Pandora, unknown artist (School of Fontainebleau), between ca. 1530 and ca. 1610

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Pandora, unknown artist (School of Fontainebleau), between ca. 1530 and ca. 1610

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Items in an English ruin, 1964
Terence Spencer
Ferdinand Keller (German, 1842-1922) - Romantic scene
Luis Ricardo Falero-Le vin ginguet (1887)
Medea, 1873 Anselm Feuerbach

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Robert Spear Dunning - "Cherries" (1871)
Abstract Canapé cover art, Leif Podhajsky, 2013
original photography by Juergen Teller
x
Sir George Frampton Lamia (1899-1900) Ivory, bronze, opals, glass (610 X 553 X 254 mm) Given by Meredith Frampton, R.A., 1938 and Lady Frampton, 1938
Source:
With its use of polychromatic materials and melancholic subject matter of the femme fatale, Lamia epitomises the ideals of the late 19th century Symbolist movement. Frampton’s figure is not the sorceress of classical tradition but the Lamia of John Keats’s eponymous poem (1819). Keats’s Lamia is a beautiful serpent-like creature who assumes female form to win the love of the mortal Lycius. When her true nature is exposed at their wedding, she vanishes and her husband dies.
Embroidered and Drawnwork Lace Veil, ca. mid 19th century
via Augusta Auctions
Kehinde Wiley, Bound, 2015. Bronze.
Kehinde Wiley (American, 1977), Bound, 2014. Bronze, 65 x 45 1/2 x 44 in. Brooklyn Museum, New York City

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Janet Jumbo by Camila Akran for Elle France Magazine March 2025
Marcel Arnould (1928 - 1974)
1965
Naomi Campbell / Chrome Hearts
vogue us / march 1 1984 / photography by Oliviero Toscani

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Awar Odhiang @ Vogue World Hollywood 2025