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Anthony Cudahy (American, 1989), Dowsing (studio), 2024. Oil on linen, 96 x 72 in.

Daniel Mercadante has a slate of unique films under his belt, made in partnership with his wife Katina, as The Mercadantes, including Ball and Breathe. More recently, Daniel has been exploring the still image in a colorful series called Rainbow Road. Using long exposure photography and a  custom built lighting rig covered in colored gels, the process of creating the images is surprisingly simple: the roads are created by Daniel running around with the lighting rig. No other post-production manipulation occurs, other than basic color and exposure balancing. 

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Anonymous Figures Struggle Against Nature in Porcelain Sculptures by Claudia Fontes

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Huntsman spider playing super smash brothers melee on the nintendo gamecube

These Ryan McGinley photographs were shot during a glacial New York winter, in which naked young things squirm and blossom amid acres of white. McGinley prints these excellent photographs in studiously low resolution, which imbues the white of the snow and ice with strange chromatic variety. Near one of the Finger Lakes, an ecstatic model runs toward a waterfall frozen into pillars of ice. The blue snow beneath her bare feet is flecked with pixels of red, as if McGinley’s camera could not contain its grandeur.

Frozen roses #5

clothes of wood, a series by kurdish artist aso mohammadi

“Wing” by Woshibai

Black and white Xerox posters were a major part of the 1970s counterculture aesthetic. Artist and graphic designer Marlene Weisman guest hosts a special Club 57 takeover edition of IN THE STUDIO and demonstrates how to transfer the ink from Xerox prints to a new sheet of paper to create collages, posters, and other works of art using the same pre-Photoshop technique that she used in the 1970s and ‘80s.