can you feel the beating of my artless heart?

Traveling: In late 2022 I got it into my head that it would be really cool and fun to plan a trip as if we were touring, going from location to location within a span of 2 weeks. I really wanted to go back to Spain, James has always wanted to go to Morocco, so I routed a trip from Madrid to Tangier and back, with stops in Granada and Seville along the way (and also we went to see Suede, because why not). This was an intense journey that involved multiple buses, trains, shuttles to ferries, and plenty of taxis, and I'm pretty shocked and impressed that we pulled it off without sleeping through any departure times or losing any belongings (apart from a pair of earrings of mine that fell out of my purse and got crushed in Granada). The whole trip was a highlight not only of the year but of our lives in general and I'll absolutely never forget getting lost in the Ancien Medina in Tangier, something which I still dream about on the reg.

I Think You Should Leave: This has been an intellectually rich year in terms of films and television shows. The third season of Tim Robinson's completely unhinged Netflix series isn't part of that particular conversation, yet nothing I've watched this year has brought me more joy. I've easily watched the "Jellybean" sketch alone about 15 times, and could easily watch it twice that many more with no threat of it ever getting old. Absolutely insane, ceaselessly hilarious, and sometimes even emotionally stirring. May Netflix renew this 100 times over.

PJ Harvey - I Inside the Old Year Dying: I'm maybe a minority PJ Harvey fan because I find her later output far more interesting than her early, more iconic records (excepting To Bring You My Love and Is This Desire? here). This maybe didn't stir me quite as much as The Hope Six Demolition Project, which I found to be truly radical, but it neither felt like a retread (although surface listens might lead some to write it off as a return to White Chalk-era atmospherics). Outside of the record itself, the video for the title song is outstanding, and all her collaborators (including the directors of the video, animators Cristóbal León and Joaquín Cociña) were expertly chosen. Personally, Ben Whishaw singing lines from "Love Me Tender" is something beyond even my wildest dreams (Fun fact: I met Ben Whishaw forever ago and gave him a PJ Harvey button I made, so this collaboration in particular is quite the full circle).

Books By Friends: This year I read several recent books: HellSans by Ever Dundas, Our Share of Night by Mariana Enriquez and The Ghost Theatre by Mat Osman, all very different novels but all incredible in their own right ( I believe I technically read Ever's book last year but including it here anyway because I loved it that much). HellSans is a dystopian cyber-horror that satisfied my love of experimental writing and body horror alike, Our Share of Night is a touching story about a complicated familial relationship with heavy occult overtones, and The Ghost Theatre is a lush historical fiction that at times reminded me of Patrick Suskind's Perfume in terms of sensory details. All three novels solidified all future output from these writers as must reads for me, regardless of genre designations.

Movies: A short sub-list of 12 movies I watched this year that I liked enough to rank:

12) The Passenger (director: Carter Smith): Kyle Gallner is the #1 scream king to me and I'll watch pretty much whatever he's in as he usual picks interesting roles - plus, he makes me happy to be from Pennsylvania, and I can't say that about many people. Anyway, I've watched like three movies he was in this year alone but The Passenger was the stand out for its Falling Down-esque intro and fucked up reveals.

11) Beau is Afraid (director: Ari Aster): Docking this a few points because I think Ari Aster is pretty overrated, but I can't deny that this was an absolute trip to see in a movie theater. A quietly brilliant performance by Joaquin Phoenix as well.

10) The Royal Hotel (director: Kitty Green): Anything set in Australia instantly piques my interest, even moreso when it's as indebted to Wake in Fright as this film is. It wasn't the strongest year for horror films, and The Royal Hotel would probably be largely categorized as horror-adjacent, but it made me feel absolutely dreadful all the same.

9) Infinity Pool (director: Brandon Cronenberg): The unease I got watching this didn't totally stick, but the weird as shit Mia Goth performance certainly did.

8) Dream Scenario (director: Kristoffer Borgli): Very on the nose but I still laughed like a fiend over the whole "dreamfluencer" bit. Tremendous Nicholas Cage performance to boot.

7) Saltburn (director: Emerald Fennell): Sorry, loved its audacity and the way everybody in it dressed and how everything looked. A bit shallow but sometimes if everything looks great, I can hardly give a shit about any deeper meaning. Also, Barry Keoghan is absolute superstar and I don't use that term lightly.

6) Talk To Me (director: Danny and Michael Philippou): Easily my favorite straight-up horror film (not horror-adjacent) since It Follows, to which it certainly owes a debt. Funny, fucked up, and an amazing debut by Sophie Wilde, who gave the most underrated horror performance of the year imo.

5) Oppenheimer (director: Christopher Nolan): I liked it enough but what I liked even more was an on the surface "men's film" being embraced and subverted by a diverse, sometimes irreverent, audience (just look up Oppenheimer on Know Your Meme or TV Tropes and you'll get what I mean). July 2023 was a glorious period of people celebrating films and for one brief moment everyone seemed to love small, beautiful men just as much as I do.

4) Asteroid City (director: Wes Anderson): I'm generally iffy on Wes Anderson but this was just gorgeous and a truly profound experience that I'm still revisiting regularly and piecing together in my mind. If Jarvis Cocker doesn't get an Oscar nomination for Best Original Song with "Dear Alien," I will punch through a wall and all the way into a different reality.

3) Killers of the Flower Moon (director: Martin Scorsese): No movie has angered me this much since Judas and the Black Messiah in terms of a despicable moment in human history, but of course it was extremely gripping and moving, too. Say it's boring all you want but nothing this year has packed as much poignancy as that ending.

2) Anatomy of a Fall (director: Justine Triet): Best ever child acting in a film, best ever dog acting in a film.

May December (director: Todd Haynes): Todd Haynes is so intelligent, I love hearing him discuss his films and he's without a doubt one of the all-time greats for me. Even with my high expectations for everything that he does, May December still blew my mind. The marriage of Lifetime aesthetics with arthouse cinema is insanely deft, the "final showdown" between Julianne Moore and Natalie Portman's characters is absolutely chilling, and Charles Melton crying behind that fence will stay with me long, long after this year has ended.

Protomartyr Live at Johnny Brenda's: I really liked Protomartyr's 2023 release Formal Growth in the Desert, but it didn't fully hit until I attended this gig. It's been hard to get excited for gigs in the post-Covid era, but when that happens I'm reminded again of the pleasures of live music and its overall importance. I've seen Protomartyr several times in the past but in my humble opinion they've never been better than right now. Wanted to experience the whole show again as soon as it ended. The projections were really cool, too.

Living with a Cat: My parents got a kitten this year and shortly thereafter a cat mysteriously appeared in our alley. She was very scared and hungry, so we fed her and she found her way inside our home shortly after that. Cats are a lot of work, but she also brings us a lot of happiness and comfort. Sometimes she'll for real wink at me and it's very cute. Her backstory is a total mystery but she was clearly a house cat and we're very delighted to give her a new, happy home.

Swarm: Atlanta is one of my favorite things ever, plus fandoms and horror are two major interests of mine, so it was pretty inevitable that I would love this. The show was brilliant in itself, but Dominique Fishback was particularly phenomenal and delivered the horror monologue to beat going forward. A wild, funny, wicked ride.

Our first gig in Boston: We only played three shows this year but the best by far was our set in Boston at the Dark Springs Boston festival this past May. We played a bunch of our new, as yet unreleased, songs for the first time, met some bands we'd been longtime fans of, and just generally had a great time. Sitting down at the bar afterward, we met some festgoers who were genuinely star-struck, which was both flattering and very, very funny. May that be the first of many such experiences.

The Bear Season 2: Fishes and Forks. Enough said.

Cillian Murphy's Radio Show on 6Music: I listened to previous series of Cillian Murphy's Limited Edition radio show and it was my favorite thing then, but 2023's iteration was somehow better than ever. Played lots of Aldous Harding, my favorite cover song ever (Sonic Youth's cover of "Superstar"), and I'm still shocked that he threw in something from Cindy Lee, whose music I had just discovered like two weeks prior (and from a Protomartyr interview! Everything is connected!).