Tallit, Germany, 18th or 19th century
Silk damask, appliquรฉ panels: ribbed brocaded silk, metal thread braid and purl embroidery
Hebrew inscription: Keter Torah (โCrown of Torahโ)
tumblr dot com
Sweet Seals For You, Always
wallacepolsom

Product Placement

Kaledo Art

Origami Around
dirt enthusiast
KIROKAZE

titsay
ojovivo
PUT YOUR BEARD IN MY MOUTH
Aqua Utopia๏ฝๆตทใฎๅบใง่จๆถใ็ดกใ

็ฅๆฅ / Permanent Vacation
i don't do bad sauce passes
Xuebing Du
Jules of Nature
cherry valley forever

Love Begins

Janaina Medeiros
Misplaced Lens Cap
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@sethrogensmohel
Tallit, Germany, 18th or 19th century
Silk damask, appliquรฉ panels: ribbed brocaded silk, metal thread braid and purl embroidery
Hebrew inscription: Keter Torah (โCrown of Torahโ)

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Glass, hand painted mizrah plaque from Sopronkeresztรบr, Hungary.
From the collection of the Museum of Ethnography.
lol first time seeing "AI" written in yiddish
met a recent grad over the weekend who, completely seriously, after i asked where he went to school, said โnew jersey, a university in a small town called princeton, itโs like halfway between new york and philadelphiaโ brother weโve all heard of princeton

Anya is live and ready to show you everything. Watch her strip, dance, and perform exclusive shows just for you. Interact in real-time and make your fantasies come true.
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Have you ever went no contact with relatives and friends because of where you live?
no???
Have you ever met someone who has the same first and last name as a famous person (The spelling can differ)?
Yes
No
on the occasion of jerusalem pride i am thinking of the banner at dyke march that said in hebrew โwe fuck in the ass so we donโt make more soldiersโ
on the occasion of jerusalem pride i am thinking of the banner at dyke march that said in hebrew โwe fuck in the ass so we donโt make more soldiersโ
For Nowruz, the Persian New Year, enjoy these Torah Finials from Persia (now Iran), on view in Scenes from the Collection. The Star of David was a frequent motif in Iranian Jewish ceremonial art of the late nineteenth and twentieth centuries.

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not now kitten mommy is trying to finish โdoes the jewish body keep the score?โ
Nahalla, Morocco, 1871 CE
The curator writes: "According to an informant, the Talit corner was used for 'Nahala.' The object was placed at the seat of a deceased person in the synagogue during his memorial year"
The Hebrew reads: "Moshe A'tias may the Lord sustain him and grant him favor."
nothing says biblical like the cookie monster and elmo
A song of the Vilna ghetto. An 11-year old boy Alexander Volkoviski wrote this prize-winning melody in a ghetto contest. Shmerke Kaczerginski then set words to the tune, and Chava Alberstein's version is the best.
Quiet, quiet, letโs be silent, Dead are growing here. They were planted by the tyrant, See their bloom appear. AII the roads lead to Ponar now, There are no roads back, And our father too has vanished, And with him our luck. Still, my child, donโt cry, my jewel, Tears no help commands, Our pain callous people Never understand. Seas and oceans have their order. Prison also has its border, But to our plight There is no light. There is no light.
Spring has come, the earth receives her Bui to us brings fall. And the day is filled with flowers, To us darkness calls. Autumn leaves with gold are softened, In us grow deep scars, And a mother somewhere orphaned Her child in Ponar. Now the river too is prisoner- Is enmeshed in pain- While the blocks of ice tear through her, To the ocean strain. Still, things frozen melt, remember, And cold winds to warmth surrender- Future bring a smile- So calls your child, So calls your child.
Quiet, quiet, wells grow stronger Deep within our hearts, Till the gates are there no longer. No sound must impart. Child, rejoice not, itโs your smiling That is not allowed, Let the foe encounter springtime As an autumn cloud. Let the well flow gently onward, Silent be and dream . . . Coming freedom brings your father, Slumber, child serene. As the river liberated, Springtime green is celebrated Kindle freedomโs light, It is your right, It is your right.
ืฉืืืืขืจ, ืฉืืืืขืจ, ืืึธืืืจ ืฉืฐืฒึทืื, ืงืึฟืจืื ืฐืึทืงืกื ืืึธ. ืกืณืืึธืื ืืฒ ืคึฟืึทืจืคึฟืืึทื ืฆื ืื ืฉืืื ืืื: ืืจืื ืขื ืืฒ ืฆืื ืืืึธ. ืกืณืคึฟืืจื ืฐืขืื ืฆื ืคึผืึธื ืึทืจ ืฆื, ืกืณืคึฟืืจื ืงืฒื ืฐืขื ืฆืืจืืง, ืืื ืืขืจ ืืึทืืข ืฐืึผ ืคึฟืึทืจืฉืฐืึผื ืื, ืืื ืืื ืืื ืืึธืก ืืืืง. ืฉืืืืขืจ, ืงืื ื ืืฒึทื ืก, ืฐืฒื ื ืื, ืืืฆืจ, ืกืณืืขืืคึฟื ื ืื ืงืฒื ืืขืฐืฒื, ืืื ืืืขืจ ืืืืืืืง ืฐืขืื ืฉืืื ืืื, ืกืฒึท ืฐื ื ืื ืคึฟืึทืจืฉืืฒื. ืกืณืืึธืื ืืจืขืืขืก ืืฑื ืื ืืืขื, ืกืณืืึธืื ืชึผืคึฟืืกืืช ืืฑืืขื ืฆืึทืืขื, ื ืึธืจ ืฆื ืืื ืืืขืจ ืคึผืฒึทื ืงืฒื ืืืกื ืฉืฒึทื, ืงืฒื ืืืกื ืฉืฒึทื.
ืคึฟืจืืืื ื ืืฑืคึฟื ืืึทื ื ืืขืงืืืขื, โ ืืื ืืื ืื ืืึทืจืืกื ืืขืืจืึทืื. ืืื ืืขืจ ืืึธื ืืฒึทื ื ืคึฟืื ืืื ืืืืืขื, โ ืืื ืื ืืขื ื ืึธืจ ืื ื ืึทืื. ืืึธืืืืงื ืฉืฑื ืืขืจ ืืึทืจืืกื ืืฑืฃ ืฉืืึทืืขื, โ ืืืื ืืื ืืื ืื ืืขืจ ืฆืขืจ: ืืืฒึทืื ืคึฟืึทืจืืชืืื ืฐืึผ ืึท ืืึทืืข; ืกืณืงืื ื ืืฒื ืืฑืฃ ืคึผืึธื ืึทืจ. ืฐื ืื ืฐืืืึดืข ืึท ืืขืฉืืืืืข โ ืืณืืฑื ืืขืืึธืื ืืื ืคึผืฒึทื, โ ืฆืึดืขื ืงืจืึดืขืก ืืฒึทื ืืืจื ืืืืข ืืืฆื ืืื ืื ืึทืจืฒึทื. ืกืณืฐืขืจื ืืขืจ ืืืฉื ืฐืึผ ืฆืขืจืื ืขื, ืคึฟืื ืืขืจ ืคึฟืื ืฆืืขืจ ืืฒึทืืื ืืื ืขื โ ืจืฒึทืืขืจ, ืงืื ืืขืฉืฐืื ื, โ ืืื ืจืืคึฟื ืืฒึทื ืงืื ื, ืืื ืจืืคึฟื ืืฒึทื ืงืื ื.
ืฉืืืืขืจ, ืฉืืืืขืจ, ืกืณืงืฐืขืื ืงืฐืึทืื ืืื ืื ืืื ืืึทืจืฅ ืึทืจืื, ืืื ืืขืจ ืืฑืขืจ ืฐืขื ื ืื ืคึฟืึทืื ืืฒึทื ืืืจ ืืืื ืฉืืื. ืคึฟืจืฒ ื ืื, ืงืื ื, ืืื, ืกืณืืื ืืฒึทื ืฉืืฒืื ืืืฆื ืคึฟืึทืจ ืืื ืื ืคึฟืึทืจืจืึทื, ืืขื ืืขื ืคึฟืจืืืื ื ืืึธื ืืขืจ ืฉืืื ื ืฐื ืืื ืืึทืจืืกื ืึท ืืืึทื. ืืึธื ืืขืจ ืงืฐืึทื ืืื ืจืืึดืง ืคึฟืืืกื, ืฉืืืืขืจ ืืฒึท ืืื ืืึธืฃ. . . ืืื ืืขืจ ืคึฟืจืฒึทืืฒื ืงืืื ืจืขืจ ืืึทืืข, ืฉืืึธืฃ ืืฉืข, ืงืื ื ืืฒึทื, ืฉืืึธืฃ, ืฐื ืื ืฐืืืึดืข ืึท ืืึทืคึฟืจืฒึทืืข, ืฐื ืื ืืฒืืขืจ ืืจืืึพืืึทื ืฒึทืืข ืืฒึทืื ืืึทืื ืคึฟืจืฒึทืืฒืืกึพืืืื ืืฑืฃ ืืฒึทื ืืขืืืื, ืืฑืฃ ืืฒึทื ืืขืืืื
whyyyyy does everything feel bad all the time

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Poland, 19th century. Egg decorated with micrographic text from the Song of Songs, handwritten in ink, 7 x 5.
โFrom the 18th century, and perhaps even earlier, hollow eggs on which sacred texts had been written in micrography were used to decorate European sukkahs. Not all the texts related directly to the holiday of Sukkot, the Festival of Booths: this example has Song of Songs 1-4:7 inscribed in minuscule letters. At times feathers were added to the hanging egg, so that it looked like a bird in flight."
Wild boars โค๏ธ๐ฝ