as a man wearing a divine wig. Later on He would take on the form we know Him best in––wrapped in a white mummy shroud, wearing an atef crown with ostrich plumes on the sides.
The mummy shroud He is depicted in forever associates Him with death and with the essential story behind Him, which is why I found it so important to start off with the Osiris Myth. This myth is also why He consumed and took the place of Khentiamenti; the name Khentiamenti, Foremost of the Westerners, instead became a title for Osiris as the King of the blessed dead. Another common epithet/name of Osiris is Wennefer (Omnophris), meaning 'The Beautiful One', 'The Beneficent One', and more archaically, 'One Whose Body Did Not Decay'. Among these names He was also called 'The Lord of Love', 'The King of Living', and 'The Eternal Lord'. From the Early Dynastic Period up until the end of the Ptolemaic Dynasty, when Rome conquered Egypt, Osiris was one of the most highly worshipped and revered Gods of Egypt.
Osiris was associated with the Nile river, with its' renewal and life-giving abilities, as one of Osiris' domains and powers was fertility, as well as rebirth. Another of His duties, evidence of which originates in the New Kingdom, was to act as judge of the dead; being King, He sat on the tribunal with the 42 Judges in the famous Weighing of the Heart ceremony. In this ceremony, which took place in the afterlife, the deceased would have to stand before the court and place their soul up for judgement. If it weighed lighter than the feather of Ma'at, representing all justice, truth, and harmony, then the heart acted well in life and would be allowed eternal happiness in the Field of Reeds. If not, the heart, and thus the person, would be consumed by Ammit and committed to nothingness. So Osiris would sit in on this tribunal and judge who entered His kingdom, as it was His domain. In this role, and in His role as King of the Living, as well, He was the embodiment of harmony, law, and justice.
"Most of his appeal was based on his embodiment of the cosmic harmony. The rising Nile was his insignia, and the moon’s constant state of renewal symbolized his bestowal of eternal happiness in the lands beyond the grave. In this capacity he also became the model of human endeavors and virtues..." (The Complete Gods And Goddesses Of Ancient Egypt, p.307)
As I mentioned earlier, Abydos became His cult center, as it was the cult center of the God who came before Him, whose traits He subsumed. It became a very popular burial site, as legends would say that Abydos was where Osiris was truly buried, and the people wanted to be buried as close as possible to Osiris. At one point they believed an ancient tomb there––which was actually the tomb of an Early Dynastic King––to be the tomb of Osiris, which they much revered, and left so many offerings in clay pots that Arabs would later call the site 'Umm el Qa'ab'; Mother of Pots. But this was not the only burial site of Osiris; since many variations of the myth include Set chopping up and dismembering Osiris into many parts, ranging from 14 to 42 different parts. These parts were scattered across Egypt, so many cities and nomes could claim that they had a part of Osiris buried in their domain. For example, far in the south, the island of Bigah claimed to be the burial site of Osiris' left leg, and thus the source for the yearly Nile inundation.
Going back to the Osiris Myth, after Osiris died and became the ruler of the dead, His son took His place as King of the Living: the falcon God, Horus (Heru the Younger). After the brief bout of chaos brought about under Set's rule, Horus took over (after much deliberation from the Gods) and order was restored. Because of this story, Pharaohs would not only associate themselves with Osiris in death, but with Horus in life. Each Pharaoh, as they came to the throne, would become the living embodiment of Horus on earth, the son of Osiris. In this way, Isis was also the mother of every Pharaoh, and their protector. And, to added extent, each Pharaoh would have a personal name, and then a Horus name granted to them when they ascended to the throne.
"It is for this reason that Osiris is so often depicted as a mummified pharaoh; because pharaohs were mummified to resemble Osiris. The image of the great mummified god preceeded the practice of preparing the royal body to look like Osiris... The king's appearance as modeled after Osiris' extended throughout his reign; the famous flail and shepherd's staff, synonymous with Egyptian pharaohs, were first Osiris' symbols as the flail represented the fertility of his land while the crook symbolized the authority of his rule." (Osiris, World History Encyclopedia, Joshua J. Mark)
Osiris can also be represented by a number of physical symbols, such as the crook and flail that He carries in almost all representations of His earthly form. The crook, which is the striped hook He carries, represents power/authority, and is a symbol of the Pharaoh. The flail, which is the instrument in His other hand, represents the fertility of the Nile, and as an extension, the fertility of Osiris Himself. But the crook and flail, though both seen typically as symbols of Pharaonic power, are actually the tools of a shepherd. There is reasonable evidence, thusly, to suggest that the physical origins of the idea of Osiris may not be that of a great King, but of a ruler of a shepherd tribe in the Nile Delta, whose rule was so beneficent that it led to him being worshipped as a God. For Egyptologists, this theory comes from His association with Andjety, a predynastic God-King worshipped in the Delta who also bore the crook and flail as His symbols. This, however, has not and likely cannot be fully proven. But the postulation is still interesting nonetheless!
Osiris' ba soul had its' own culture of worship, a practice of soul-worship that is prevalent in the cults of several other Gods, such as Hathor (HwtHer). In this form, Osiris was known as Banebdjedet, meaning 'The Ba of the Lord of the Djed,' which in English terms means 'The Soul of the Lord of the Pillar of Continuity', as ba means soul, and djed is the symbol for a pillar, which represented the backbone of Osiris. Interestingly, the name Banebdjedet is feminine, as the letter t denotes a feminine word or name in ancient Egyptian; although there are also variations on this name that exclude the t in favour of the alternative, Banebdjed. Banebdjedet, Osiris' ba soul, was worshipped mainly in Mendes, a city in Lower Egypt, in the Delta.
This leads to an interesting point concerning the androgyny of Osiris, a subject I found while researching for this post. Osiris' fertility comes from His castration and then being healed by the mother Goddess, Isis. Not only that, but both men and women identified themselves with Osiris in death. Then the name for His ba personified as another God is feminine, although representations of Banebdjedet are overwhelmingly male. Before anyone attacks me, I am not claiming that Osiris is a genderless God or King––just that He has some traits of androgyny, which I find interesting and love to study in ancient cultures, and I thought it would be good to mention for anyone else similarly interested.
Worship, Festivals, and Cult Activities
When it comes to the practices surrounding Osiris' cult, we actually know a good deal of information regarding the activities of worshippers and priests. Osiris' cult and worship was so widespread and lasted long enough that it could be recorded by the earliest Greek historians, and remained carved in temple walls for thousands of years. Among the most well-known cultic tradition is the Osiris Bed.
The Osiris Bed is rather well documented, as it was an object placed in tombs. It was not a bed for the deceased to lie in, but instead a box made of wood or clay, moulded into the shape of Osiris, in which the fertile Nile soil was placed and seeds were planted. These boxes were then wrapped in white mummy linens, and the seeds sprouted through, representing the resurrection and fertility of Osiris, and the crops that grew each year in cycles. One of the most famous of these beds was found in King Djer's tomb, a King from the Early Dynastic Period; the 2nd King ever of the unified Egypt. Coincidentally (or, perhaps, not so coincidentally) King Djer's tomb was the tomb which pilgrims believed to be Osiris' burial site.
While the Osiris Bed is far from the only practice and tradition of the Osiris cult, it does show the rich cultural practices and symbolism present in His worship. Let's look at some other examples of the practices of Osiris' cult.
Similar to the Osiris bed were Osiris gardens, which were essentially the same concept; fertile soil was planted inside a vessel shaped into the form of Osiris, and seeds were settled within to grow. These beds were tended to during festivals instead of being buried in a tomb.
There were a great many festivals, and each of them quite popular according to their time period, dedicated to the story and symbolism of Osiris. Some festivals started with recounting the mournings of Isis and Nephthys, Osiris' sister-wife and sister, in the form of a drama acted out in a call-and-response format. Another drama acted out for the glory of Osiris was more in the form of an actual fight that anyone could participate in; it was modelled after The Contendings of Horus and Set, which I briefly mentioned as a long and drawn-out argument between Horus and Set over who deserved Osiris' vacant throne after He had died. On this occasion, people would battle out and reenact the events of the story until the side of Horus finally won and victory was achieved. Afterwards, the celebrations commenced in honoring the restoration of order, and the gold-encased shAwyt-nTr (the Holy Statue) of Osiris would be taken out and lavished with offerings. Osiris, in the form of this statue, would be paraded throughout the city of Abydos before being placed in a shrine outside, where He could participate fully in the festivities, and be admired by the commoners who would usually never behold the face of Osiris. This emergence of Osiris from the dark temple's inner sanctuary to the light of the city resembled and represented His resurrection from death into life again. Although this particular festival was celebrated mainly in Osiris cult center of Abydos, it was also celebrated in other cities such as Bubastis in the Delta, Busiris, Memphis, and Thebes, in Upper Egypt.
The Mysteries of Osiris was a series of plays performed annually, and in dramatic, passionate form. It was one of the most popular observances of worshippers, and it told the story that I first told to you––of Osiris' life, His death at the hands of His brother, His resurrection at the hands of His sister-wife, and His ascension into the role we now know Him for. The roles in this reenactments were often taken up by high-ranking officials, and afterwards, the Contendings of Horus and Set would take place, which I just mentioned. These plays would take place over several days.
One festival was called The Fall of the Nile. During this time, the waters of the Nile would recede, and the worshippers of Osiris would go into mourning. One of Osiris' representation on earth was the Nile, and the Nile represented His fertility and life.
Another festival was celebrated on the 19th day of Pakhons, one of the months in the Egyptian calendar, which is roughly equivalent to May in our Gregorian calendar. On this day, the followers of Osiris would go to the river with shrines containing vessels of gold and metal, and would pour water into the Nile, exclaiming, "Osiris is found!" Mud and spices were mixed and moulded into the shape of Osiris, as well, to celebrate His return. Another festival similar to this one was called The Night of the Tear, and took place during modern-day June.
The last festival pertaining to Osiris that I will mention is the Djed pillar festival, held in modern-day January. The Pharaonic court and family would participate, raising djed pillars to welcome Osiris and the harvests that coincided with His return.
One last and interesting tradition that may seem familiar to Christians, at least in a small way, was the baking of bread in the shape of Osiris; bread as the flesh of the God, a sort of predecessor of communion wafers. But in reality the traditions of the Osiris cakes are completely different, and there were several different ways of going about it, depending on which nome you were from. In Dendera, wheat-paste models were made in the shape of each of the 16 dismembered parts of Osirs, and each model was sent out to the town where each respective part of Osiris was found by Isis. In Mendes, figures of Osiris were made of wheat and paste. On the day of the murder, they were placed in a trough, followed by water being added each day for several days. Afterwards, this mixture was kneaded into a dough, put into a mold of Osiris, and buried on the temple grounds.
Conclusion
This has been a somewhat brief glimpse into the cult, history, and traditions surrounding the Great God, The Beautiful Lord Osiris. If I can clarify anything please let me know and I will do my best!
Anya is live and ready to show you everything. Watch her strip, dance, and perform exclusive shows just for you. Interact in real-time and make your fantasies come true.
✓ Live Streaming✓ Interactive Chat✓ Private Shows✓ HD Quality✓ Free Actions
Free to watch • No registration required • HD streaming
am I the only one that gets kinda weirded out by folks who do tarot on real life people like celebrities and stuff? Because if you really believe in what they’re doing, they’re intentionally airing out folks’ business that the people wanted to be kept private and then putting it out in the public for others to see.
but those folks also tend to do vids that feel like they’re trying to capture vulnerable people like “are they thinking about you?” and stuff so idk what their morals are tbh
Anya is live and ready to show you everything. Watch her strip, dance, and perform exclusive shows just for you. Interact in real-time and make your fantasies come true.
✓ Live Streaming✓ Interactive Chat✓ Private Shows✓ HD Quality✓ Free Actions
Free to watch • No registration required • HD streaming
Tomb of Sefetjwa (Berlin Museum Nr. 15126) – Fifth Dynasty at Giza
s nb ir.ty=fy xt Dw r nwy
wnn wDa-mdw Hna=f in nTr aA
As for any man who will do something evil against this (tomb),
there will be judgement with him by the Great God.
Tomb of Seankhuiptah – Fifth Dynasty at Saqqara
… r aq im=f wab
mi wab r aq r is
n Ax iqr n kAi=f
n nfr n=f xr nTr
n qrs=f m Xrt-nTr
...(anyone who) will (not) enter into it pure,
like a pure one will enter the tomb
of an excellent spirit: his ka will not exist,
it is not good for him before the god,
there is not his burial in the necropolis.
Tomb of Petety – Fourth or Fifth Dynasty at Giza
rmT nb Hm-nTr 1wt-1r xnw Hw=f Dba.wy(?) tr
aq.ty=sn m nw
ir.ty=sn xt im Dw
in nTr nD=f w m-a=sn
ink imAxw n nb=f
n sp iry<=i> xt Dw r rmT nb
ir=f xt r<=i> Hr=s
in msH db mAi wnm=f sn
(As for) anyone, priest of Hathor or musician who strikes (an instrument?),
who will enter into this (tomb),
and who will do something evil there,
it is the god who protects me from them
as I am a revered one of his lord,
and I never did something evil against anyone.
(If) he does something against me about it,
it is the crocodile, the hippopotamus and the lion who will eat them.
rmT nb ir.ty=sn xt nb(t) Dw r nw
aq.ty=sn im ngw
msH r=sn m mw
HfAw r=sn Hr tA
db r=sn m mw
DArwt r=sn Hr tA
(As for) anyone who will do anything evil against this (tomb),
who will enter there destructively,
the crocodile is against them in the water,
the snake is against them on land,
the hippopotamus is against them in the water,
the scorpion is against them on land.
Tomb of Pehenwikai (Berlin Museum Nr. 304) – Fifth Dynasty at Abusir
[ir s nb aq.ty=fy Hr twt]=i pw m abw=f
ir s nb aq.ty=fy Hr twt=i pn m abw=f
wnn wDa-mdw Hna=f m bw nty wDa-mdw im
[ir] s st nb aq.ty=sn im=f m abw=sn
ir.ty=sn xt Dw r=f
m-xt nn Dd.n=i
wnn [wDa]-mdw [Hn]a=[s]n m [b]w wDa-mdw im
[As for any man who will enter by] this [statue] of mine in his impurity,
as for any man who will enter by these images of mine in his impurity,
there will be judgement with him in the place where judgement is.
[As for] any man or woman who will enter into it in their impurity,
who will do something evil against it
after this which I have said,
there will be [judgement with them] in [the place] where judgement is.
Tomb of Nykaankh – Fifth Dynasty at Tehna
ir s nb Xnn.ty=fy
wnn wDa-mdw Hna=f
As for any man who will disturb (the tomb),
there will be judgement with him.
Tomb of Nenki (Leipzig Inv. 359) – Sixth Dynasty at Saqqara
ir saH nb sr nb rmT nb
sSn.ty=fy inr nb Dbt nb m is=i pn
iw=i r wDa Hna=f in nTr aA
iw=i iTt Ts=f mi Apd
iw=i r rdit snD anxw nb tpw tA
n Axw imyw imnt
As for any dignitary, any magistrate, or any person
who will rip out any stone or any brick from this tomb of mine,
I will be judged with him by the Great God,
I will wring his neck like a bird,
and I will cause all the living upon earth to be afraid
of the akhs in the west.
Tomb of Merefnebef – Sixth Dynasty at Saqqara
ir [rmT nb aq].ty=sn r is pn n Dt
m abw=sn wnm.n=sn bwt
bwt Ax nt(y) xp r Xrt-nTr
ny wDa=sn abw=sn
mi wab=sn r Hwt-nTr nt nTr
rdiw sDb=sn Hr=s Dw wrt in nTr aA
As for [anyone] who will [enter] this tomb of eternity
in their impurity, having eaten an abomination
which an akh who has travelled to the necropolis abominates,
and they have not removed their impurity
as they purify (themselves) for the temple of a god,
their very evil obstacle is placed by the Great God because of it.
Tomb of Meni – Sixth Dynasty at Giza
msH ir=f m mw HfAw ir=f Hr tA
ir.ty=fy xt ir nw
n-sp ir=i xt ir=f
in nTr wDa=f
The crocodile is against him in the water and the snake is against him on land,
he who will do something against this (tomb),
as I have never done a thing against him.
It is the god who judges him.
Tomb of Khenu – Fifth Dynasty at Saqqara
i[r] s nb ir.ty=fy xt r nw
ir.n=i r imAx xr nb=i
wnn wDa-mdw Hna=f m bw nty wDa-mdw im
As for any man who will do something against this (tomb)
which I have made in order to be revered before my Lord,
there will be judgement with him in the place where judgement is.
These are all real examples of 'curses' or 'threat formulae' found in Ancient Egyptian tombs (cf. Colledge. S. (2015). The Process of Cursing in Ancient Egypt). So next time you hear of an Ancient Egyptian curse, you might want to picture these instead of mummies coming to life and everyone mysteriously dying. This is also why we try to steer people away from 'oooh spooky curses' to more of a threat of action 'if you do this the gods will be disappointed'.